THE following pages contain my memories of many years spent in the African bush, where I did little else than hunt game and study their habits and tracks. In 1906 my friend the late Major (then Captain) C. H. Stigand and myself brought out Central African Game and its Spoor, and then we both wrote further volumes on the game independently. I doubted whether I had enough material for another volume, but on looking up my diaries I found that there was quite a lot I had left unsaid. The first chapter deals with some of my experiences when tea-planting in Eastern India, but I had so little opportunity there to get really good sport that I think it best here to mainly confine my attention to Africa, where I had a glorious time Eastern India is so jungly that without the use of trained elephants it is impossible for a man to do much with the rifle. On the other hand, Central Africa is a country where anyone can get (or perhaps I should say could get) as much shooting as he wants if he is a good walker and able to rough it in a bad climate; for it is not a health resort. Naturally a hunter’s life in tropical Africa is not “roses all the way,” although there are wonderful compensations for the hardships and fevers

As a child, Donald MacIntosh's heroine was Mary Kingsley, a nineteenth-century traveler who successfully took on the forbidding forests and swamps of West Africa. It was an adventure he was to follow for much of his adult life, spending thirty years as a forester in the so-called 'white man's grave'. MacIntosh, however, more than lived to tell his tales, which he does so here with characteristic gusto and relish. As always, they are rich with characters and humor.

DigiCat Publishing presents to you this special edition of "In African Forest and Jungle" by Paul B. Du Chaillu. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

In the following write up I have recreated my experiences and adventures covering safaris over a dozen year period ranging from the Cape to the Caprivi in discovering Africa . It's a story that tries to capture the feel of safari, the smells, the sounds, and sights one experiences in the African bush. Despite all the game taken and the travel to remote and exotic locations, it was the experiences, the adventure, and most of all the memories created by the journeys that were the real essence of what an African hunt is all about. Someone once suggested that I should write a book about my safari adventures and my love affair with Africa. Well, I have. I take you along on my hunting adventures and experiences, some serious and some humorous, ranging from a charging angry 12,000 pound elephant to a battle with a little 30 pound bullet proof sharpes grysbok. Those who have hunted in Africa have many memories of their own from safari. In the following I share my memories so that both the African safari veteran and someone who is still dreaming of going on safari can share in my hunting experiences and the memories I have collected. The book is not just about shooting but it’s about experiencing the feeling of hunting wild animals on their own turf, the unexpected events, and the dangers in the thick bush going face to face with a dangerous animal that can quickly turn the table making you the hunted, and to test yourself when a tough situation arises. But, most importantly, it’s about collecting memories.

This book serves as a drive and medium for constructive analysis, critical thinking, and informed change in the broad area of cultural heritage studies. In Africa, how to overturn the gory effects and reverse the wholesale obnoxious and unpardonable losses suffered from the excruciating experience of colonialism in a manner that empowers the present and future generations, remains a burning question. Colonial and liberation war heritage have received insignificant attention. The relevance, nature, and politics at play when it comes to the role of memory and colonial heritage in view of nation-building and sustainability on the continent is yet to receive careful practical and theoretical attention and scrutiny from both heritage scholars and governments. Yet, colonial heritage has vast potentials that if harnessed could reverse the gargantuan losses of colonialism and promote sustainable development in Africa. The book critically reflects on the opportunities, constraints, and challenges of colonial heritage across Africa. It draws empirical evidence from its focus on Zimbabwe, South Africa, Nigeria, Ghana, Zambia, and Mozambique, to advance the thesis that cultural heritage in Africa, and in particular colonial heritage, faces challenges of epic proportions that require urgent attention.