Known for her portraits of family, friends, writers, poets, artists, students, singers, salesmen, activists, and more, Alice Neel created forthright, intimate, and, at times, humorous paintings that quietly engaged with political and social issues. In Alice Neel, Uptown, writer and curator Hilton Als brings together a body of paintings and works on paper of African-Americans, Latinos, Asians, and other people of color for the first time. Highlighting the innate diversity of Neel’s approach, the selection looks at those whose portraits are often left out of the art-historical canon and how this extraordinary painter captured them; “what fascinated her was the breadth of humanity that she encountered,” Als writes. The publication, which opens with a foreword by Jeremy Lewison, advisor to The Estate of Alice Neel, explores Neel’s interest in the diversity of uptown New York and the variety of people amongst whom she lived. This group of portraits includes well-known figures such as playwright, actress, and author Alice Childress; the sociologist Horace R. Cayton, Jr.; the community activist Mercedes Arroyo; and the widely published academic Harold Cruse; alongside more anonymous individuals of a nurse, a ballet dancer, a taxi driver, a businessman, and a local kid who ran errands for Neel. In short and illuminating texts on specific works written in his characteristic narrative style, Als writes about the history of each sitter and offers insights into Neel and her work, while adding his own perspective. A contemporary and personal approach to the artist’s oeuvre, Als’s project is “an attempt to honor not only what Neel saw, but the generosity of her seeing.” This catalogue is published on the occasion of the 2017 exhibitions of Neel’s paintings and drawings at David Zwirner, New York, and Victoria Miro, London.

One of the foremost American figurative painters of the twentieth century, it is not surprising that Alice Neel was a humanist—she was fascinated by people. Known for her daringly honest portraits, Neel loved to paint people in all their complexities—to penetrate and reveal their fears and anxieties, how they defiance and survival. She also loved to paint the unadorned human figure. Her nudes, in particular, explore the body with frankness while celebrating the individuality of each of her subjects, and they exemplify the freedom and courage with which she approached her work and her life. Through her paintings and works on paper, Neel was able to free herself from the expected inhibitions and crippling taboos that were placed on women and focus on the beauty and nuanced complexity of flesh and the human body. In their mastery of form, color, and implied social commentary, her nudes are as relevant today as when they were painted. Freedom documents the solo exhibition of the artist’s work at David Zwirner in New York in 2019. Including works that span the 1920s to the 1980s, this presentation focuses primarily on the nude figure—whether male or female, adult or child—and demonstrates how Neel rebelled against and challenged the traditional perceptions of sexuality, motherhood, and beauty in our society. The catalogue includes newly commissioned scholarship by Helen Molesworth and an introduction by Ginny Neel of The Estate of Alice Neel.

"For me, people come first," Alice Neel (1900–1984) declared in 1950. "I have tried to assert the dignity and eternal importance of the human being." This ambitious publication surveys Neel's nearly 70-year career through the lens of her radical humanism. Remarkable portraits of victims of the Great Depression, fellow residents of Spanish Harlem, leaders of political organizations, queer artists, visibly pregnant women, and members of New York's global diaspora reveal that Neel viewed humanism as both a political and philosophical ideal. In addition to these paintings of famous and unknown sitters, the more than 100 works highlighted include Neel's emotionally charged cityscapes and still lifes as well as the artist’s erotic pastels and watercolors. Essays tackle Neel's portrayal of LGBTQ subjects; her unique aesthetic language, which merged abstraction and figuration; and her commitment to progressive politics, civil rights, feminism, and racial diversity. The authors also explore Neel's highly personal preoccupations with death, illness, and motherhood while reasserting her place in the broader cultural history of the 20th century.

Alice Neel (1900-1984) is widely considered one of the greatest portraitists of the twentieth century. Published on the occasion of a solo exhibition at David Zwirner, New York, this beautifully designed book presents a selection of portraits and still lifes from the last two decades of the artist's life. Called "the pre-eminent painter-chronicler of New York bohemia" by Deborah Solomon of The New York Times, Neel remains a hero to many of today's most influential figurative painters, including Eric Fischl, Elizabeth Peyton and Marlene Dumas--as much for the emotional and psychological intensity of her work as for her exemplary fearlessness.

Gruesome photographs document the victims of lynchings and the society that allowed mob violence.

A vibrant chronicle of the life and work of a prolific painter and bohemian eccentric.

"Explores the themes and stylistic developments of the art of Alice Neel, one of the greatest American painters of the twentieth century, with works spanning nearly seven decades, four essays and additional texts addressing themes and specific works, three artists' appreciations, and a chronology and bibliography"--Provided by publisher.