From the exodus of early modern humans to the growth of African diasporas, Africa has had a long and complex relationship with the outside world. More than a passive vessel manipulated by external empires, the African experience has been a complex mix of internal geographic, environmental, sociopolitical and economic factors, and regular interaction with outsiders. Peter Mitchell attempts to outline these factors over the long period of modern human history, to find their commonalities and development over time. He examines African interconnections through Egypt and Nubia with the Near East, through multiple Indian Ocean trading systems, through the trans-Saharan trade, and through more recent incursion of Europeans. The African diaspora is also explored for continuities and resistance to foreign domination. Commonalities abound in the African experience, as do complexities of each individual period and interrelationship. Mitchell's sweeping analysis of African connections place the continent in context of global prehistory and history. The book should be of interest not only to Africanists, but to many other archaeologists, historians, geographers, linguists, social scientists and their students.

Afro-Asian Connections in Latin America and the Caribbean explores the connections between people of Asian and African descent in Latin America and the Caribbean. Although their journeys started from different points of origin, spanning two separate oceans, their point of contact in this hemisphere brought them together under a hegemonic system that would treat these seemingly disparate continental ancestries as one. Historically, an overwhelming majority of people of African and Asian descent were brought to the Americas as sources of labor to uphold the plantation, agrarian economies leading to complex relationships and interactions. The contributions to this collection examine various aspects of these connections. The authors bring to the forefront perspectives regarding history, literature, art, and religion and engage how they are manifested in these Afro-Asian relationships and interactions. They investigate what has received little academic engagement outside the acknowledgement that there are groups who are of African and Asian descent. In regard to their relationships with the dominant Europeanized center, references to both groups typically only view them as singular entities. What this interdisciplinary collection presents is a more cohesive approach that strives to place them at the center together and view their relationships in their historical contexts.

Bringing a black Atlantic approach to constructive postmodern efforts to understand and transcend modern worldviews and modern world orders, Mothership Connections draws upon the work of scholars in the tradition of W. E. B. Du Bois, Charles H. Long, Alfred North Whitehead, and Charles Hartshorne. The author shows that connections to the originating influences of transatlantic slavery and black Atlantic experiences are essential to any adequate account of modernity and postmodernity. He also argues that metaphysics is essential to theology and moral theory, synthesizing neoclassical metaphysics and black theology to develop a black Atlantic account of metaphysical aspects of struggle, power, and ethical deliberation.

Pan-African Connections brings to the reader a combination of Reflections and Testimonies from writers, politicians, activists, colleagues; with essays on intellectual activism, the building of Pan-African institutions and the voices of women in Panafricanism. Stories abound from writers such as Ngugi wa Thiong'o and Anyang' Nyong'o about Locksley Edmondson, who is featured here, who like Walter Rodney, lived and worked on the African continent physically, but also engaged it politically, culturally and intellectually in teaching and research. The lives and work of these scholars embodied precisely the bringing together of African, Caribbean and African-American Studies in the intellectual arena. Through this generation of intellectual/activists, the rubric of Panfricanism remains one of the key areas of academic and political inquiry in Africana Studies.

With contributions from activists, artists, and scholars, Afro Asia is a groundbreaking collection of writing on the historical alliances, cultural connections, and shared political strategies linking African Americans and Asian Americans. Bringing together autobiography, poetry, scholarly criticism, and other genres, this volume represents an activist vanguard in the cultural struggle against oppression. Afro Asia opens with analyses of historical connections between people of African and of Asian descent. An account of nineteenth-century Chinese laborers who fought against slavery and colonialism in Cuba appears alongside an exploration of African Americans’ reactions to and experiences of the Korean “conflict.” Contributors examine the fertile period of Afro-Asian exchange that began around the time of the 1955 Bandung Conference, the first meeting of leaders from Asian and African nations in the postcolonial era. One assesses the relationship of two important 1960s Asian American activists to Malcolm X and the Black Panthers. Mao Ze Dong’s 1963 and 1968 statements in support of black liberation are juxtaposed with an overview of the influence of Maoism on African American leftists. Turning to the arts, Ishmael Reed provides a brief account of how he met and helped several Asian American writers. A Vietnamese American spoken-word artist describes the impact of black hip-hop culture on working-class urban Asian American youth. Fred Ho interviews Bill Cole, an African American jazz musician who plays Asian double-reed instruments. This pioneering collection closes with an array of creative writing, including poetry, memoir, and a dialogue about identity and friendship that two writers, one Japanese American and the other African American, have performed around the United States. Contributors: Betsy Esch, Diane C. Fujino, royal hartigan, Kim Hewitt, Cheryl Higashida, Fred Ho, Everett Hoagland, Robin D. G. Kelley, Bill V. Mullen, David Mura, Ishle Park, Alexs Pate, Thien-bao Thuc Phi, Ishmael Reed, Kalamu Ya Salaam, Maya Almachar Santos, JoYin C. Shih, Ron Wheeler, Daniel Widener, Lisa Yun

An explanation of the digital practices of the black Internet From BlackPlanet to #BlackGirlMagic, Distributed Blackness places blackness at the very center of internet culture. André Brock Jr. claims issues of race and ethnicity as inextricable from and formative of contemporary digital culture in the United States. Distributed Blackness analyzes a host of platforms and practices (from Black Twitter to Instagram, YouTube, and app development) to trace how digital media have reconfigured the meanings and performances of African American identity. Brock moves beyond widely circulated deficit models of respectability, bringing together discourse analysis with a close reading of technological interfaces to develop nuanced arguments about how “blackness” gets worked out in various technological domains. As Brock demonstrates, there’s nothing niche or subcultural about expressions of blackness on social media: internet use and practice now set the terms for what constitutes normative participation. Drawing on critical race theory, linguistics, rhetoric, information studies, and science and technology studies, Brock tabs between black-dominated technologies, websites, and social media to build a set of black beliefs about technology. In explaining black relationships with and alongside technology, Brock centers the unique joy and sense of community in being black online now.