Archaeological Concepts, Techniques, and Terminology for American Prehistory Lithic Technology by Wm Jack Hranicky is a 600-page comprehensive publication that encompasses the study of American prehistoric stone tools and implements. It is a look-up volume for studying the material culture of prehistoric people and using its concepts and methods for researching this aspect of archaeology. There are over 3000 entries which are defined and illustrated. It also has an extensive set of references and an overview for the study of stone tools.

This dictionary is a starting publication to learn the vocabulary used by archaeologists for studying prehistoric stone tools. It contains definition, drawings, examples, quotes from other archaeologists. It cover stone tools from the paleo-era to European contact. It nearly 600 pages covers every aspect of prehistoric lithic technology.

Jack Hranicky is a retired U.S. Government contractor, but he has been involved with archaeology as a full-time passion for over 40 years. His main interest is the Paleo-Indian period; however, he has worked in all facets of American archaeology. He has published over 250 papers and over 35 books in archaeology with his most recent being a two-volume, 800-page, 10,000-artifact book on the material culture of Virginia. In Virginia, he is considered an expert on prehistoric stone tools and rockart. The prehistoric Spout Run Observatory site was investigated by him which dated 10,470 YBP. He has served as president of the Archeological Society of Virginia (ASV) and Eastern States Archeological Federation (ESAF), and been past chairman of the Alexandria Archaeology Commission in Virginia. He is a charter member of the Registry of Professional Archaeologists (RPA). And, since he joined the Archeological Society of Virginia (ASV) in 1966, he is its senior member. And finally, his major publication is Bipoints Before Clovis.

This book is a full-color study of over 500 pre-Clovis stone artifacts of Virginia. With the 22K-year date of the Cinmar bipoint in Virginia, there is ample evidence of artifact classes that are older than Clovis. Over 50 tool types are illustrated and discussed. Artifact single-site collections are documented. The book argues the differences between Holocene biface technology with the blade and core technology of the Pleistocene era. The requirements for identifying Pleistocene artifacts is presented, such as platforms, remaining cortex, and invasive retouch. They are presented in a tool model. Major stones, namely jasper, are discussed as a lithic determinism. The east coast distribution is presented for various tool types. Additionally, as a major focus, cross-Atlantic flake/blade identical tools from Europe are illustrated with Middle Atlantic artifacts. Artifact ergonomics, such as right-left handed tools, hypothetical tool center, are argued. Structural and functional axis are shown and described on how to identify them on tools. Overall, this book presents an initiating view of the archaeology needed to study Pleistocene era artifacts on the American east coast.

"In Unmaking Waste, Sarah Newman asks what happens when there are disagreements about what constitutes waste and what one should do with it, both at singular moments in time (for example, when ideas about waste collide in emerging colonial contexts) and across time (such as between those who left things behind in the past and the archaeologists who recover them). Newman examines ancient Mesoamerican understandings of waste, Euro-American perceptions of waste in New Spain, and early modern European ideals of civility and Christian understandings of good and bad, expressed metaphorically through cleanliness and filth. These differing perceptions, Newman argues, demands that we rethink centuries of assumptions imposed on other places, times, and peoples: so long as "waste" remains a category misunderstood to be common-sensical and stable, archaeological methods will prove unequal to their task. Newman instead proposes "anamorphic archaeology," an approach that emphasizes the possibility that archaeological objects have multiple physical and conceptual lives"--

This book surveys the archaeological record for stone tools from the earliest times to 6,500 years ago in the Near East.

The destruction of ancient monuments and artworks by the Taliban in Afghanistan and the Islamic State in Iraq and Syria has shocked observers worldwide. Yet iconoclastic erasures of the past date back at least to the mid-1300s BCE, during the Amarna Period of ancient Egypt's 18th dynasty. Far more damage to the past has been inflicted by natural disasters, looters, and public works. Art historian Maxwell Anderson's Antiquities: What Everyone Needs to Know(R) analyzes continuing threats to our heritage, and offers a balanced account of treaties and laws governing the circulation of objects; the history of collecting antiquities; how forgeries are made and detected; how authentic works are documented, stored, dispersed, and displayed; the politics of sending antiquities back to their countries of origin; and the outlook for an expanded legal market. Anderson provides a summary of challenges ahead, including the future of underwater archaeology, the use of drones, remote sensing, and how invisible markings on antiquities will allow them to be traced. Written in question-and-answer format, the book equips readers with a nuanced understanding of the legal, practical, and moral choices that face us all when confronting antiquities in a museum gallery, shop window, or for sale on the Internet.