This updated New York Times bestselling collection of essays by seven-time Grammy nominated singer songwriter Sara Bareilles “resonates with authentic and hard-won truths” (Publishers Weekly)—and features new material on the hit Broadway musical, Waitress. Sara Bareilles “pours her heart and soul into these essays” (Associated Press), sharing the joys and the struggles that come with creating great work, all while staying true to yourself. Imbued with humor and marked by Sara’s confessional writing style, this essay collection tells the inside story behind some of her most popular songs. Well known for her chart-topper “Brave,” Sara first broke through in 2007 with her multi-platinum single “Love Song.” She has since released seven albums that have sold millions of copies and spawned several hits. “A breezy, upbeat, and honest reflection of this multitalented artist” (Kirkus Reviews), Sounds Like Me reveals Sara Bareilles, the artist—and the woman—on songwriting, soul searching, and what’s discovered along the way.

(Piano/Vocal/Guitar Artist Songbook). Matching folio for Sara's sixth studio album featuring the lead single "Armor" and 11 more: Fire * No Such Thing * Petry by Dead Men * A Safe Place to Land (feat. John Legend) * Saint Honesty * and more. Songs are arranged for piano and voice with guitar chord frames.

Navigate between myth and chaos in this “journey filled with peril, self-discovery, and terrifying moments” (Publishers Weekly, starred review). Sixteen-year-old Scotch struggles to fit in—at home she’s the perfect daughter, at school she’s provocatively sassy, and thanks to her mixed heritage, she doesn’t feel she belongs with the Caribbeans, whites, or blacks. And even more troubling, lately her skin is becoming covered in a sticky black substance that can’t be removed. While trying to cope with this creepiness, she goes out with her brother—and he disappears. A mysterious bubble of light just swallows him up, and Scotch has no idea how to find him. Soon, the Chaos that has claimed her brother affects the city at large, until it seems like everyone is turning into crazy creatures. Scotch needs to get to the bottom of this supernatural situation ASAP before the Chaos consumes everything she’s ever known—and she knows that the black shadowy entity that’s begun trailing her every move is probably not going to help. A blend of fantasy and Caribbean folklore, at its heart this tale is about identity and self-acceptance—because only by acknowledging her imperfections can Scotch hope to save her brother.

An accomplished Fortune 50 executive translates for a western audience the lessons he learned from the land of his birth, India. Bob Miglani was stressed out, burnt out, and stuck until he rediscovered the enduring lessons of his childhood: celebrate impermanence, serve others, and move forward no matter what. Bob's message: chaos isn't going away--embrace it!

A social and cultural history of the Grateful Dead, America's greatest folk/rock institution, by a "National Book Critics Circle Award"-winning author. 8-page photo insert.

“Being a candle is not easy: in order to give light, one must first burn.” — Rumi Every child in the world deserves a great childhood, right? Although Diya did have a childhood, it wasn’t really the one we imagine for our children. Growing up in an Indian household, she was taught from a young age that family was everything and it did not matter if they were your cousins—they were still like your own siblings. But as Diya was growing up, she found this was not the case, and the more she ignored everything around her, the more perplexed she became about herself and who she was. We all have tough times in our lives, and life at times can be a confusing roller coaster, but it is a matter of knowing who we are from within and trusting the true voice within us all. Diya is now finding this out, and she hopes to be an inspiration for many others, just as she was inspired and encouraged to write her story and share it with others. This is based on a true story. All characters are real, but for privacy, all names have been changed.

This book is devoted to the phenomenon of quasi-periodic motion in dynamical systems. Such a motion in the phase space densely fills up an invariant torus. This phenomenon is most familiar from Hamiltonian dynamics. Hamiltonian systems are well known for their use in modelling the dynamics related to frictionless mechanics, including the planetary and lunar motions. In this context the general picture appears to be as follows. On the one hand, Hamiltonian systems occur that are in complete order: these are the integrable systems where all motion is confined to invariant tori. On the other hand, systems exist that are entirely chaotic on each energy level. In between we know systems that, being sufficiently small perturbations of integrable ones, exhibit coexistence of order (invariant tori carrying quasi-periodic dynamics) and chaos (the so called stochastic layers). The Kolmogorov-Arnol'd-Moser (KAM) theory on quasi-periodic motions tells us that the occurrence of such motions is open within the class of all Hamiltonian systems: in other words, it is a phenomenon persistent under small Hamiltonian perturbations. Moreover, generally, for any such system the union of quasi-periodic tori in the phase space is a nowhere dense set of positive Lebesgue measure, a so called Cantor family. This fact implies that open classes of Hamiltonian systems exist that are not ergodic. The main aim of the book is to study the changes in this picture when other classes of systems - or contexts - are considered.