This volume on Greek synchronic etymology offers a set of papers evidencing the cultural significance of etymological commitment in ancient and medieval literature. The four sections illustrate the variety of approaches of the same object, which for Greek writers was much more than a technical way of studying language. Contributions focus on the functions of etymology as they were intended by the authors according to their own aims. (1) “Philosophical issues” addresses the theory of etymology and its explanatory power, especially in Plato and in Neoplatonism. (2) “Linguistic issues” discusses various etymologizing techniques and the status of etymology, which was criticized and openly rejected by some authors. (3) “Poetical practices of etymology” investigates the ubiquitous presence of etymological reflections in learned poetry, whatever the genre, didactic, aetiological or epic. (4) “Etymology and word-plays” addresses the vexed question of the limit between a mere pun and a real etymological explanation, which is more than once difficult to establish. The wide range of genres and authors and the interplay between theoretical reflection and applied practice shows clearly the importance of etymology in Greek thought.

This volume on Greek synchronic etymology offers a set of papers evidencing the cultural significance of etymological commitment in ancient and medieval literature. The four sections illustrate the variety of approaches of the same object, which for Greek writers was much more than a technical way of studying language. Contributions focus on the functions of etymology as they were intended by the authors according to their own aims. (1) “Philosophical issues” addresses the theory of etymology and its explanatory power, especially in Plato and in Neoplatonism. (2) “Linguistic issues” discusses various etymologizing techniques and the status of etymology, which was criticized and openly rejected by some authors. (3) “Poetical practices of etymology” investigates the ubiquitous presence of etymological reflections in learned poetry, whatever the genre, didactic, aetiological or epic. (4) “Etymology and word-plays” addresses the vexed question of the limit between a mere pun and a real etymological explanation, which is more than once difficult to establish. The wide range of genres and authors and the interplay between theoretical reflection and applied practice shows clearly the importance of etymology in Greek thought.

This volume presents nineteen studies by specialists in the field of Greek lexicography. A number of papers deal with historical aspects of Greek lexicography covering all phases of the language, i.e. ancient, medieval and modern, as well as the interrelations of Greek to neighboring languages. In addition, other papers address more formal issues, such as morphological, semantic and syntactic problems that are relevant to the study of Greek lexicography, as well as the study of individual words. Finally, in one study the problem of technical linguistic terminology is addressed along with the methodological, epistemological and other issues relating to the particular problem. The work is of special interest to scholars on the long standing problems of diachronic semantics, historical morphology and word formation, and to all those interested in etymology and the study of words of the Greek language.

This volume presents nineteen studies by specialists in the field of Greek lexicography. A number of papers deal with historical aspects of Greek lexicography covering all phases of the language, i.e. ancient, medieval and modern, as well as the interrelations of Greek to neighboring languages. In addition, other papers address more formal issues, such as morphological, semantic and syntactic problems that are relevant to the study of Greek lexicography, as well as the study of individual words. Finally, in one study the problem of technical linguistic terminology is addressed along with the methodological, epistemological and other issues relating to the particular problem. The work is of special interest to scholars on the long standing problems of diachronic semantics, historical morphology and word formation, and to all those interested in etymology and the study of words of the Greek language.

This book has two complementary aims: to improve our grasp of the ideas about Greek enclitics that ancient and medieval scholars have passed down to us, and to show how a close examination of these sources yields new answers to questions concerning the facts of the ancient Greek language itself. New critical editions of the most extensive surviving ancient and medieval texts on Greek enclitics, together with translations into English, lay the foundations for an improved understanding of thought on Greek enclitics in those periods. Stephanie Roussou and Philomen Probert then draw out the main doctrines and the conceptual apparatus and metaphors that were used to think and talk about enclitic accents, consider the antiquity of these ideas within the Greek grammatical tradition, and make use of both ancient and medieval sources to explore two much-debated questions about the facts of the language itself. Firstly, the Greek sources turn out to shed new light first of all on the circumstances under which enclitic ἐsτί was used and the circumstances under which non-enclitic ἔsτι appeared. Secondly, ancient and medieval evidence from several directions comes together in a way that has gone unnoticed until now, and suggests a new answer to the question of how sequences of consecutive enclitics were accented in antiquity.

Summer of the Brilliant-- Winfield Devlin, is bringing his yawl Brilliant home to Miami after cruising in the Bahamas with his friend, Sylvia. A chance meeting at the Pilot House Bar in Nassau with Snake Moran, an unconventional and mysterious art dealer drags him into a world of drugs and depravity. He struggles to live a normal life maintaining the highest standards of his difficult profession, racing sailboats and searching for the perfect woman but he is forced to survive constant tests of his integrity and courage when a young girl's life and sanity are at risk. Devlin tries to live by his personal code of honor while he searches for answers. He is aided by a group of unusual friends. These include his sailing companion, Sylvia, a psychiatrist from his troubled past, an incredibly beautiful millionairess, a priest who builds model railroads, two recovering alcoholics and a gorgeous TV journalist. Eventually, he is sucked deeper and deeper into the dark vortex of crime and violence where black is sometimes white. Despite dire warnings from a psychiatrist, committing murder becomes a realistic alternative. Vaya con Dios, Hank Burroughs