A portrait of Lincoln's private secretary and the Secretary of State under Presidents William McKinley and Theodore Roosevelt traces his constant presence at Lincoln's side and his role in major historical events for more than half a century.

The first full-scale biography of John Hay since 1934: From secretary to Abraham Lincoln to secretary of state for Theodore Roosevelt, Hay was an essential American figure for more than half a century. John Taliaferro’s brilliant biography captures the extraordinary life of Hay, one of the most amazing figures in American history, and restores him to his rightful place. Private secretary to Lincoln and secretary of state to Theodore Roosevelt, Hay was both witness and author of many of the most significant chapters in American history—from the birth of the Republican Party, the Civil War, the Spanish-American War, to the prelude to World War I. As an ambassador and statesman, he guided many of the country’s major diplomatic initiatives at the turn of the twentieth century: the Open Door with China, the creation of the Panama Canal, and the establishment of America as a world leader. Hay’s friends are a who’s who of the era: Mark Twain, Horace Greeley, Henry Adams, Henry James, and virtually every president, sovereign, author, artist, power broker, and robber baron of the Gilded Age. His peers esteemed him as “a perfectly cut stone” and “the greatest prime minister this republic has ever known.” But for all his poise and polish, he had his secrets. His marriage to one of the wealthiest women in the country did not prevent him from pursuing the Madame X of Washington society, whose other secret suitor was Hay’s best friend, Henry Adams. All the Great Prizes, the first authoritative biography of Hay in eighty years, renders a rich and fascinating portrait of this brilliant American and his many worlds.

British education is regarded as being in a state of meltdown. Throughout the system, from nursery classes to degree courses, the relationship between teacher and pupil has been undermined, and the idea that children should be taught a body of rules at all, whether in maths or grammar, is now taboo in many schools. Systematic instruction has given way to approximations and guesswork, resulting in a rising tide of illiteracy. This text aims to present the inside story of a social debacle. The collapse of education is not viewed in isolation; according to the author, at the heart of the problem lies cultural and moral relativism, the doctrine that no values can be judged to be any better or worse than any others. She regards the primary effect of this, particularly in the last 20 years, to be the collapse of the authority of institutions. Sounding a warning, she offers a blueprint to restore authority and meaning to society.

The third in Susan Howatch's Church of England novels, Ultimate Prizes begins in 1942 with the world at war, as narrator and archdeacon Nevill Aysgarth finds himself falling into a hopeless obsession over Dido Tallent, beautiful celebrity, and finds himself pursuing her through a swamp of guilt and the destruction of his valued moral compass. . . . Praise for Ultimate Prizes “I did not want to put the book down. . . . [Howatch] is a skilled storyteller who makes the reader wonder and care about her people.”—The Washington Post Book World “Thoughtful and thought-provoking . . . Almost every newspaper carries an article or two on the scandalous private life of a public figure. . . . Ultimate Prizes offers a look at both the sacred and profane aspects of religious life as it is lived on the front lines—the story just behind the front page.”—Chicago Tribune “Howatch writes thrillers of the heart and mind. . . . Everything in a Howatch novel cuts close to the bone and is of vital concern. . . . You’ll want to have tea with this wise, witty woman.”—New Woman “Vibrant . . . The author of Glittering Images and Glamorous Powers scores a hat trick with this third novel in her series set amidst the ‘cut-and-thrust battles’ and ‘sheer Machiavellian skulduggery’ of the Church of England.”—Kirkus Reviews

