Adolphe Gouhenant tells the story of artist, revolutionary, and early North Texas resident Francois Ignace (Adolphe) Gouhenant (1804-1871). Born at the dawn of the Romantic era, Gouhenant traveled from a small village near the foothills of the Alps to France’s second largest city, where he built a monument to the arts and sciences atop Lyon’s famous Fourvière Hill. His wildly ambitious schemes landed him in court and ultimately devastated him financially. Participating in clandestine revolutionary organizations, Gouhenant organized a secret meeting under the guise of a Masonic banquet and was later imprisoned for conspiracy against the monarchy. Aligning himself with the early communist movement, Gouhenant advocated for workers’ rights and was selected by well-known Icarian communist Etienne Cabet to lead an advance guard on a treacherous journey across the Atlantic to settle a utopian colony in North Texas. Despite broken wagons, severe weather, and lack of food, he navigated overland from New Orleans in 1848 to establish a small settlement in Denton County. The community, beset by hardships, ultimately scapegoated Gouhenant and accused him of being a French agent deliberately sent to lead the group to destruction into the wilds, and for this “treason” they shaved his head and beard and expelled him from the colony (which collapsed shortly thereafter). Gouhenant then journeyed to Fort Worth to teach the federal soldiers French and art, and next to Dallas where he founded the town’s first arts establishment in the 1850s. He set up shop as a daguerreotypist and photographed the town’s early residents. His Arts Saloon was the scene of many exhibitions and dances but ultimately became the high stake in a nasty battle among Dallas’s leading citizens, setting legal precedent for Texas homestead law. Gouhenant’s death in a freak railroad accident left behind mysterious claims that contribute one last chapter to this amazing man’s story.

Radical in its dayand long overdue in Englishthis rare French classic traces the journey of fictional British Lord Clarisdall to the exotic island nation of Icaria. To his delight, Clarisdell discovers an ideal utopian democracy prospering amid peace and harmony. Devoid of competition or property, Icaria triumphs over the social evils of nineteeth-century capitalism. Clarisdell's amazement is constant. Foreign affairs are conducted by the community. Money and domestic commerce do not exist. Everyone gives to and draws from the common pot in equal measure. No pastoral idyll, the narrative describes a modern machine-age economy with social policiesfree education, equality for the sexes, strict family/moral tiesthat reflect enlightenment. Crime here is a myth; arts and culture are treasured commodities. Cabet described a totally integrated "community of goods" in the fifty years following the great revolution of 1782. Published at personal risk, his bold allegory gave birth to a real Icarian community that lasted into the late 1800s.

A surprising history of explorers, pirates, priests, artists, and more: “The best overall study of the French experience in Texas ever assembled.” —Jack Jackson, editor of Texas by Terán The flag of France is one of the six flags that have flown over Texas, but all that many people know about the French presence in Texas is the ill-fated explorer Cavelier de La Salle, fabled pirate Jean Lafitte, or Cajun music and food. Yet the French have made lasting contributions to Texas history and culture that deserve to be widely known and appreciated. In this book, François Lagarde and thirteen other experts present original articles that explore the French presence and influence on Texas history, arts, education, religion, and business from the arrival of La Salle in 1685 to the dawn of the twenty-first century. Each article covers an important figure or event in the France-Texas story. The historical articles thoroughly investigate early French colonists and explorers; the French pirates and privateers; the Bonapartists of Champ-d’Asile; the French at the Alamo; Dubois de Saligny and French recognition of the Republic of Texas; the nineteenth-century utopists of Icaria and Reunion; and the French Catholic missions. Other articles deal with French immigration in Texas, including the founding of Castroville; Cajuns in Texas; and the French economic presence in Texas today—the first such study ever published. The remaining articles look at painters Théodore and Marie Gentilz; sculptor Raoul Josset; French architecture in Texas; French travelers from Théodore Pavie to Simone de Beauvoir who have written on Texas; and the French heritage in Texas education. Includes more than seventy photos and illustrations

Alongside the various people moving into and through the nineteenth-century Texas frontier was a group of European intellectuals bent on establishing a socialist utopia near the hamlet of Dallas. Their inspiration, French philosopher Charles Fourier, envisioned a society in which basic human ambitions would be expressed and cultivated, tied together by the bonds of emotion. Fourier’s self-appointed disciple Victor Considerant led the establishment of La Réunion in 1855, organized under a Paris stock company. James Pratt weaves together the dramatic story of this utopia: the complex tale of a diverse group of Europeans who sought a new society but were forced to face the realities of life in nineteenth-century Texas. Considerant’s followers endured a long ocean voyage with Spanish gunboats following in their Caribbean wake. They brushed blooming magnolias through Buffalo Bayou between Galveston Bay and Houston—so narrow a channel that two ships could not pass simultaneously. They walked for three weeks across barren country, came into conflict with the Texas legislature over land, and had to buy their stolen horses back from Chief Ned, a famous Delaware Indian living in Texas. They were buffeted in the rising political winds of abolition, and droughts ruined their crops. In the end, however, it was their flamboyant leader Victor Considerant who sabotaged their dream.

