It showcases how posthumanism has transformed the humanities and what new work is now possible in light of this unsettling.

The contemporary has marked itself off from modernity by questioning its humanism that centers the world around the human as the moral subject of free will and self-determination, the bearer of universal essence that is the basis of human rights. Modernism normalizes humanism through language as referential, a set of interrelated signs that correspond to the empirical reality outside it. Humanist modernity, in other words, is seen in the contemporary as a regime that, by separating the human from the non-human and insisting on language as correspondence, not only fails to engage the emerging forms of social relations in which the boundaries of human and machine are fading but is also indifferent to the difference between the “other”’s life and other lives. Human, All Too (Post)Human: The Humanities after Humanism argues that the Nietzschean tendencies that provide the philosophical boundaries of post-humanism do not undo humanism but reform it, constructing a parallel discourse that saves humanism from itself. Grounded in materialist analysis of social life, Human, All Too (Post)Human argues that humanism and post-humanism are cultural discourses that normalize different stages of capitalism—analog and digital capitalism. They are different orders of property relations. The question, the writers argue, is not humanism or post-humanism, namely cultural representations, but the material relations of production that are centered on wage labor. Language, free will, or human rights are not the issues since “Right can never be higher than the economic structure of society and its cultural development conditioned thereby.” The question that shapes all questions, in Human, All Too (Post)Human is freedom from (wage) labor.

Fernando J. Rosenberg explores Latin American artistic production concerned with the possibility of justice after the establishment, rise, and ebb of the human rights narrative around the turn of the last century. Prior to this, key literary and artistic projects articulated Latin American modernity by attempting to address and supplement the state's inability to embody and enact justice. Rosenberg argues that since the topics of emancipation, identity, and revolution no longer define social concerns, Latin American artistic production is now situated at a point where the logic and conditions of marketization intersect with the notion of rights through which subjects define themselves politically. Rosenberg grounds his study in discussions of literature, film, and visual art (novels of political re-foundations, fictions of truth and reconciliation, visual arts based on cases of disappearance, films about police violence, artistic collaborations with police forces, and judicial documentaries.) In doing so, he provides a highly original examination of the paradoxical demands on current artistic works to produce both capital value and foster human dignity.

"Drawing on the latest research in archaeology, human genetics, and environmental science, After The Life takes the reader on a sweeping tour of 15,000 years of human history."--Cover.

Shortlisted for the British Fantasy Awards (Non-Fiction) 2022 Shortlisted for the Locus Science Fiction Foundation Non-Fiction Award 2022 SF has long been understood as a literature of radical potential, capable of imagining entirely new worlds and ways of being. Yet SF has been slow to embrace posthumanist ideas about the human subject. The human of the SF tradition is instead a liminal being, caught somewhere between the transcendent 'Man' of classical humanism and the subversive 'cyborg' of posthumanist thought. This study offers a critical history of the 'human' in SF. By examining a range of SF works from 1818 to the 1970s, it seeks to answer some key questions: What role does technology play in defining what it means to be - or not to be - human? How do these writers understand the relationship between humanity and the rest of nature? And how can we use SF to re-examine our ethical position towards the non-human world and move to more egalitarian understandings of the human subject?

There are plenty of guides out there for humans about training their dogs - as if humans have ever been the ones in charge. One dog has at last agreed to share the insights gained through years of hard experience: Maggie Mayhem has trained some of the world's most stubborn humans (including her co-author Kim Sears), and so there is no better canine to explain the complexities of human behavior and guide you through the ownership journey. How to Look After Your Human includes: - tips and techniques on everything from choosing the right human for you, to managing their diet and instilling a mutually beneficial exercise regime - a guide to deciphering human language, including which words you should be paying attention to (very few) and those you should ignore entirely (rather a lot) - advice on the vexed issues of fancy dress (canine) and personal hygiene (human) Written with Maggie's signature wit and wisdom, How to Look After Your Human is the perfect gift for dogs looking to build that unique bond with their humans. The text is accompanied throughout by bright, quirky artwork from critically acclaimed Penguin in Peril creator Helen Hancocks.

What do you do if you find yourself suddenly the target of high school aggression, relentless insults, and painful isolation? Such is the dilemma of teenager Alex Rogers in this novel inspired by the real-life trials of the author. [taken from back cover].