In Articulating the Ḥijāba, Mariam Rosser-Owen analyses for the first time the artistic and cultural patronage of the ‘Amirid regents of the last Cordoban Umayyad caliph, Hisham II, a period rarely covered in the historiography of al-Andalus. Al-Mansur, the founder of this dynasty, is usually considered a usurper of caliphal authority, who pursued military victory at the expense of the transcendental achievements of the first two caliphs. But he also commissioned a vast extension to the Great Mosque of Cordoba, founded a palatine city, conducted skilled diplomatic relations, patronised a circle of court poets, and owned some of the most spectacular objects to survive from al-Andalus, in ivory and marble. This study presents the evidence for a reconsideration of this period.

This book presents a cohesive and integrated study of the artistic and cultural patronage of the âe~Äemirid dynasty, regents of Hisham II (r. 976-c.1010), the last Umayyad caliph of al-Andalus (Islamic Spain), who inherited the throne as a minor. Its particular focus is the dynasty's founder, al-Mansur, who was Hishamâe(tm)s hajib-his chamberlain and lieutenant-and ruled de facto between 976 and 1002. Not only did al-Mansur patronize a flourishing court as which new literary forms developed, he constructed a palace-city, and commissioned the largest extension to the Great Mosque of Cordoba. Moreover, al-Mansur and his sons sponsored a luxury arts industry which produced some of the largest and most spectacular works to survive from medieval Iberia. Drawing together history, poetry, archaeology, epigraphy, architecture, and objects in different media from diverse international collections, Cultural Patronage and Political Legitimacy in al-Andalus identifies a corpus of objects that should be considered as âe~Äemirid and discusses their imagery in reference to the messages these regents intended to convey. As the first book-length scholarly examination of the full range of âe~Äemirid cultural patronage, Cultural Patronage and Political Legitimacy in al-Andalus elucidates the ways in which the âe~Äemirids used cultural patronage as an expression of their political legitimacy.

In Articulating the Ḥijāba, Mariam Rosser-Owen analyses for the first time the artistic and cultural patronage of the 'Amirid regents of the last Cordoban Umayyad caliph, Hisham II, a period rarely covered in the historiography of al-Andalus.

From 711 when they arrived on the Iberian Peninsula until 1492 when scholars contribute a wide-ranging series of essays and catalogue entries which are fully companion to the 373 illustrations (324 in color) of the spectacular art and architecture of the nearly vanished culture. 91/2x121/2 they were expelled by Ferdinand and Isabella, the Muslims were a powerful force in al-Andalus, as they called the Iberian lands they controlled. This awe-inspiring volume, which accompanies a major exhibition presented at the Alhambra in Granada and The Metropolitan Museum of Art in New York, is devoted to the little-known artistic legacy of Islamic Spain, revealing the value of these arts as part of an autonomous culture and also as a presence with deep significance for both Europe and the Islamic world. Twenty-four international Annotation copyrighted by Book News, Inc., Portland, OR