Dilys Powell's love affair with Greece and the Greeks began on a sun-baked archaeological dig in 1931. Joining her husband the archaeologist Humfry Payne on the remote peninsula of Perachora, she came to know the villagers who labored on the site, camping beside them year after year, for months at a time. Despite personal tragedy, the occupation of Greece and civil war, Powell's affair of the heart continued. She returned time and again through the '40s and '50s, and with each visit there was a reconciliation with her idyllic memories of the country. Both with Humfry and without, she explored remote mountains in the company of shepherds, isolated stretches of coast and island with local fishermen and olive-dotted hillsides with the subsistence farmers who worked them. Out of this she has fashioned a gem of a travel book.

This collection of stories travels the world, to question its apparantly romantic title through a wide r anging examination of love and related matters. In fascinati ngly observed narratives, these stories are frank, delicate and revelatory. '

Have you ever given your heart to someone who didn't love you back? Do you feel like you've experienced heartache over and over again? If you are emotionally attached to someone, it's easy to cross the line and become emotionally intimate. Then if the relationship doesn't work out, you're left with scars on your heart. The church teaches us the importance of physical purity; but it teaches little about emotional purity. Christian singles often wear their hearts on their sleeves, which can lead to intense, emotionally intimate, male-female "friendships" with no commitment to pursuing marriage. People may have had several of these "friendships" and still consider themselves pure, but in reality they have given away pieces of their hearts that should be reserved for their future spouses. Emotional Purity will show you how to define and set boundaries in your relationships to avoid making the same mistakes. Learn how to guard your heart and keep it emotionally pure. Using fictional and real-life examples along with sound biblical advice, author Heather Arnel Paulsen outlines the pitfalls of undefined relationships and presents guidelines for living an emotionally pure life.

Have you ever given your heart to someone who didn't love you back? Do you feel like you've experienced heartache over and over again? If you are emotionally attached to someone, it's easy to cross the line and become emotionally intimate. Then if the relationship doesn't work out, you're left with scars on your heart. The church teaches us the importance of physical purity; but it teaches little about emotional purity. Christian singles often wear their hearts on their sleeves, which can lead to intense, emotionally intimate, male-female "friendships" with no commitment to pursuing marriage. People may have had several of these "friendships" and still consider themselves pure, but in reality they have given away pieces of their hearts that should be reserved for their future spouses. Emotional Purity will show you how to define and set boundaries in your relationships to avoid making the same mistakes. Learn how to guard your heart and keep it emotionally pure. Using fictional and real-life examples along with sound biblical advice, author Heather Arnel Paulsen outlines the pitfalls of undefined relationships and presents guidelines for living an emotionally pure life.

"The best theatrical read of the year." – British Theatre Guide A book of selected theatre reviews from 1992 to 2020 from one of the foremost authorities on British theatre. Each chapter starts with a brief commentary on the developments of that era and the social, political and cultural context within which British theatre was being produced. Key obituaries and letters in response to reviews written are also included, providing a rich collection of curated archival material. Following on from his first collection, One Night Stands, Michael Billington's chronicle offers a rich, authoritative insight into British theatre over the last 3 decades from his unique professional perspective. It begins with Tony Kushner's UK premiere of Angels in America at the National Theatre in 1992 and culminates with Inua Ellams's celebrated adaptation of Chekhov's Three Sisters at the same venue almost 30 years later. En route, we're exposed to the fallibility of theatre criticism through his much-regretted original criticism of Sarah Kane's Blasted and its role in identifying major talents at the first opportunity. Having recently retired from his 48-year position as the Guardian newspaper's drama critic during which time he wrote around 10,000 theatre reviews, Michael Billiington was Britain's longest-serving theatre critic. Through his work, he was present at an eye-watering number of premieres during this time and witnessed first-hand the exciting developments in British theatre over the past 30 years and the substantial pressures it faced - never more so than today.

Sarah Williams was leaving her husband. The car accident only made the separation permanent. A mix up at the hospital, a misplaced donor card, and an urgent heart transplant goes ahead. But was the right donor used? Alex Williams had found out about his wife's affair with their American lawyer, Robert McCord. It had been a terrible argument. Sarah had stormed out and driven away. It was the last time Alex saw her alive, and his anger is soon matched by his grief. Anger, grief and a terrible outrage. Rachel Carter is young, romantic and has heart disease. For her, the heart transplant is the only answer. But the success of the transplant is only the beginning of her troubles. No sooner is she recovering when Alex sues the hospital for carrying out the transplant without permission. But not only does he want compensation, he wants his wife's heart back. Why does Robert McCord volunteer to fight Rachel's court case against Alex? Is it just old rivalry, or are they still fighting for the heart of the woman they both once loved? And why does Rachel think she can feel Sarah's emotions in the heart that now beats in her own chest? Why does she feel that this dead woman still has something urgent to do? What is the secret that Alex kept from Sarah, the secret that finally broke their marriage? And what has Alex's daughter, Diana, go to do with any of this?