Is her compassion doing more harm than good? Recently widowed Susanna Jenkins has decided to follow her family to the booming town of San Marcial, New Mexico, for a fresh start and to aid in her family's sudden change in fortune. They are tasked with managing her uncle's new Grand Hotel, and it takes all her patience to try to help her parents see the good of their circumstances and relinquish their sense of entitlement. She's hopeful when her brother becomes determined to get a job and make his own way, and she feels drawn to his kind boss, Owen Turner, who works as a boilermaker for the Santa Fe's train shops in town. But the hard work only seems to fuel her brother's anger, and his rough new friends give her pause. When misguided choices put Susanna's family in an even more precarious situation, she worries her help has only made things worse. Leaving her family to fend for themselves seems like the best option, but how can she walk away from the true friendships--and love--that she's found?

2020, Texas Historical Commission's Governor's Award for Historic Preservation was awarded to the Community Historical Archaeology Project with Schools (CHAPS) at the University of Texas Rio Grande Valley. This book grew out of the CHAPS program. Runner-up, 2019 Texas Old Missions and Forts Restoration Book Award, sponsored by the Texas Old Missions and Forts Restoration Association (TOMFRA) Long known as a place of cross-border intrigue, the Rio Grande’s unique role in the history of the American Civil War has been largely forgotten or overlooked. Few know of the dramatic events that took place here or the complex history of ethnic tensions and international intrigue and the clash of colorful characters that marked the unfolding and aftermath of the Civil War in the Lone Star State. To understand the American Civil War in Texas also requires an understanding of the history of Mexico. The Civil War on the Rio Grande focuses on the region’s forced annexation from Mexico in 1848 through the Civil War and Reconstruction. In a very real sense, the Lower Rio Grande Valley was a microcosm not only of the United States but also of increasing globalization as revealed by the intersections of races, cultures, economic forces, historical dynamics, and individual destinies. As a companion to Blue and Gray on the Border: The Rio Grande Valley Civil War Trail, this volume provides the scholarly backbone to a larger public history project exploring three decades of ethnic conflict, shifting international alliances, and competing economic proxies at the border. The Civil War on the Rio Grande, 1846–1876 makes a groundbreaking contribution not only to the history of a Texas region in transition but also to the larger history of a nation at war with itself.

Jimmy Santiago Baca continues his daily pilgrimage through the meadows, riverbanks, and bosques of the Rio Grande where winter dies, spring explodes, and inextricable links between the human spirit and the natural world are revealed, chronicling and expanding upon those in his recent Winter Poems Along the Rio Grande. In Spring Poems the words of the river "rise around thorny thickets / then descend again into the burbling stubble," and the poet surrenders himself to this place where his own words are woven by "a thumbnail-sized yellow spider/ with poppy seed eyes."--Amazon.com.

New poetry by the Champion of the International Poetry Slam and winner of the Before Columbus American Book Award, the International Hispanic Heritage Award, the Pushcart Prize, and the prestigious new International Award.

The Rio Grande was ancient long before the first humans reached its banks. These days, the highly regulated river looks nothing like it did to those early settlers. Alternately viewed as a valuable ecosystem and life-sustaining foundation of community welfare or a commodity to be engineered to yield maximum economic benefit, the Rio Grande has brought many advantages to those who live in its valley, but the benefits have come at a price. This study examines human interactions with the Rio Grande from prehistoric time to the present day and explores what possibilities remain for the desert river. From the perspectives of law, development, tradition, and geology, the authors weigh what has been gained and lost by reining in the Rio Grande.

Photographer Adriel Heisey has captured the spirit of the Rio Grande with his awe-inspiring aerial images of the river. Heisey follows the waterway from its headwaters in the San Juan Mountains of southern Colorado, through New Mexico, then as it straddles and defines the TexasMexico border and finally culminates with its outpouring into the Gulf of Mexico. Heiseys images bring to life the unmistakable signature of water that the Rio Grande represents in the arid southwestern landscape.

The Pulitzer Prize– and Bancroft Prize–winning epic history of the American Southwest from the acclaimed twentieth-century author of Lamy of Santa Fe. Great River was hailed as a literary masterpiece and enduring classic when it first appeared in 1954. It is an epic history of four civilizations—Native American, Spanish, Mexican, and Anglo-American—that people the Southwest through ten centuries. With the skill of a novelist, the veracity of a scholar, and the love of a long-time resident, Paul Horgan describes the Rio Grande, its role in human history, and the overlapping cultures that have grown up alongside it or entered into conflict over the land it traverses. Now in its fourth revised edition, Great River remains a monumental part of American historical writing. “Here is known and unknown history, emotion and color, sense and sensitivity, battles for land and the soul of man, cultures and moods, fused by a glowing pen and a scholarly mind into a cohesive and memorable whole.” —The Boston Sunday Herald “Transcends regional history and soars far above the river valley with which it deals . . . a survey, rich in color and fascinating in pictorial detail, of four civilizations: the aboriginal Indian, the Spanish, the Mexican, and the Anglo-American . . . It is, in the best sense of the word, literature. It has architectural plan, scholarly accuracy, stylistic distinction, and not infrequently real nobility of spirit.” —Allan Nevins, author of Ordeal of the Union “One of the major masterpieces of American historical writing.” —Carl Carmer, author of Stars Fell on Alabama