With the publication of La Maravilla (1993), Alfredo Véa entered the world of letters in full possession of his craft as a novelist, blending narrative fiction and engaging anecdotes with allusions to art (music, paintings, poetry) and autobiography (e.g., his tour of duty in Vietnam), written in the poetry and prose of the world with penetrating reflections on America (as an ideal), and the United States (as a country). Véa's narrative trilogy was recognized for its attention to language, ingenious conception at the level of plot and theme, and broad reflections on American society, its history (politics, art, religion, the entertainment industry), and its role as a world power in the twentieth century, specifically during the Vietnam war. Although recognized as a writer of great intuition and exceptional creativity, until now, no book-length study has been written on Alfredo Véa as a novelist. In this book, each one of the novels in the trilogy is analyzed and interpreted from an interdisciplinary perspective and with the general reader in mind, as well as college and university professors and students of US and world literatures.

[In this book, the author's] analysis of the effects and causes of capitalist underdevelopment in Latin America present [an] account of ... Latin American history. [The author] shows how foreign companies reaped huge profits through their operations in Latin America. He explains the politics of the Latin American bourgeoisies and their subservience to foreign powers, and how they interacted to create increasingly unequal capitalist societies in Latin America.-Back cover.

The month of November 1916 in Russia was outwardly unmarked by seismic events, but beneath the surface, society seethed fiercely. In Petrograd, luxury-store windows are still brightly lit; the Duma debates the monarchy, the course of war, and clashing paths to reform; the workers in the miserable munitions factories veer increasingly toward sedition. At the front all is stalemate except for sudden death's capricious visits, while in the countryside sullen anxiety among hard-pressed farmers is rapidly replacing patriotism. In Zurich, Lenin, with the smallest of all revolutionary groups, plots his sinister logistical miracle. With masterly and moving empathy, through the eyes of both historical and fictional protagonists, Solzhenitsyn unforgettably transports us to that time and place--the last of pre-Soviet Russia. Translated by H.T. Willetts. November 1916 is the second volume in Solzhenitsyn's multi-part work, the Red Wheel, following August 1914. The final volumes will deal with March and April of 1917. Each volume concentrates on a historical turning point, or "knot," as the wheel rolls on inexorably toward revolution.

This breakthrough book provides a detailed reconstruction of Stalin’s leadership from the outbreak of the Second World War in 1939 to his death in 1953. Making use of a wealth of new material from Russian archives, Geoffrey Roberts challenges a long list of standard perceptions of Stalin: his qualities as a leader; his relationships with his own generals and with other great world leaders; his foreign policy; and his role in instigating the Cold War. While frankly exploring the full extent of Stalin’s brutalities and their impact on the Soviet people, Roberts also uncovers evidence leading to the stunning conclusion that Stalin was both the greatest military leader of the twentieth century and a remarkable politician who sought to avoid the Cold War and establish a long-term detente with the capitalist world. By means of an integrated military, political, and diplomatic narrative, the author draws a sustained and compelling personal portrait of the Soviet leader. The resulting picture is fascinating and contradictory, and it will inevitably change the way we understand Stalin and his place in history. Roberts depicts a despot who helped save the world for democracy, a personal charmer who disciplined mercilessly, a utopian ideologue who could be a practical realist, and a warlord who undertook the role of architect of post-war peace.

Gambling Debt is a game-changing contribution to the discussion of economic crises and neoliberal financial systems and strategies. Iceland’s 2008 financial collapse was the first case in a series of meltdowns, a warning of danger in the global order. This full-scale anthropology of financialization and the economic crisis broadly discusses this momentous bubble and burst and places it in theoretical, anthropological, and global historical context through descriptions of the complex developments leading to it and the larger social and cultural implications and consequences. Chapters from anthropologists, sociologists, historians, economists, and key local participants focus on the neoliberal policies—mainly the privatization of banks and fishery resources—that concentrated wealth among a select few, skewed the distribution of capital in a way that Iceland had never experienced before, and plunged the country into a full-scale economic crisis. Gambling Debt significantly raises the level of understanding and debate on the issues relevant to financial crises, painting a portrait of the meltdown from many points of view—from bankers to schoolchildren, from fishers in coastal villages to the urban poor and immigrants, and from artists to philosophers and other intellectuals. This book is for anyone interested in financial troubles and neoliberal politics as well as students and scholars of anthropology, sociology, economics, philosophy, political science, business, and ethics. Publication supported in part by the National Science Foundation.

In his unmissable new book Bob Woodward takes the reader on an inside journey from the start of the Iraq War in 2003 right up to the present day, providing a detailed, authoritative account of President Bush's leadership and the struggles among the men and women in the White House, the Pentagon, the CIA and the State Department. With Bush well into his second term, Woodward breaks new ground, as he has in his thirteen previous international bestsellers, including BUSH AT WAR and PLAN OF ATTACK. Woodward puts the Bush legacy in historical context as he shows this presidency in action in a way that is normally seen only years after a chief executive leaves office. He describes how Bush and his team have attempted to change the way that wars are fought, and put together a re-election campaign while re-inventing their strategy for the invasion and occupation of Iraq over and over again. Here is the behind-the-scenes story of this administration -- meetings, conversations, and memos; conflicts, manoeuvring, and anguish -- as key administration figures provide a full view of the first presidency of the twenty-first century.

“A material epic with an astonishing fidelity to history."—New York Times Book Review Three Kingdoms tells the story of the fateful last reign of the Han dynasty (206 B.C.–A.D. 220), when the Chinese empire was divided into three warring kingdoms. Writing some twelve hundred years later, the Ming author Luo Guanzhong drew on histories, dramas, and poems portraying the crisis to fashion a sophisticated, compelling narrative that has become the Chinese national epic. This abridged edition captures the novel's intimate and unsparing view of how power is wielded, how diplomacy is conducted, and how wars are planned and fought. As important for Chinese culture as the Homeric epics have been for the West, this Ming dynasty masterpiece continues to be widely influential in China, Korea, Japan, and Vietnam and remains a great work of world literature.