Marsden Hartley, Lyonel Feininger, and John Marin demonstrate the later move toward abstraction. The volume also includes an extensive bibliography and index."--Jacket.

They also consider the artists' responses to foreign prototypes, travel and training, changing exhibition venues, and audience expectations. The persistence of certain themes--childhood, marriage, the family, and the community; the attainment and reinforcement of citizenship; attitudes toward race; the frontier as reality and myth; and the process and meaning of making art--underscores evolving styles and standards of storytelling. Divided into four chronological sections, the book begins with the years surrounding the American Revolution and the birth of the new republic, when painters such as Copley, Peale, and Samuel F. B. Morse incorporated stories within the expressive bounds of portraiture. During the Jacksonian and pre-Civil War decades from about 1830 to 1860, Mount, Bingham, Lilly Martin Spencer, and others painted genre scenes featuring lighthearted narratives that growing audiences for art could easily read and understand.

"An examination of how the work of the American painter John Singer Sargent was displayed, collected, and influential in the civic and cultural development of Chicago, Illinois during the late nineteenth and early twentieth centuries"--

This long-awaited publication, the third in a series of titles co-published with the Detroit Institute of Arts, completes the study of American paintings in the museum's outstanding collection with 129 colour images of works by artist born after 1847. The American art collection at Detroit covers a broad range of artistic endeavours, but the strength of the American holdings is the painting collection. Especially strong are those paintings from the latter part of the 19th century and the beginnings of the 20th, which are the focus of this volume. Signature works featured in this book include Sargent'sMadame Paul Poirson andMosquito Nets, Chase'sYield of the Waters, Hassam'sPlace Centrale andFort Cabanas, Havana, Dewing'sThe Recitation, Sloan'sMcSorley's Bar, and Hartley'sLog Jam, Penobscot Bay.

This colourful catalogue features paintings and statements by five leading contemporary Asian artists, Sawai Chinnawong (Thailand), He Qi (China), Nalini Jayasuriya (Sri Lanka), Nyoman Darsane (Bali) and Wisnu Sasongko (Thailand), which highlight the very different ways artists of diverse cultures today perceive Biblical tales. Over 40 new paintings are explored showing how the Judeo-Christian narrative has been adapted for both western and indigenous audiences. Though greatly influenced by regional and cultural traditions, many of these artists have also been exposed to western Judeo-Christian teachings, and it is this mixture of influences which is so striking in their work. The book considers the importance of these works to the development and exportation of Asian Biblical Art to the West and its reception, audience and patronage.