"Fantasies That Run In My Head" is the authors collection of original Web inspired poems. Almost everything said and done between people in this Net-based environment is pure fantasy and wishful thinking. Here you can be whoever you want to be and say almost anything you want to say. The poem "In Realtime Too", is a synopsis of web life. It is often hard to separate the "fantasy" from the reality and the merging of desires with time and distance, often make revelations of the heart and mind possible. So while you read, see if you can decipher the real from the unreal, the actual acts from the make-believe desires. See if you agreed that: "Making all our cyber plans Courting all those cyber fans. Doing what we must do The same as if in real time too."

In African Origin found in Religion and Freemasonry: Part II, Brother Griffo and Brother Berkley parallel these ancient arts and sciences to religion, everyday life, and the occults. Their in depth research uncovers how the ancient African practices are concealed behind religious characters and events currently being utilized in several cultural practices. Brother Griffo and Brother Berkley work to reawaken culturally the thinking minds of culturally deprived communities by demonstrating how ancient African arts and sciences can be utilized in modern times without adapting the total lifestyle of ancient Africans. They make a clear distinction between ancient tradition, and its use of modern arts and sciences.

The first in-depth account of an African American institution that spans the history of the American Republic.

Freemasonry is a system of learning that has been recognized as?a?product of western civilization, however what is not told is the influences by people of African descent. This book describes the contributions to freemasonry from the ancient African civilizations of Egypt, Nubia and pre Islamic Arabia. It is designed to give the reader a deeper understanding of its origins as well as its connection to world civilizations and world religion, all of which has an African presence. This book will also looks at the universe of African American Masonic organizations from the early 18th century to the 20th century America, which ranged from the origins of prince hall freemasonry to Black Nationalist and esoteric religious sects like the Moorish Science Temple of America, the UNIA and several other offshoots. Contrary to prior accounts, African American Freemasonry was concerned with far more than simply acknowledgement and respectability. The book will demonstrate that Freemasonry played a critical role in, history, politics and African American social life. I discuss such topics as the impact of Greek philosophy on western civilization, the rise of Islam and its impact on the African continent and finally the grandeur and accomplishments of the moors of Spain. African people have been at the very core of this rich foundation. In addition I discuss the comparisons between the ancient Egyptian civilization and modern day freemasonry. I explore its symbolism as well as the esoteric foundations that freemasonry relies so heavily upon. Once freemasonry reach the western hemisphere it became a tool for influencing Europe’s elite. Moreover, my research covers the history of the knight’s of Europe and the origins of?european chivalry and how Arabic poetry played an important role in its establishment. Additional topics include Napoleon Bonaparte, The mystic shrine and the foundations of Orientalism.

The history of black Freemasonry from Boston and Philadelphia in the late 1700s through the Civil War to the Civil Rights Movement • Examines the letters of Prince Hall, legendary founder of the first black lodge • Reveals how many of the most influential jazz musicians of the 20th century were also Masons, including Louis Armstrong, Duke Ellington, and Nat King Cole • Explores the origins of the Civil Rights Movement within black Freemasonry and the roles played by Booker T. Washington and W. E. B. Du Bois When the first Masonic lodges opened in Paris in the early 18th century their membership included traders, merchants, musketeers, clergymen, and women--both white and black. This was not the case in the United States where black Freemasons were not eligible for membership in existing lodges. For this reason the first official charter for an exclusively black lodge--the Prince Hall Grand Lodge of Massachusetts--was granted by the Grand Lodge of England rather than any American chapter. Through privileged access to archives kept by Grand Lodges, Masonic libraries, and museums in both the United States and Europe, respected Freemasonry historian Cécile Révauger traces the history of black Freemasonry from Boston and Philadelphia in the late 1700s through the Abolition Movement and the Civil War to the genesis of the Civil Rights Movement in the early 1900s up through the 1960s. She opens with a look at Prince Hall, legendary founder and the chosen namesake when black American lodges changed from “African Lodges” to “Prince Hall Lodges” in the early 1800s. She reveals how the Masonic principles of mutual aid and charity were more heavily emphasized in the black lodges and especially during the reconstruction period following the Civil War. She explores the origins of the Civil Rights Movement within black Freemasonry and the roles played by Booker T. Washington and W. E. B. Du Bois, founder of the NAACP, among others. Looking at the deep connections between jazz and Freemasonry, the author reveals how many of the most influential jazz musicians of the 20th century were also Masons, including Louis Armstrong, Duke Ellington, Nat King Cole, Eubie Blake, Cab Calloway, and Paul Robeson. Unveiling the deeply social role at the heart of black Freemasonry, Révauger shows how the black lodges were instrumental in helping American blacks transcend the horrors of slavery and prejudice, achieve higher social status, and create their own solid spiritually based social structure, which in some cities arose prior to the establishment of black churches.