From two-time National Book Award finalist Deborah Wiles, the remarkable story of two cousins who must take a road trip across America in 1969 in order to let a teen know he's been drafted to fight in Vietnam. Full of photos, music, and figures of the time, this is the masterful story of what it's like to be young and American in troubled times. It's 1969.Molly is a girl who's not sure she can feel anything anymore, because life sometimes hurts way too much. Her brother Barry ran away after having a fight with their father over the war in Vietnam. Now Barry's been drafted into that war - and Molly's mother tells her she has to travel across the country in an old schoolbus to find Barry and bring him home.Norman is Molly's slightly older cousin, who drives the old schoolbus. He's a drummer who wants to find his own music out in the world - because then he might not be the "normal Norman" that he fears he's become. He's not sure about this trip across the country . . . but his own mother makes it clear he doesn't have a choice.Molly and Norman get on the bus - and end up seeing a lot more of America that they'd ever imagined. From protests and parades to roaring races and rock n' roll, the cousins make their way to Barry in San Francisco, not really knowing what they'll find when they get there.As she did in her other epic novels Countdown and Revolution, two-time National Book Award finalist Deborah Wiles takes the pulse of an era . . . and finds the multitude of heartbeats that lie beneath it.

ANTHEM is a highly patriotic fiction novel based on the author's real life expenses with terrorism. Narco-terrorism. ANTHEM deals with home-grown, brutal solutions as to illegal drugs in America. The novel deals with very adult themes as to the book's characters, scenarios and dialogue.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Time Out of Mind is one of the most ambitious, complex, and provocative albums of Bob Dylan’s distinguished artistic career. The present book interprets the songs recorded for Time Out of Mind as a series of dreams by a single singer/dreamer. These dreams overlap and intermingle, but three primary levels of meaning emerge. On one level, the singer/dreamer envisions himself as a killer awaiting execution for killing his lover. On another level, the song-cycle functions as religious allegory, dramatizing the protagonist’s relentless struggles with his lover as a battle between spirit and flesh, earth and heaven, salvation and damnation. On still another level, Time Out of Mind is a meditation on American slavery and racism, Dylan’s most personal encounter with the subject, but one tangled up in associations with the minstrelsy tradition and debates surrounding cultural appropriation. Time Out of Mind marks the culmination of several recurring themes that have preoccupied Dylan for decades, and it serves as a pivotal turning point toward his late renaissance in terms of both subject matter and intertextual approach.