From Thomas Jefferson's Monticello to Michelle Obama's White House organic garden, the image of America as a nation of farmers has persisted from the beginnings of the American experiment. In this rich and evocative collection of agrarian writing from the past two centuries, writers from Hector St. Jean de Crevecoeur to Wendell Berry reveal not only the great reach and durability of the American agrarian ideal, but also the ways in which society has contested and confronted its relationship to agriculture over the course of generations. Drawing inspiration from Virgil's agrarian epic poem, Georgics, this collection presents a complex historical portrait of the American character through its relationship to the land. From the first European settlers eager to cultivate new soil, to the Transcendentalist, utopian, and religious thinkers of the nineteenth century, American society has drawn upon the vision of a pure rural life for inspiration. Back-to-the-land movements have surged and retreated in the past centuries yet provided the agrarian roots for the environmental movement of the past forty years. Interpretative essays and a sprinkling of illustrations accompany excerpts from each of these periods of American agrarian thought, providing a framework for understanding the sweeping changes that have confronted the nation's landscape.

In classical terms the georgic celebrates the working landscape, cultivated to become fruitful and prosperous, in contrast to the idealized or fanciful landscapes of the pastoral. Arguing that economic considerations must become central to any understanding of the human community's engagement with the natural environment, Timothy Sweet identifies a distinct literary mode he calls the American georgic. Offering a fresh approach to ecocritical and environmentally-oriented literary studies, Sweet traces the history of the American georgic from its origins in late sixteenth-century English literature promoting the colonization of the Americas through the mid-nineteenth century, ending with George Perkins Marsh's Man and Nature (1864), the foundational text in the conservationist movement.

The Georgic Mode in Twentieth-Century American Literature: The Satisfactions of Soil and Sweat explores environmental writing that foregrounds labor. Ethan Mannon argues that Virgil’s Georgics, as well as the georgic mode in general, exerted considerable influence upon some of America’s best-known writers—including Robert Frost, Willa Cather, and Wendell Berry—and that these and others worked to revise the mode to better fit their own contexts. This book also outlines the contemporary value of the georgic literary tradition—two thousand years of writing that begins with the premise that humans must use the world in order to survive and search for a balance between human needs and nature’s productive capacity. In the georgic mode, authors found an adaptable discourse that enabled them to advocate for the protection and responsible use of productive lands, present rural places and people in all of their complexity, explore human relationships with laboring animals, and advertise the sensory pleasures of rooted work.

In classical terms the georgic celebrates the working landscape, cultivated to become fruitful and prosperous, in contrast to the idealized or fanciful landscapes of the pastoral. Arguing that economic considerations must become central to any understanding of the human community's engagement with the natural environment, Timothy Sweet identifies a distinct literary mode he calls the American georgic. Offering a fresh approach to ecocritical and environmentally-oriented literary studies, Sweet traces the history of the American georgic from its origins in late sixteenth-century English literature promoting the colonization of the Americas through the mid-nineteenth century, ending with George Perkins Marsh's Man and Nature (1864), the foundational text in the conservationist movement.

This expansive edited collection explores in depth the georgic genre and its connections to the natural world. Together, its chapters demonstrate that georgic—a genre based primarily on two classical poems about farming, Virgil’s Georgics and Hesiod’s Works and Days—has been reworked by writers throughout modern and early modern English-language literary history as a way of thinking about humans’ relationships with the environment. The book is divided into three sections: Defining Georgic, Managing Nature and Eco-Georgic for the Anthropocene. It centres the georgic genre in the ecocritical conversation, giving it equal prominence with pastoral, elegy and lyric as an example of ‘nature writing’ that can speak to urgent environmental questions throughout literary history and up to the present day. It provides an overview of the myriad ways georgic has been reworked in order to address human relationships with the environment, through focused case studies on individual texts and authors, including James Grainger, William Wordsworth, Henry David Thoreau, George Eliot, Thomas Hardy, Seamus Heaney, Judith Wright and Rachel Blau DuPlessis. This is a much-needed volume for literary critics, academics and students engaged in ecocritical studies, environmental humanities and literature, addressing a significantly overlooked environmental literary genre.

From Thomas Jefferson's Monticello to Michelle Obama's White House organic garden, the image of America as a nation of farmers has persisted from the beginnings of the American experiment. In this rich and evocative collection of agrarian writing from the past two centuries, writers from Hector St. Jean de Crevecoeur to Wendell Berry reveal not only the great reach and durability of the American agrarian ideal, but also the ways in which society has contested and confronted its relationship to agriculture over the course of generations. Drawing inspiration from Virgil's agrarian epic poem, Georgics, this collection presents a complex historical portrait of the American character through its relationship to the land. From the first European settlers eager to cultivate new soil, to the Transcendentalist, utopian, and religious thinkers of the nineteenth century, American society has drawn upon the vision of a pure rural life for inspiration. Back-to-the-land movements have surged and retreated in the past centuries yet provided the agrarian roots for the environmental movement of the past forty years. Interpretative essays and a sprinkling of illustrations accompany excerpts from each of these periods of American agrarian thought, providing a framework for understanding the sweeping changes that have confronted the nation's landscape.

The interconnected themes of land and labour were a common recourse for English literary writers between the sixteenth and twentieth centuries, and in the twenty-first they have become pressing again in the work of nature writers, environmentalists, poets, novelists and dramatists. Written by a team of sixteen subject specialists, this volume surveys the literature of rural working lives and landscapes written in English between 1500 and the present day, offering a range of scholarly perspectives on the georgic tradition, with insights from literary criticism, historical scholarship, classics, post-colonial studies, rural studies and ecocriticism. Providing an overview of the current scholarship in georgic literature and criticism, this collection argues that the work of people and animals in farming communities, and the land as it is understood through that work, has provided writers in English with one of their most complex and enduring themes.