In a time when our loves feel conscripted and exhausted by what we often do not remember desiring, Another Love: A Politics of the Unrequited explores the form, method, imperatives, and inflections of love in the global post colony, and offers a way to re-apprehend and re-inscribe love in an anticolonial, materialist, and nonfascist politics and aesthetics. The figure of “the unrequited” is invoked as a symptom of a brutally loveless yet effusively sentimentalized era, and also as an ineluctable yet very concrete political location in the face of both the intensifying external realities of war, occupation, apartheid, austerity, and terror, as well as the increasingly normalized internalizations of ordinary imperialism, nationalism, neoliberalism, fascism, and colonialism—all of which seem bent on extinguishing the possibility of relation itself. The book asks that we look at practices of love and other material labors that yield and sustain these realities within complex lifeworlds; indeed, those which sustain entire systems of our subjection, extraction, and disposability—such as colonialism, capitalism, liberalism, and fascism—as lifeworlds, especially when given, dominant, forms of recognition, affection, embrace, and belonging are unacceptable or even repulsive. Distancing itself from shortcuts afforded by love’s abstract forms deployed in ethical and moral discourses that at once elevate it yet wholly reduce it to a timeless, apolitical, essence, Another Love sees love as a material and political relation to time and space, signaling willed and unwilled shifts in historical reality in societies juggling various wars and annihilations. It maintains that love is something in and with which we confess our complicities not only with but also against hegemonic notions of belonging, devotion, martyrdom, hospitality, publicity, collectivity, and solidarity nurtured and harvested under capital and colony. The longing and the love—missed by the pernicious and reactionary politics both of liberal democracy and the incidental fascisms that it claims to set out to fix—can give us clues into past, present, and future, moments of rebellion, resistance, rejection, and redemption that are crucial to a liberatory, anticolonial, and antifascist politic, and to rethinking attachment, desire, and relation itself.

Visiting her relatives for the winter, Cathy meets the ghost of Edward, a Revolutionary War British soldier, who takes Cathy to a world of magnificent dances and romantic horseback rides, forcing her to choose between worlds. Original.

A lyric novel about the play of grief, empathy, new and old love, and the quest to overcome blindness in human relations. Caught in the cross-currents of a fraught divorce and a new love, the death of her mother, and a global pandemic, a writer plunges into an obsession with the work of 1960s French philosopher Roland Barthes. Her struggles to make sense of his work and life—and of what can happen to a woman's settled life in a single harrowing year—result in an engrossing, funny, earthy, and innovative lyric work. The quest for authenticity in motherhood, sexuality, and tenancy on the earth and in the home, as well as the unusual lyric form, make the novel unified in spirit yet transdisciplinary in approach.

From the million-copy bestseller Amanda Prowse, the queen of heartbreak fiction. Amanda Prowse is the author of The Coordinates Of Loss and the no.1 bestsellers Perfect Daughter, My Husband's Wife and What Have I Done? In the early years, she was happy. Romilly loved her stunning house, her kind husband and gorgeous daughter. Sure, life was sometimes exhausting – but nothing that a large glass of wine at the end of the day couldn't fix. But then a glass of wine became a bottle; one bottle became two. Once, Romilly's family were everything to her. Now, after years of hiding the drinking, she must finally admit that she has found another love... Reviews for Amanda Prowse: 'Prowse handles her explosive subject with delicate skill... Deeply moving and inspiring' DAILY MAIL. 'Powerful and emotional family drama that packs a real punch' HEAT. 'A gut wrenching and absolutely brilliant read' IRISH SUN. 'Captivating, heartbreaking, superbly written' CLOSER. 'Very uplifting and positive, but you may still need a box (or two) of tissues' HELLO. 'An emotional, unputdownable read' RED. 'Prowse writes gritty, contemporary stories but always with an uplifting message of hope' SUNDAY INDEPENDENT.

Eva Szalanczky, a journalist in her late 20s, is shot and killed in 1959 p. 11 as she attempts an illegal crossing from Hungary to Yugoslavia. When Eva's body is brought in, First Lieutenant Marosi knows her immediately: he loved her back when they were students. Marosi wonders why Eva chose an ultimately fatal course: had she genuinely wanted to defect, Marosi, who's on the border forces, could have gotten her out, or she could have left during the country's 1956 rebellion.

Baek, GwangBin

Two high school sweethearts get a second chance at their perfect ending in this charming new romance by Kerry Winfrey, author of Very Sincerely Yours. Once upon a time, Sandy Macintosh thought she would have her happily ever after with her high school sweetheart, Hank Tillman. Sandy wanted to be an artist, Hank was the only boy in town who seemed destined for bigger things, and they both had dreams to escape town together. But when Sandy’s plans fell through, she stayed in their small town in Ohio while Hank went off to Boston to follow his dreams to be a musician, with the promise to stay together. Only that plan fell through, too. Fifteen years later, Sandy runs a successful greenhouse while helping her parents with their bed and breakfast. Everything is perfect…until Hank rolls back into town, now a famous alt-country singer with a son in tow. She’s happy with the life she’s built by herself, but seeing Hank makes her think about what might have been. There aren’t enough cliché love songs in the world to convince Sandy to give Hank another chance, but when the two of them get thrown together to help organize the town’s annual street fair, she wonders if there could be a new beginning for them or if what they had is just a tired old song of the past.