*History of needlework tools and associated embroideries from the seventeenth century to the Edwardian era*Answers the questions that collectors really ask*Of interest to collectors, dealers, auction houses, as well as embroidery and needlework enthusiastsThis is a comprehensive study of needlework tools from the seventeenth century to the Edwardian era. The format of the book groups these tools into periods and relates them to the style of embroidery fashionable at that time. The book starts with the heavy silver needlework tools of the seventeenth century which are related to the raised and padded embroidery of that era now known as stumpwork. The more delicate embroidery tools of the Georgian era are grouped together with fine embroideries. Illustrations of Georgian sewing boxes and sewing sets show the wonderful varieties available to collectors. Palais Royal sewing boxes and their superb mother-of-pearl contents, considered by collectors to be the ultimate sewing box, are illustrated as are the glorious carved ivory needlework tools that originated from the Dieppe region of France. The Victorian lady chose her sewing box, work table or sewing set from the tremendous range available of which illustrated examples include tortoiseshell, papier mbchi, Tunbridge ware and Mauchline ware. This was also the era of the sewing circle and handmade needlework tools were created in abundant numbers, many surviving for today's collectors' market.

Featuring exquisite examples from museums and private collections, including many rare items, this treasure trove explains and illustrates the history and beauty of American sewing tools. Exhaustively researched, it is the first publication to focus on the topic and shares the story of the American industries, innovations, and uses related to hand sewing and embroidery tools. Insights spring from well-documented primary sources like eighteenth-century American newspaper advertisements or a twentieth-century thimble patent. The book offers historical background, detailed descriptions, and photographs of needles and threads, bodkins and awls, chatelaines, hoops, lucets, and more. The strong link between women's history and needlework tools is captured as well. Many one-of-a-kind handmade examples represent American subcultures and regional tastes. With more than 650 color photographs, this is an invaluable resource for historians, scholars, collectors, and embroidery and sewing enthusiasts.

More than 200 illustrations of hoops, frames, pins, pincushions, punches, bobbins, bodkins, shuttles, spinning wheels, sewing machines, and more from a wide array of cultures. Index.

From the late eighteenth century until about 1840, schoolgirls in the British Isles and the United States created embroidered map samplers and even silk globes. Hundreds of British maps were made and although American examples are more rare, they form a significant collection of artefacts. Descriptions of these samplers stated that they were designed to teach needlework and geography. The focus of this book is not on stitches and techniques used in 'drafting' the maps, but rather why they were developed, how they diffused from the British Isles to the United States, and why they were made for such a brief time. The events of the late eighteenth and early nineteenth centuries stimulated an explosion of interest in geography. The American and French Revolutions, the wars between France and England, the War of 1812, Captain Cook's voyages, and the explorations of Lewis and Clark made the study of places exciting and important. Geography was the first science taught to girls in school. This period also coincided with major changes in educational theories and practices, especially for girls, and this book uses needlework maps and globes to chart a broader discussion of women's geographic education. In this light, map samplers and embroidered globes represent a transition in women's education from 'accomplishments' in the eighteenth century to challenging geographic education and conventional map drawing in schools and academies of the second half of the nineteenth century. There has been little serious study of these maps by cartographers and, moreover, historians of cartography have largely neglected the role of women in mapping. Children's maps have not been studied, although they might have much to offer about geographical teaching and perceptions of a period, and map samplers have been dismissed because they are the work of schoolgirls. Needlework historians, likewise, have not done in depth studies of map samplers until recently. Stitching the World is an interdisciplinary work drawing on cartography, needlework, and material culture. This book for the first time provides a critical analysis of these artefacts, showing that they offer significant insights into both eighteenth- and nineteenth-century geographic thought and cartography in the USA and the UK and into the development of female education.

Rachel P. Maines’s latest work examines the rise of hobbies and leisure activities in Western culture from antiquity to the present day. As technologies are "hedonized," consumers find increasing pleasure in the hobbies’ associated tools, methods, and instructional literature. Work once essential to survival and comfort—gardening, hunting, cooking, needlework, home mechanics, and brewing—have gradually evolved into hobbies and recreational activities. As a result, the technologies associated with these pursuits have become less efficient but more appealing to the new class of leisure artisans. Maines interprets the growth and economic significance of hobbies in terms of broad consumer demand for the technologies associated with them. Hedonizing Technologies uses bibliometric and retail census data to show the growth in world markets for hobby craft tools, books, periodicals, and materials from the late 18th century to today. The book addresses basic issues in the history of labor and industry and makes an original contribution to the discussion of how technology and people interact.

The first comprehensive study of needlework tools and accessories mad in Holland between 1400 and the 20th century.