Award winning entrepreneur and author Connie Rankin challenges the concept that God is Dead in her stunning tell-all stories of God Gave Us Wings. Her focus in writing this book is to demonstrate by example–anything is possible if you believe in the power of I AM. While focusing on her core mission to empower others through faith, Connie shares ten true stories from Oprah’s amazing journey to a Wounded Warrior’s heroic battle. Each woman in this book has defined her own word for success, and you can too. In her new book, Connie provides you with inspirational stories of success from different life experiences to help you see that at any moment, GOD can ultimately change your life, if you believe HE can. All readers, not just women or entrepreneurs, will benefit from Connie’s ability to share the wisdom from various life’s journeys to help you finish strong. As these stories testify, you can fly higher than you ever imagined...if you believe.

Rule presents startling cases of angelic intervention, carefully documented through research and interviews, and accompanied by 30 black-and-white photographs of the subjects. In addition to enjoying tightly written yet detailed stories, loyal readers will be pleased to see sidebar articles where actual news accounts of angels and miracles are spotlighted.

NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND KIRKUS REVIEWS Hailed as “the indispensable critic” by The New York Review of Books, Harold Bloom—New York Times bestselling writer and Sterling Professor of Humanities at Yale University—has for decades been sharing with readers and students his genius and passion for understanding literature and explaining why it matters. Now he turns at long last to his beloved writers of our national literature in an expansive and mesmerizing book that is one of his most incisive and profoundly personal to date. A product of five years of writing and a lifetime of reading and scholarship, The Daemon Knows may be Bloom’s most masterly book yet. Pairing Walt Whitman with Herman Melville, Ralph Waldo Emerson with Emily Dickinson, Nathaniel Hawthorne with Henry James, Mark Twain with Robert Frost, Wallace Stevens with T. S. Eliot, and William Faulkner with Hart Crane, Bloom places these writers’ works in conversation with one another, exploring their relationship to the “daemon”—the spark of genius or Orphic muse—in their creation and helping us understand their writing with new immediacy and relevance. It is the intensity of their preoccupation with the sublime, Bloom proposes, that distinguishes these American writers from their European predecessors. As he reflects on a lifetime lived among the works explored in this book, Bloom has himself, in this magnificent achievement, created a work touched by the daemon. Praise for The Daemon Knows “Enrapturing . . . radiant . . . intoxicating . . . Harold Bloom, who bestrides our literary world like a willfully idiosyncratic colossus, belongs to the party of rapture.”—Cynthia Ozick, The New York Times Book Review “The capstone to a lifetime of thinking, writing and teaching . . . The primary strength of The Daemon Knows is the brilliance and penetration of the connections Bloom makes among the great writers of the past, the shrewd sketching of intellectual feuds or oppositions that he calls agons. . . . Bloom’s books are like a splendid map of literature, a majestic aerial view that clarifies what we cannot see from the ground.”—The Washington Post “Audacious . . . The Yale literary scholar has added another remarkable treatise to his voluminous body of work.”—The Huffington Post “The sublime The Daemon Knows is a veritable feast for the general reader (me) as well as the advanced (I assume) one.”—John Ashbery “Mesmerizing.”—New York Journal of Books “Bloom is a formidable critic, an extravagant intellect.”—Chicago Tribune “As always, Bloom conveys the intimate, urgent, compelling sense of why it matters that we read these canonical authors.”—Kirkus Reviews (starred review) “Few people write criticism as nakedly confident as Bloom’s any more.”—The Guardian (U.K.)

A sci-fi fantasy in the Fremont’s Children series, “intense and increasingly complex” depicting “interpersonal relationships in considerable depth” (Booklist). From the Endeavor Award–winning author of The Silver Ship and The Sea Joseph has succeeded in rescuing his sister, Chelo, from a pitched battle on the colony planet Fremont. Now he and Chelo—and the love of his life, Alicia, and all of their extended family—are finally returning home. Halfway there, a probe intercepts them, sending them new coordinates and a message from Joseph’s enigmatic supporter and teacher, Marcus. War is brewing. Joseph is wanted for escaping to save Chelo. To stay safe, Joseph must bring his family and friends to the renowned planet of Lopali, where men and women can fly, and peace and freedom abound. Or do they? Alicia has always wanted to fly, but the modifications that give humans wings kill as often as they work. Joseph must learn to actually change humans, to free the fliers of a tyranny that has enslaved them, since their species was born. If he can do this, the fliers have agreed to help him stop the war. But it’s not as easy as it seems. Praise for The Silver Ship and the Sea: “An engrossing tale of six young outsiders growing up on a colony planet . . . This is an adventure story . . . But it is also a story about the relationships between insiders and outsiders . . . between people who need each other in order to survive.” —School Library Journal “Fast-paced and full-bodied, The Silver Ship and the Sea is character-driven hard SF at its best.” —The Seattle Times

Richie Small finds himself living in a dilapidated trailer with his mother transplanted to rural Michigan from Kentucky and attending a new school. His small physical size, thick black-rimmed glasses, and quiet nature make him the obvious target for the school bully, the gargantuan Clarence Goodfellow. If that were not enough to place a bull's-eye on his back, Richie is an avid reader, smart enough to be termed a geek or a nerd if anyone should find out. While trying to make himself invisible to Clarence and the others around him, Richie is befriended by a stray dog that becomes his first true friend and a fifth-grade teacher that discovers and shares his passion for the written word. Although poor and different, Richie and his dog, Lady, capture the heart of a community that will eventually call him a hero. This book takes an honest look at the issues and situations students face in any school and in any community. It is a heartwarming story that highlights the love shown by a hardworking single mother, the influence of a caring teacher, a coach that recognizes heart, a fellow student who needs help, and the influence of a dog that seems to know it all. Hopefully, not only will it encourage younger readers to appreciate the written word but also be enjoyed by anyone who enjoys a heartwarming story of a young man befriended by a dog.

Our most basic relationship with the world is one of technological mediation. Nowadays our available tools are digital, and increasingly what counts in economic, social, and cultural life is what can be digitally stored, distributed, replayed, augmented, and switched. Yet the digital remains very much materially configured, and though it now permeates nearly all human life it has not eclipsed all older technologies. This Handbook is grounded in an understanding that our technologically mediated condition is a condition of organization. It maps and theorizes the largely unchartered territory of media, technology, and organization studies. Written by scholars of organization and theorists of media and technology, the chapters focus on specific, and specifically mediating, objects that shape the practices, processes, and effects of organization. It is in this spirit that each chapter focuses on a specific technological object, such as the Battery, Clock, High Heels, Container, or Smartphone, asking the question, how does this object or process organize? In staying with the object the chapters remain committed to the everyday, empirical world, rather than being confined to established disciplinary concerns and theoretical developments. As the first sustained and systematic interrogation of the relation between technologies, media, and organization, this Handbook consolidates, deepens, and further develops the empirics and concepts required to make sense of the material forces of organization.