This book explores the ways in which past cultures have been used to shape colonial and postcolonial cultural identities. It provides a theoretical framework to understand these processes, and offers illustrative case studies in which the agency of ancient peoples, rather than the desires of antiquarians and archaeologists, is brought to the fore.

Gandhara is a name central to Buddhist heritage and iconography. It is the ancient name of a region in present-day Pakistan, bounded on the west by the Hindu Kush mountain range and to the north by the foothills of the Himalayas. ‘Gandhara’ is also the term given to this region’s sculptural and architectural features between the first and sixth centuries CE. This book re-examines the archaeological material excavated in the region in the nineteenth and early twentieth centuries and traces the link between archaeological work, histories of museum collections and related interpretations by art historians. The essays in the volume underscore the diverse cultural traditions of Gandhara – from a variety of sources and perspectives on language, ethnicity and material culture (including classical accounts, Chinese writings, coins and Sanskrit epics) – as well as interrogate the grand narrative of Hellenism of which Gandhara has been a part. The book explores the making of collections of what came to be described as Gandhara art and reviews the Buddhist artistic tradition through notions of mobility and dynamic networks of transmission. Wide ranging and rigorous, this volume will appeal to scholars and researchers of early South Asian history, archaeology, religion (especially Buddhist studies), art history and museums.

This book traces the archaeological trajectory of the expansion of Buddhism and its regional variations in South Asia. Focusing on the multireligious context of the subcontinent in the first millennium BCE, the volume breaks from conventional studies that pose Buddhism as a counter to the Vedic tradition to understanding the religion more integrally in terms of dhamma (teachings of the Buddha), dāna (practice of cultivating generosity) and the engagement with the written word. The work underlines that relic and image worship were important features in the spread of Buddhism in the region and were instrumental in bringing the monastics and the laity together. Further, the author examines the significance of the histories of monastic complexes (viharas, stupas, caityas) and also religious travel and pilgrimage that provided connections across the subcontinent and the seas. An interdisciplinary study, this book will be of great interest to students and scholars in South Asian studies, religion, especially Buddhist studies, history and archaeology.

This book presents new studies on intellectual and cultural interactions in the context of Buddhist heritage and Indo-Japanese dialogue in the late 19th and early 20th centuries on art, religion, and cultural politics. By revisiting Buddhist connections between India and Japan, it examines the pathways of communication on common aesthetic and religious heritage that emerged in the backdrop of colonial experiences and the rise of Asian nationalisms. The volume discusses themes such as Asian arts and crafts under colonialism, formation of East Asian art collections, development of Buddhist art history in Japan, Japanese encounters with Ajanta, India in the history of the Shinto tradition, Japan in India’s xenology, and Buddhism and world peace, and suggests paradigms of reconnecting cultural heritage within a global platform. With essays from experts across the world, this book will be an essential read for scholars and researchers of history, art history, ancient Indian history, colonial history, heritage and cultural studies, South Asian and East Asian history, visual and media studies, Asian studies, international relations and foreign policy, and the history of globalization.

Religious icons have been a contested terrain across the world. Their implications and understanding travel further than the artistic or the aesthetic and inform contemporary preoccupations.This book traces the lives of religious sculptures beyond the moment of their creation. It lays bare their purpose and evolution by contextualising them in their original architectural or ritual setting while also following their displacement. The work examines how these images may have moved during different spates of temple renovation and acquired new identities by being relocated either within sacred precincts or in private collections and museums, art markets or even desecrated and lost. The book highlights contentious issues in Indian archaeology such as renegotiating identities of religious images, reuse and sharing of sacred space by adherents of different faiths, rebuilding of temples and consequent reinvention of these sites. The author also engages with postcolonial debates surrounding history writing and knowledge creation in British India and how colonial archaeology, archival practices, official surveys and institutionalisation of museums has influenced the current understanding of religion, sacred space and religious icons. In doing so it bridges the historiographical divide between the ancient and the modern as well as socio-religious practices and their institutional memory and preservation. Drawn from a wide-ranging and interdisciplinary study of religious sculptures, classical texts, colonial archival records, British travelogues, official correspondences and fieldwork, the book will interest scholars and researchers of history, archaeology, religion, art history, museums studies, South Asian studies and Buddhist studies.

This book presents one of the first accounts of Christianity in colonial India by a nun. Set in Goa in the early eighteenth century, this translation of Soror Magdalena’s account from Portuguese brings to life a watershed moment in the politics of Christian faith in early colonial India. The volume recounts the nuns’ rebellion against the then Archbishop of Goa, Dom Frei Ignaçio de Santa Teresa. In their account they accused him of mistreating the nuns and implored the Superior General and the King of Portugal to replace him. It sketches the intricate relationships between the nuns themselves, the clerical and secular authorities, the fidalgos and the lower classes, Hindus and Catholics, and nuns and priests. It goes on to discuss the convent’s finances and the controversies surrounding them, the politics of the Church, as well as contemporary preoccupations with miracles and demons. Expertly annotated and introduced by Daniel Michon and David Addison Smith, this book is key to understanding Portuguese colonial rule in India. It will be of great interest to scholars and researchers of South Asian studies, Portuguese studies, religion, especially Christianity, and colonialism.

This volume breaks new ground by conceptualizing physical landscapes as living cultural bodies. It redefines dynamic cultural landscapes as catalysts in which the natural world and human practice are inextricably linked and are constantly interacting. Drawing on research by eminent archaeologists, numismatists and historians, the essays in this volume • Provide insights into the ways people in the past, and in the present, imbue places with meanings; • Examine the social and cultural construction of space in the early medieval period in South Asia; • Trace complex patterns of historical development of a temple or a town, to understand ways in which such spaces often become a means of constructing the collective past and social traditions. With a new chapter on continuity and change in the sacred landscape of the Buddhist site at Udayagiri, the second edition of Negotiating Cultural Identity will be of immense interest to scholars and researchers of archaeology, social history, cultural studies, art history and anthropology.