AFRICA HEROES & SHEROES SERIES is a fantastic children book that tells a series of classic stories with the aim of preserving our culture and informing the current and next generation of the amazing tales of our land. The first series is ‘The Kilimanjaro Hero’, this story is about a brave boy who takes the initiative to save his community from the biggest ogre ever seen. This story is showcasing the boy who is courageous, brave, creative, and innovative and a boy who wants unity. We can be as brave as this boy in many forms through: reading, playing, helping our friends and parents and even when you choose to be kind to yourself and others. There are many ways to be a hero and a shero.

The Black Legacy Learning Series: African American Sheroes and Heroes engageschildren in learning the greatness of our history.

The Black Legacy Learning Series presents African American Sheroes and Heroes. African American Sheroes and Heroes engages children in learning the greatness of our history. It highlights the biographies of some of our African American giants who have already made history. It extends learning by incorporating vocabulary words, puzzles, comprehension activities, creative expression activities, and critical analysis writing prompts. It will positively tap into the minds of children while encouraging them to internalize the richness of our legacy. One must know their roots, in order for them to succeed in the present and future.

Meet the Greatest heroes of africa--from ancient to modern times "The books in the Black Stars series are the types of books that would have really captivated me as a kid." --Earl G. Graves, Black Enterprise magazine Kofi Annan Askia the Great Bambaata Behanzin Hossu Bowelle Stephen Biko Cetewayo Constance Cummings-John Imhotep Kenneth Kaunda Jomo Kenyatta Khama Sir Seretse Khama Patrice Lumumba Albert John Luthuli Nelson Mandela Menelik II Moshesh Mansa Musa Kwame Nkrumah Julius Nyerere Nzingha Piankhy Rabah Haile Selassie Albertina Sisulu Osei Tutu Youssef I

Every child deserves and needs some inspiration, precursors, heroes and role-models, preferably from a similar background, that he or she can emulate. This is what this book is trying to offer. A hero is a person admired or idealized for his courage, his service, his excellent achievements or his noble qualities; regardless of race, ethnicity, age, gender, religion, ideology and background. The book features black African heroes, white African heroes, Aboriginal heroes and heroes from the Diaspora, whether they live or have lived in Africa, Oceania, Europe, Asia or America. The book is presented like a research booklet so that the reader can become a key component of the research and writing team.

This critical study interrogates the intersection of race and gender media representations on screen and behind the scenes. The thought-provoking investigation on the Oprah Winfrey Network’s Queen Sugar series shows the ways in which the television drama is a significant contribution to mainstream media that creates in-depth conversations concerning African American women’s social roles, social class, and social change. Ollie L. Jefferson provides a unique analysis of the television production by using the exemplary representations conceptual framework to contextualize and theorize research contributing to systemic change. Jefferson highlights the best practices used by African American female executive producers, Oprah Winfrey and Ava DuVernay, by examining Queen Sugar as a case study. The investigation shows how the decision-makers produced multidimensional female characters to illustrate the complex humanity of Black lives. This book broadens understanding of the media industry’s need for culturally sensitive and conscious inclusion of women and people of color behind the scenes—as media owners, creators, writers, directors, and producers—to put an end to the persistent and pervasive misrepresentations of African American women on screen. Scholars of television studies, film studies, media studies, race studies, and women’s studies will find this book particularly useful.

As early as 1909, African Americans were utilizing the new medium of cinema to catalogue the world around them, using the film camera as a device to capture their lives and their history. The daunting subject of race and ethnicity permeated life in America at the turn of the twentieth century and due to the effect of certain early films, specific television images, and an often-biased news media, it still plagues us today. As new technologies bring the power of the moving image to the masses, African Americans will shoot and edit on laptop computers and share their stories with a global audience via the World Wide Web. These independently produced visions will add to the diverse cache of African American images being displayed on an ever-expanding silver screen. This wide range of stories, topics, views, and genres will finally give the world a glimpse of African American life that has long been ignored and has yet to be seen. This second edition of Historical Dictionary of African American Cinema covers its history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 1400 cross-referenced entries on actors, actresses, movies, producers, organizations, awards, and terminology, this book provides a better understanding of the role African Americans played in film history. This book is an excellent access point for students, researchers, and anyone wanting to know more about African American cinema.