A new reading of the philosophy of contemporary art by the author of The Politics of Time Contemporary art is the object of inflated and widely divergent claims. But what kind of discourse can open it up effectively to critical analysis? Anywhere or Not at All is a major philosophical intervention in art theory that challenges the terms of established positions through a new approach at once philosophical, historical, social and art-critical. Developing the position that “contemporary art is postconceptual art,” the book progresses through a dual series of conceptual constructions and interpretations of particular works to assess the art from a number of perspectives: contemporaneity and its global context; art against aesthetic; the Romantic pre-history of conceptual art; the multiplicity of modernisms; transcategoriality; conceptual abstraction; photographic ontology; digitalization; and the institutional and existential complexities of art-space and art-time. Anywhere or Not at All maps out the conceptual space for an art that is both critical and contemporary in the era of global capitalism. Winner of the 2014 Annual Book Prize of the Association for the Study of the Arts of the Present (USA)

In Art to Come Terry Smith—who is widely recognized as one of the world's leading historians and theorists of contemporary art—traces the emergence of contemporary art and further develops his concept of contemporaneity. Smith shows that embracing contemporaneity as both a historical concept and a condition of the globalized world allows us to grasp how contemporary art exists in a fluid space of increasing interdependencies, multiple contemporaneous modernities, and persistent inequalities. Throughout these essays, Smith offers systematic proposals for writing contemporary art's histories while assessing how curators, critics, philosophers, artists, and art historians are currently doing so. Among other topics, Smith examines the intersection of architecture with other visual arts, Chinese art since the Cultural Revolution, how philosophers are theorizing concepts associated with the contemporary, Australian Indigenous art, and the current state of art history. Art to Come will be essential reading for artists, art students, curators, gallery workers, historians, critics, and theorists.

Swami Satchidanandendra Saraswati's Magnum Opus on understanding Gaudapada and his teachings.

Triplanetary - Arisians, the alien race is breeding two genetic lines to become the ultimate weapon in Arisia's cosmic war with their arch-enemies, the Eddorians... First Lensman - The novel chronicles the founding of the Galactic Patrol by Virgil Samms, the first sentient being in our cosmos to wear the "Lens", a unique badge of authority which is actually a form of "pseudo-life" that grants telepathic powers to the defenders of Civilization... Galactic Patrol - Kinnison and Clarissa MacDougall are the penultimates of the human breeding program the Arisians had set up many eons earlier... Second Stage Lensmen - The four superior Lensmen: Kinnison, Worsel, Tregonsee, and Nadreck, are armed with mental powers allowing them to control the minds of others and see, hear, and feel without using their physical senses (the "sense of perception")... The Vortex Blaster or, Masters of the Vortex - Neal "Storm" Cloud is not a Lensman. Instead he is a nuclear engineer with an amazingly mathematical mind. He is a high level genius and a lightning calculator...