This collection of fiction and poetry, memoirs and autobiography, history and journalism illuminates the African American experience in St. Louis in the nineteenth and twentieth centuries.

Historian Scott Reynolds Nelson recounts how he came to discover the real John Henry, an African-American railroad worker who became a legend in the famous song.

'I am a woman's rights. I have plowed and reaped and husked and chopped and mowed, and can any man do more than that? I am as strong as any man that is now' A former slave and one of the most powerful orators of her time, Sojourner Truth fought for the equal rights of Black women throughout her life. This selection of her impassioned speeches is accompanied by the words of other inspiring African-American female campaigners from the nineteenth century. One of twenty new books in the bestselling Penguin Great Ideas series. This new selection showcases a diverse list of thinkers who have helped shape our world today, from anarchists to stoics, feminists to prophets, satirists to Zen Buddhists.

“It takes true brilliance to lift the arid tellings of lexicographic fussing into the readable realm of the thriller and the bodice-ripper….David Skinner has done precisely this, taking a fine story and honing it to popular perfection.” —Simon Winchester, New York Times bestselling author of The Professor and the Madman The captivating, delightful, and surprising story of Merriam Webster’s Third Edition, the dictionary that provoked America’s greatest language controversy. In those days, Webster’s Second was the great gray eminence of American dictionaries, with 600,000 entries and numerous competitors but no rivals. It served as the all-knowing guide to the world of grammar and information, a kind of one-stop reference work. In 1961, Webster’s Third came along and ignited an unprecedented controversy in America’s newspapers, universities, and living rooms. The new dictionary’s editor, Philip Gove, had overhauled Merriam’s long held authoritarian principles to create a reference work that had “no traffic with…artificial notions of correctness or authority. It must be descriptive not prescriptive.” Correct use was determined by how the language was actually spoken, and not by “notions of correctness” set by the learned few. Dwight MacDonald, a formidable American critic and writer, emerged as Webster’s Third’s chief nemesis when in the pages of the New Yorker he likened the new dictionary to the end of civilization.. The Story of Ain’t describes a great cultural shift in America, when the voice of the masses resounded in the highest halls of culture, when the division between highbrow and lowbrow was inalterably blurred, when the humanities and its figureheads were shunted aside by advances in scientific thinking. All the while, Skinner treats the reader to the chippy banter of the controversy’s key players. A dictionary will never again seem as important as it did in 1961.

Still reeling from the scandal that cost him his badge, Randy Mayhill—fallen lawman, dog rescuer, Dr Pepper enthusiast—sees a return from community exile in the form of a dead hog trapper perched on a fence. The fence belongs to the late Van Woods, Mayhill’s best friend and the reason for his spectacular fall. Determined to protect Van’s land and family from another scandal, Mayhill ignores the sherriff who replaced him and investigates the death of the unidentified man. His quest crosses with two others: Birdie, Van’s surly, mourning daughter, who has no intention of sitting idly by and leaving her father’s legacy in Mayhill’s hands; and Bradley, Birdie’s slow, malnourished but loyal friend, whose desperation to escape a life of poverty has him working with local criminals, and possibly a murderer. A riveting debut novel about family and loyalty, old grudges and new lives, AIN’T NOBODY NOBODY is like a cross between Faulkner and “Breaking Bad”, from a talented new writer with an authentic Texas voice.