AS SEEN IN THE MAJOR MOTION PICTURE “One of the most esoteric and far-fetched crimes in 21st-century annals.” —The Hollywood Reporter “A rare book heist that Danny Ocean may have applauded—except for one mistake.” —Vanity Fair “A tragicomedy of errors.” —Salon “They are the young people, the people with the idealism, the passion, the courage to do something interesting with their lives: an act of daring almost artistic in its originality. They are almost right.” —The Guardian “One of the biggest art heists in FBI history.” —The Times of London American Animals is a coming-of-age crime memoir centered around three childhood friends: Warren, Spencer, and Eric. Disillusioned with freshman year of college and determined to escape from their mundane Middle-American existences, the three hatch a plan to steal millions of dollars’ worth of artwork and rare manuscripts from a university museum. The story that unfolds is a gripping adventure of teenage rebellion, from page-turning meetings with black-market art dealers in Amsterdam to the opulent galleries of Christie’s auction house in Rockefeller Center. American Animals ushers the reader along a gut-wrenching ride of adolescent self-destruction. Providing a front-row seat to the inception, planning, and execution of the heist while offering a rare glimpse into the evolution of a crime—all narrated by one of the perpetrators in a darkly comic, action-packed, true-crime caper.

"Wild by Nature answers the question: how did indigenous animals shape the course of colonization in English America? The book argues that animals acted as obstacles to colonization because their wildness was at odds with Anglo-American legal assertions of possession. Animals and their pursuers transgressed the legal lines officials drew to demarcate colonizers' sovereignty and control over the landscape. Consequently, wild creatures became legal actors in the colonizing process--the subjects of statutes, the issues in court cases, and the parties to treaties--as authorities struggled to both contain and preserve the wildness that made those animals so valuable to English settler societies in North America in the first place. Only after wild creatures were brought under the state's legal ownership and control could the land be rationally organized and possessed. The book examines the colonization of American animals as a separate strand interwoven into a larger story of English colonizing in North America. As such, it proceeds along a different and longer timeline than other colonial histories, tracing a path through various wild animal frontiers from the seventeenth-century Chesapeake into the southern backcountry in the eighteenth century and across the Appalachians in the early nineteenth to end in the southern plains in the decades after the Civil War. Along the way, it maps out an argumentative arc that describes three manifestations of colonization as it variously applied to beavers, wolves, fish, deer, and bison. Wild by Nature engages broad questions about the environment, law, and society in early America"--

Colorable illustrations of 46 common mammals: armadillo, badger, bobcat, kit fox, kangaroo rat, raccoon, pika, peccary, yellowbelly marmot, marten, ferret, weasel, mink, and many more. Full-color renderings appear on the cover, and captions offer scientific names, family classification, size, range, and more information.

Discusses the variety of animals found in the rainforests, mountains, grasslands, and coastal regions of South America, including the birds, mammals, reptiles, and amphibians.

This edition has 65 new images, making a total of 500. The original configurations were altered so that there is only one species per plate. The text is a revision of the Ornithological Biography, rearranged according to Audubon's Synopsis of the Birds of North America (1839).

In What Are the Animals to Us? scholars from a wide variety of academic disciplines explore the diverse meanings of animals in science, religion, folklore, literature, and art.