Marcia Bonta is a naturalist-writer who has lived on a 500-acre mountain-top farm in central Pennsylvania for twenty years. Appalachian Spring is her personal account of that glorious spectacle - the coming of the spring to the woods and fields of Appalachia.

A picture book about the making of Martha Graham's Appalachian Spring, her most famous dance performance Martha Graham : trailblazing choreographer Aaron Copland : distinguished American composer Isamu Noguchi : artist, sculptor, craftsman Award-winning authors Jan Greenberg and Sandra Jordan tell the story behind the scenes of the collaboration that created APPALACHIAN SPRING, from its inception through the score's composition to Martha's intense rehearsal process. The authors' collaborator is two-time Sibert Honor winner Brian Floca, whose vivid watercolors bring both the process and the performance to life.

Copland's famous ballet suite has never been published in a solo piano transcription. This new version is idiomatic for the instrument, retaining all the music from the standard 1945 orchestra suite.

A commission and its context -- The creation of a dance piece -- Appalachian spring performed -- Americana between war and peace -- An American icon

Appalachian Spring is perhaps the most popular work by Aaron Copland (1900–1990). Composed as a ballet for the renowned choreographer Martha Graham (1894–1991), it was the result of a close collaboration between Copland and Graham, and the music quickly took on a life of its own. However, the best known versions of the score, those most frequently recorded and heard in concert, differ in form and musical content from the original ballet, which was scored for a chamber ensemble of thirteen instruments and premiered by the Martha Graham Dance Company at the Library of Congress on 30 October 1944. This edition presents the first completed engraving of the original version of Appalachian Spring, providing musicians and scholars access to the score as it has been performed for more than 75 years by the Graham Company. On each page of the score, the editors have included stills from the 1958 film of the ballet, with Graham dancing the lead role, in order to highlight the connection between music and dance. An introductory essay explores the creation of the work, the musical structure, the origins of and differences among multiple versions of the score, and the continued significance and influence of Copland’s music. The critical commentary draws on manuscript and published sources, as well as Graham Company performance practice, to illuminate editorial decisions. The edition also includes appendices that present a comparison of historical tempi, markings from the Graham tradition for augmenting the orchestration, and a selected discography of different versions of the score.

Marcia Bonta is a naturalist-writer who has lived on a 500-acre mountain-top farm in central Pennsylvania for twenty years. Appalachian Spring is her personal account of that glorious spectacle - the coming of the spring to the woods and fields of Appalachia.The book begins with spring preliminaries in January and February when gray squirrels mate and the great horned owls conduct their courtship rites. Then, with the onset of true spring, the intricacies of the season unravel day by day in journal entries that combine Bonta's own meticulous observations with the research reported by botanists, entomologists, and other natural scientists.She recounts her hours spent watching an active red fox den or observing the drumming of a male ruffed grouse - all without the benefit of a blind. She discovers new-born fawns on the trail and hen turkeys with their poults in the field. A black bear peers into her sitting room window; deer play tag in her front yard.Birdwatching is an integral part of her spring ritual; she records both the return of nesting species and the passing through of migrants. She spends a blustery St. Patrick's Day following a flock of American pipits foraging in her field, discovers and watches an ovenbird nest beside her trail, and counts twenty-three species of wood warblers during one spectacular day in mid-May.Every aspect of the natural world catches her eye, from tthe life cycle of a tent caterpillar to the sex life of a jack-in-the-pulpit. But while she considers her book to ber her own love sone about the place and season on earth she loves most, she also mourns the continual exploitation of the natural earth by humanity for its own often superficial uses. She hopes, by recounting the wonders of the natural world, to convert others to what she calls the "third stage" in humanity's relationship with nature, that of empathy with all of nature for its own sake. "To know the earth better, to grasp a little of its workings, to look on it with awe and wonder as well as with respect, is to want to save it from destruction."