NEW YORK TIMES BESTSELLER • A TODAY SHOW #ReadWithJenna BOOK CLUB PICK • The unforgettable story of a daredevil female aviator determined to chart her own course in life, at any cost: an “epic trip—through Prohibition and World War II, from Montana to London to present-day Hollywood—and you’ll relish every minute” (People). After being rescued as infants from a sinking ocean liner in 1914, Marian and Jamie Graves are raised by their dissolute uncle in Missoula, Montana. There--after encountering a pair of barnstorming pilots passing through town in beat-up biplanes--Marian commences her lifelong love affair with flight. At fourteen she drops out of school and finds an unexpected and dangerous patron in a wealthy bootlegger who provides a plane and subsidizes her lessons, an arrangement that will haunt her for the rest of her life, even as it allows her to fulfill her destiny: circumnavigating the globe by flying over the North and South Poles. A century later, Hadley Baxter is cast to play Marian in a film that centers on Marian's disappearance in Antarctica. Vibrant, canny, disgusted with the claustrophobia of Hollywood, Hadley is eager to redefine herself after a romantic film franchise has imprisoned her in the grip of cult celebrity. Her immersion into the character of Marian unfolds, thrillingly, alongside Marian's own story, as the two women's fates--and their hunger for self-determination in vastly different geographies and times--collide. Epic and emotional, meticulously researched and gloriously told, Great Circle is a monumental work of art, and a tremendous leap forward for the prodigiously gifted Maggie Shipstead.

On 18 April 1861, assistant presidential secretary John Hay recorded in his diary the report of several women that "some young Virginian long haired swaggering chivalrous of course. . . and half a dozen others including a daredevil guerrilla from Richmond named Ficklin would do a thing within forty eight hours that would ring through the world." The women feared that the Virginian planned either to assassinate or to capture the president. Calling this a "harrowing communication," Hay continued his entry: "They went away and I went to the bedside of the Chief couché. I told him the yarn; he quietly grinned." This is but one of the dramatic entries in Hay’s Civil War diary, presented here in a definitive edition by Michael Burlingame and John R. Turner Ettlinger. Justly deemed the most intimate record we will ever have of Abraham Lincoln in the White House, the Hay diary is, according to Burlingame and Ettlinger, "one of the richest deposits of high-grade ore for the smelters of Lincoln biographers and Civil War historians." While the Cabinet diaries of Salmon P. Chase, Edward Bates, and Gideon Welles also shed much light on Lincoln’s presidency, as does the diary of Senator Orville Hickman Browning, none of these diaries has the literary flair of Hay’s, which is, as Lincoln’s friend Horace White noted, as "breezy and sparkling as champagne." An aspiring poet, Hay recorded events in a scintillating style that the lawyer-politician diarists conspicuously lacked. Burlingame and Ettlinger’s edition of the diary is the first to publish the complete text of all of Hay’s entries from 1861 through 1864. In 1939 Tyler Dennett published Lincoln and the Civil War in the Diaries and Letters of John Hay, which, as Civil War historian Allan Nevins observed, was "rather casually edited." This new edition is essential in part because Dennett omitted approximately 10 percent of Hay’s 1861–64 entries. Not only did the Dennett edition omit important parts of the diaries, it also introduced some glaring errors. More than three decades ago, John R. Turner Ettlinger, then in charge of Special Collections at the Brown University Library, made a careful and literal transcript of the text of the diary, which involved deciphering Hay’s difficult and occasionally obscure writing. In particular, passages were restored that had been canceled, sometimes heavily, by the first editors for reasons of confidentiality and propriety. Ettlinger’s text forms the basis for the present edition, which also incorporates, with many additions and much updating by Burlingame, a body of notes providing a critical apparatus to the diary, identifying historical events and persons.

"SURPRISINGLY FUN . . . The heroic trio lead strenuous lives, ER-style, all with an eye for the Nobel Prize." --Kirkus Reviews Now from the bestselling author of Love Story and Doctors comes a powerful and moving saga of three extraordinary individuals as they compete for the ultimate glory: the Nobel Prize. Erich Segal takes us inside the research labs and clinics, the homes and hearts, of the world's most elite doctors and scientists--two men and one woman--whose genius, dedication, and passion cannot always win for them the love and recognition they so desperately seek. Loyalty and betrayal, disappointment and loss, scandal and secrets--all will play roles in the personal and professional lives of these gifted scientists who hold the key to life and death for so many. And through it all the Nobel Prize beckons with its seductive promise. Two will be selected for this highest honor; one of them will not live to receive it. Yet all will discover the enduring truth: that life has many prizes to offer, and many come to us in the most unexpected ways. . . . "COMPELLING . . . It is reward in itself to follow the chronicle of three trailblazing scientists, each out to better the world while conquering his own personal demons." --West Coast Review of Books A MAIN SELECTION OF THE LITERARY GUILD(c)