This book explores the insights that Cultural Astronomy provides into the classical Roman world by unveiling the ways in which the Romans made use of their knowledge concerning the heavens, and by shedding new light on the interactions between astronomy and heritage in ancient Roman culture. Leading experts in the field present fascinating information on how and why the Romans referred to the sky when deciding upon the orientation of particular monuments, temples, tombs and even urban layouts. Attention is also devoted to questions of broader interest, such as the contribution that religious interpretation of the sky made in the assimilation of conquered peoples.When one considers astronomy in the Roman world it is customary to think of the work and models of Ptolemy, and perhaps the Julian calendar or even the sighting of the Star of Bethlehem. However, like many other peoples in antiquity, the Romans interacted with the heavens in deeper ways that exerted a profound influence on their culture. This book highlights the need to take this complexity into account in various areas of research and will appeal to all those who wish to learn more about the application of astronomy in the lives and architecture of the Romans.

This book explores the insights that Cultural Astronomy provides into the classical Roman world by unveiling the ways in which the Romans made use of their knowledge concerning the heavens, and by shedding new light on the interactions between astronomy and heritage in ancient Roman culture. Leading experts in the field present fascinating information on how and why the Romans referred to the sky when deciding upon the orientation of particular monuments, temples, tombs and even urban layouts. Attention is also devoted to questions of broader interest, such as the contribution that religious interpretation of the sky made in the assimilation of conquered peoples. When one considers astronomy in the Roman world it is customary to think of the work and models of Ptolemy, and perhaps the Julian calendar or even the sighting of the Star of Bethlehem. However, like many other peoples in antiquity, the Romans interacted with the heavens in deeper ways that exerted a profound influence on their culture. This book highlights the need to take this complexity into account in various areas of research and will appeal to all those who wish to learn more about the application of astronomy in the lives and architecture of the Romans.

The book is divided into two parts. In the first, the reader is taken on an ideal ‘world tour’ of many wonderful and enigmatic places in almost every continent, in search of traces of astronomical knowledge and lore of the sky. In the second part, Giulio Magli uses the elements presented in the tour to show that the fundamental idea which led to the construction of the astronomically-related giant monuments was the foundation of power, a foundation which was exploited by ‘replicating’ the sky. A possible interpretive model then emerges that is founded on the relationship the ancients had with “nature”, in the sense of everything that surrounded them, the cosmos. The numerous monumental astronomically aligned structures of the past then become interpretable as acts of will, expressions of power on the part of those who held it; the will to replicate the heavenly plane here on earth and to build sacred landscapes. Finally, having formulated his hypothesis, Professor Magli returns to visit one specific place in detail, searching for proof. This in-depth examination studies the most compelling, the most intensively studied, the most famous and, until recently, the most misunderstood sacred landscape on the planet - Giza, in Egypt. The archaeoastronomical analysis of the orientation of the Giza pyramids leads to the hypothesis that the pyramids of Cheops and Chephren belong to the same construction project.

Archaeoastronomy is a rapidly developing interdisciplinary inquiry into the minds of our prehistoric and ancient ancestors, one that attempts to reconstruct the ways in which early peoples made use of the sky and its significance to them. Astronomy appears to be a fundamental component of culture, making the scope of archaeoastronomy worldwide. Thi

This book provides the first complete, easy to read, up-to-date account of the fascinating discipline of archaeoastronomy, in which the relationship between ancient constructions and the sky is studied in order to gain a better understanding of the ideas of the architects of the past and of their religious and symbolic worlds. The book is divided into three sections, the first of which explores the past relations between astronomy and people, power, the afterworld, architecture, and landscape. The fundamentals of archaeoastronomy are then addressed in detail, with coverage of the celestial coordinates; the apparent motion of the Sun, Moon, stars, and planets; observation of celestial bodies at the horizon; the use of astronomical software in archaeoastronomy; and current methods for making and analyzing measurements. The final section reviews what archaeoastronomy can now tell us about the nature and purpose of such sites and structures as Stonehenge, the Pyramids of Giza, Chichen Itza, the Campus Martius, and the Valley of the Temples of Agrigento. In addition, a set of exercises is provided that can be performed using non-commercial free software, e.g., Google Earth or Stellarium, and will equip readers to conduct their own research. Readers will find the book an ideal introduction to what has become a wide-ranging multidisciplinary science.

This is a second edition of a textbook that provides the first comprehensive, easy-to-read, and up-to-date account of the fascinating discipline of archaeoastronomy, in which the relationship between ancient constructions and the sky is studied in order to gain a better understanding of the ideas of the architects of the past and of their religious and symbolic worlds. The book is divided into three sections, the first of which explores the past relations between astronomy and people, power, the afterworld, architecture, and landscape. The second part then discusses in detail the fundamentals of archaeoastronomy, including the celestial coordinates; the apparent motion of the sun, moon, stars, and planets; observation of celestial bodies at the horizon; the use of astronomical software in archaeoastronomy; and current methods for making and analyzing measurements. The final section reviews what archaeoastronomy can now tell us about the nature and purpose of such sites and structures as Stonehenge, the Pyramids of Giza, Chichen Itza, the Angkor Temples, the Campus Martius, and the Valley of the Temples of Agrigento. In addition, it provides a set of exercises that can be performed using non-commercial free software, e.g., Google Earth and Stellarium, and that will equip readers to conduct their own research. This new edition features a completely new chapter on archaeoastronomy in Asia and an “augmented reality” framework, which on the one hand enhances the didactic value of the book using direct links to the relevant sections of the author’s MOOC (online) lessons and, on the other, allows readers to directly experience – albeit virtually –many of the spectacular archaeological sites described in the book. This is an ideal introduction to what has become a wide-ranging multidisciplinary science.

This volume uses the art of Rome to help us understand the radical historical break between the fundamental ancient pre-supposition that there is a natural world or cosmos situating human life, and the equally fundamental modern emphasis on human imagination and its creative power. Rome’s unique art history reveals a different side of the battle between ancients and moderns than that usually raised as an issue in the history of science and philosophy. The book traces the idea of a cosmos in pre-modern art in Rome, from the reception of Greek art in the Roman republic to the construction of the Pantheon, to early Christian art and architecture. It then sketches the disappearance of the presupposition of a cosmos in the High Renaissance and Baroque periods, as creativity became a new ideal. Through discussions of the art and architecture that defines proto-modern Rome— from Michelangelo’s terribilita’ in the Sistine Chapel, Caravaggio’s realism, Baroque illusionism, the infinities of Borromini’s architecture, to the Grand Tour’s representations of ruins— through an interpretation of such major issues and works, this book shows how modern art liberates us while leaving us feeling estranged from our grounding in the natural world. The book will be of interest to scholars working in art history, architectural history, classics, philosophy, and early modern history and culture.