This book focuses on representations of aging masculinities in contemporary U.S. fiction, including shifting perceptions of physical and sexual prowess, depression, and loss, but also greater wisdom and confidence, legacy, as well as new affective patterns. The collection also incorporates factors such as race, sexuality and religion. The volume includes studies, amongst others, on Philip Roth, Paul Auster, Toni Morrison, Ernest Gaines, and Edmund White. Ultimately, this study proves that men’s aging experiences as described in contemporary U.S. literature and culture are as complex and varied as those of their female counterparts.

'Are older men interesting? This volume insists, and demonstrates, that they have been central figures for many intriguing writers of fiction.' -Margaret Morganroth Gullette, Women's Studies Research Center, Brandeis University, USA 'Revisiting contemporary US fiction by focusing on cultural representations of aging masculinities not only encourages a reassessment of such texts in terms of dominant cultural beliefs that challenges prevailing perspectives on gender and age, but more importantly offers insights into how the form influences our perceptions by either supporting or subverting preconceived notions of masculinity.' -Roberta Maierhofer, Center for Inter-American Studies, University of Graz, Austria 'A much-needed and impressive contribution to the fields of age studies and gender studies, both of which have overlooked the study of men and masculinity. Focusing on representations of aging and old men in U.S. fiction, contributors produce a rich array of images and interpretations that challenge the dominant masculinity script and redress the cultural invisibility of older men.' -Thomas R. Cole, McGovern Chair in Medical Humanities and Director of the McGovern Center for Humanities and Ethics, University of Texas, USA This book focuses on representations of aging masculinities in contemporary U.S. fiction, including shifting perceptions of physical and sexual prowess, depression, and loss, but also greater wisdom and confidence, legacy, as well as new affective patterns. The collection also incorporates factors such as race, sexuality and religion. The volume includes studies, amongst others, on Philip Roth, Paul Auster, Toni Morrison, Ernest Gaines, and Edmund White. Ultimately, this study proves that men's aging experiences as described in contemporary U.S. literature and culture are as complex and varied as those of their female counterparts. Josep M. Armengol is Professor of U.S. Literature and Gender Studies at Universidad de Castilla-La Mancha, Spain. He is the author of Masculinities in Black and White: Manliness and Whiteness in (African) American Literature (2014), among others, and is Director of the project 'No Country for Old Men? Representations of Masculinity and Aging in Contemporary U.S. Fiction'.

This book focuses on the construction of hegemonic masculinity as well as its representations in literature, culture, and film. Although white heterosexual masculinity continues to be the dominant model, it remains, paradoxically, largely invisible in gender terms. While the first three chapters thus offer introductory theoretical perspectives on the latest research on white masculinities, the following chapters concentrate on applying masculinity theory to the analysis of both social constructions and cultural (i.e. literary and film) representations of men’s emotions (with a special focus on new fatherhood models), friendships between men, as well as gender-based violence.

As each generation confronts aging and responds to its challenges, the literary community—ranging from Philip Roth to Jonathan Franzen—has provided nuanced and thoughtful depictions that transcend stereotypes of old men as feeble and broken individuals. Under the sage guidance of these authors—many facing old age themselves—older male characters have become increasingly prevalent in literary fiction. In Aging Masculinity in the American Novel, Alex Hobbs turns the spotlight on matters related to later life by examining a broad range of works. Hobbs looks at novels not only by literary lions of the Baby Boom generation, but authors on the cusp of old age who anticipate its consequences. In addition to works by Jonathan Franzen, Paul Auster, and Ethan Canin, the author considers the perspectives of female writers, such as Marilynne Robinson, Anne Tyler, and Jane Smiley, who have created complex older male characters. Hobbs argues that previous studies regarding male aging in popular culture have been reductive, and she suggests that male and female experiences and interpretations of aging are individualistic and unique. With a bold argument for how readers should contemplate masculinity in literary fiction, this book helps us better understand the full range of issues that older men face—from legacy and loss to health issues and grace. The author’s illuminating and persuasive perspectives will ignite a new way of thinking about this subject and its central place in the national conversation. Looking at how older men’s lives are documented in American fiction, Aging Masculinity in the American Novel will be of interest to scholars and students of popular culture, gender studies, aging studies, and literature.

This volume offers a unique exploration of how ageing masculinities are constructed and represented in contemporary international cinema. With chapters spanning a range of national cinemas, the primarily European focus of the book is juxtaposed with analysis of the social and cultural constructions of manhood and the "anti-ageing" impulses of male stardom in contemporary Hollywood. These themes are inflected in different ways throughout the volume, from considering how old age is not the monolithic and unified life stage with which it is often framed, to exploring issues of queerness, sexuality, and asexuality, as well as themes such as national cinema and dementia. Offering a diverse and multifaceted portrait of ageing and masculinity in contemporary cinema, this book will be of interest to scholars and students of film and screen studies, gender and masculinity studies, and cultural gerontology.

Across more than 30 chapters spanning migration, queerness, and climate change, this handbook captures how the interdisciplinary and intersectional endeavor of Age(ing) studies has shaped contemporary literary and film studies. In the early 21st century, the literary study of age and ageing in its cultural context has 'come of age': it has come to supplement and challenge a public discourse on ageing seen mainly as a political and demographic 'problem' in many countries of the world. Following a tripartite structure, it looks first at literary and film genres and how they have been shaped by knowledge about age and ageing, incorporating both narrative genres as well as poetry, drama and imagery. The second section includes chapters on key themes and concepts in Age(ing) Studies with examples from film and literature. The third section brings together case studies focussing on individual artists, national traditions and global ageing. Containing original contributions by pioneers in the field as well as new scholars from across the globe, it brings together current scholarship on ageing in literary and film studies, and offers new directions and perspectives.