It seems an unlikely coincidence - two women hung from the same tree, five centuries apart. DI Wesley Peterson is forced to consider that the killer also knows the tree's history. Has Pauline been executed rather than murdered and, if so, for what crime?

It seems an unlikely coincidence - two women hung from the same tree five centuries apart. Wesley is forced to consider that the killer also knows the tree's history. Has Pauline been executed rather than murdered and, if so, for what crime?

Oja-ale is the night market run by the dead. Everything can be bought for a deadly price. Alan Pearson is a sceptical British diplomat, contemptuous and dismissive of native superstitions...Until the day he receives a terrifying purchase from the Night Market, which defies Western science and logic. And Alan must finally confront the chilling truth of Oja-ale. - "Night Market - Oja-ale" A dead child returns to haunt his grieving mother with terrifying consequences - "The Unclean" The ghost of a drowned slave is resurrected from his watery grave to exact revenge on the family that betrayed him and sold him into slavery, with tragic consequences - "Our Bones Shall Rise Again." Three chilling stories of revenge by the restless dead buried in Unhallowed Graves by the frontrunner of African Horror and author of The Reluctant Dead, Nuzo Ono

The Dalton house, built almost 300 years ago by 12-year-old Trisha Dalton's ancestors, is the setting for the unravelling of Trisha's family under the pressure of cocktail hours that grow ever longer, gambling debts that grow larger, and bonds of love and loyalty that grow weaker. Growing up, Trisha learns the story of Sara Wilde, her "many greats" aunt who lived in the same house when it was new. A suitor had offered Sara's father an important tract of land in exchange for Sara's hand in marriage and Sara's father agreed. But when she refused the suitor, the suitor had her hanged as a witch. Sara's father, instead of coming to her defense, chose the land over his daughter. Now Trisha's father has to recover a big piece of the family land that he lost gambling. He decides to take the family to Atlantic City one Easter so that he can gamble. He is planning on winning a lot of money. He is planning on getting his land back.

My interest in Colonel John Singleton Mosby began in 1950. However, it wasn’t until 2002 that it led to extensive research on the subject, centered upon newspaper reports on the man begun during the Civil War and continued throughout—and even after—his life. And while I rejected Virgil Carrington Jones’s observation on Mosby, contained in the preface of this work, I did not contemplate writing this book until an even more disparaging observation came to my attention during my research. The comment was contained in an article in the Ponchatoula Times of May 26, 1963, as part of a six-article series written by Bernard Vincent McMahon, entitled The Gray Ghost of the Confederacy. Mr. McMahon, in turn, based his comment upon General Omar Bradley’s judgment of what might have been the postwar life of General George Patton: “Now substitute Mosby for General Patton in the book ‘A General’s Life,’ by Omar Bradley . . . ‘I believe it was better for General Patton [Mosby] and his professional reputation that he died when he did . . . He would have gone into retirement hungering for the old limelight, beyond doubt indiscreetly sounding off on any subject anytime, any place. In time he would have become a boring parody of himself—a decrepit, bitter, pitiful figure, unwittingly debasing the legend’” (emphasis mine). McMahon, however, only proffered in his writings the widely accepted view of John Mosby held by many, if not most. However, like General Ulysses S. Grant, I have come to know Colonel Mosby rather more intimately through the testimony of countless witnesses over a span of 150 years, and I believe that it is time for those who deeply respect John Mosby the soldier to now also respect John Mosby the man. A century ago, the book of John Singleton Mosby’s life closed. It is my hope that this book will validate the claim he made during that life that he would be vindicated by time. V. P. Hughes

"After an absence of not writing for almost 10 years Frank Karan returns to form with Unhallowed Grave, which he penned in less than 6 weeks This edition reveals a much darker side to his writing style. Nevertheless, the diversity and poignancy is clearly captured within these pages Pleasant reading Frank Karan"

The Vampire Tarot ties the tales and mythic figures associated with the vampire legend to the equally iconographic figures and forms of the tarot. This book explores the history of the vampire starting with Bram Stoker's classic 1897 novel, Dracula, as well as those writings that inspired Stoker and the vampire lore that derived from it. Stoker and his most famous work were both closely tied to the classic Rider-Waite-Coleman tarot. Now, author-illustrator Robert M. Place brings these two mythic traditions together with this extensively researched book that guides the reader through the subtleties and parallels within The Vampire Tarot, providing a guide for getting the most out of reading. Sure to delight not only tarot devotees but the general fan of the vampire mythos as well.