˜Anœ anecdoted topography of chance
Title | ˜Anœ anecdoted topography of chance PDF eBook |
Author | Daniel Spoerri |
Publisher | |
Total Pages | 214 |
Release | 1966 |
Genre | |
ISBN |
An Anecdoted Topography of Chance
Title | An Anecdoted Topography of Chance PDF eBook |
Author | Daniel Spoerri |
Publisher | |
Total Pages | 236 |
Release | 1995 |
Genre | Artists' books |
ISBN |
An Anecdoted Topography of Chance
Title | An Anecdoted Topography of Chance PDF eBook |
Author | Daniel Spoerri |
Publisher | Atlas Press LLC |
Total Pages | 254 |
Release | 1995 |
Genre | Art |
ISBN |
This book is about the collaborative work by four artists associated with the FLUXUS and Nouveau Réalisme movements.
Daniel Spoerri
Title | Daniel Spoerri PDF eBook |
Author | Robert Filliou |
Publisher | |
Total Pages | 214 |
Release | 1966 |
Genre | |
ISBN |
An anecdoted topography of chance (Topographie anecdotée du hasard, engl.) Re-anecdoted version
Title | An anecdoted topography of chance (Topographie anecdotée du hasard, engl.) Re-anecdoted version PDF eBook |
Author | Daniel Spoerri |
Publisher | |
Total Pages | |
Release | 1966 |
Genre | |
ISBN |
An Anecdoted Topography of Chance (reanecdoted Version) Done with the Help of His Very Dear Friend, Robert Filliou, and Translated from the French, and Further Anecdoted at Random by Their Very Dear Friend, Emmett Williams
Title | An Anecdoted Topography of Chance (reanecdoted Version) Done with the Help of His Very Dear Friend, Robert Filliou, and Translated from the French, and Further Anecdoted at Random by Their Very Dear Friend, Emmett Williams PDF eBook |
Author | Daniel Spoerri |
Publisher | |
Total Pages | 214 |
Release | 1966 |
Genre | |
ISBN |
Networked Art
Title | Networked Art PDF eBook |
Author | Craig J. Saper |
Publisher | U of Minnesota Press |
Total Pages | 228 |
Release | 2001 |
Genre | Aesthetics |
ISBN | 9781452905020 |
The experimental art and poetry of the last half of the twentieth century offers a glimpse of the emerging networked culture that electronic devices will make omnipresent. Craig J. Saper demarcates this new genre of networked art, which uses the trappings of bureaucratic systems - money, logos, corporate names, stamps - to create intimate situations among the participants. Saper explains how this genre developed from post-World War II conceptual art, including periodicals as artworks in themselves; lettrist, concrete, and process poetry; Bauhaus versus COBRA; Fluxus publications, kits, and machines; mail art and on-sendings. The encyclopedic scope of the book includes discussions of artists from J. Beuys to J. S. G. Boggs, and Bauhaus's Max Bill to Anna Freud Banana. -- Publisher.