For readers of Jill Lepore, Joseph J. Ellis, and Tony Horwitz comes a lively, thought-provoking intellectual history of the golden age of American utopianism—and the bold, revolutionary, and eccentric visions for the future put forward by five of history’s most influential utopian movements. In the wake of the Enlightenment and the onset of industrialism, a generation of dreamers took it upon themselves to confront the messiness and injustice of a rapidly changing world. To our eyes, the utopian communities that took root in America in the nineteenth century may seem ambitious to the point of delusion, but they attracted members willing to dedicate their lives to creating a new social order and to asking the bold question What should the future look like? In Paradise Now, Chris Jennings tells the story of five interrelated utopian movements, revealing their relevance both to their time and to our own. Here is Mother Ann Lee, the prophet of the Shakers, who grew up in newly industrialized Manchester, England—and would come to build a quiet but fierce religious tradition on the opposite side of the Atlantic. Even as the society she founded spread across the United States, the Welsh industrialist Robert Owen came to the Indiana frontier to build an egalitarian, rationalist utopia he called the New Moral World. A decade later, followers of the French visionary Charles Fourier blanketed America with colonies devoted to inaugurating a new millennium of pleasure and fraternity. Meanwhile, the French radical Étienne Cabet sailed to Texas with hopes of establishing a communist paradise dedicated to ideals that would be echoed in the next century. And in New York’s Oneida Community, a brilliant Vermonter named John Humphrey Noyes set about creating a new society in which the human spirit could finally be perfected in the image of God. Over time, these movements fell apart, and the national mood that had inspired them was drowned out by the dream of westward expansion and the waking nightmare of the Civil War. Their most galvanizing ideas, however, lived on, and their audacity has influenced countless political movements since. Their stories remain an inspiration for everyone who seeks to build a better world, for all who ask, What should the future look like? Praise for Paradise Now “Uncommonly smart and beautifully written . . . a triumph of scholarship and narration: five stand-alone community studies and a coherent, often spellbinding history of the United States during its tumultuous first half-century . . . Although never less than evenhanded, and sometimes deliciously wry, Jennings writes with obvious affection for his subjects. To read Paradise Now is to be dazzled, humbled and occasionally flabbergasted by the amount of energy and talent sacrificed at utopia’s altar.”—The New York Times Book Review “Writing an impartial, respectful account of these philanthropies and follies is no small task, but Mr. Jennings largely pulls it off with insight and aplomb. Indulgently sympathetic to the utopian impulse in general, he tells a good story. His explanations of the various reformist credos are patient, thought-provoking and . . . entertaining.”—The Wall Street Journal “As a tour guide, Jennings is thoughtful, engaging and witty in the right doses. . . . He makes the subject his own with fresh eyes and a crisp narrative, rich with detail. . . . In the end, Jennings writes, the communards’ disregard for the world as it exists sealed their fate. But in revisiting their stories, he makes a compelling case that our present-day ‘deficit of imagination’ could be similarly fated.”—San Francisco Chronicle

This biographical dictionary of some 3,000 photographers (and workers in related trades), active in a vast area of North America before 1866, is based on extensive research and enhanced by some 240 illustrations, most of which are published here for the first time. The territory covered extends from central Canada through Mexico and includes the United States from the Mississippi River west to, but not including, the Rocky Mountain states. Together, this volume and its predecessor, Pioneer Photographers of the Far West: A Biographical Dictionary, 1840-1865, comprise an exhaustive survey of early photographers in North America and Central America, excluding the eastern United States and eastern Canada. This work is distinguished by the large number of entries, by the appealing narratives that cover both professional and private lives of the subjects, and by the painstaking documentation. It will be an essential reference work for historians, libraries, and museums, as well as for collectors of and dealers in early American photography. In addition to photographers, the book includes photographic printers, retouchers, and colorists, and manufacturers and sellers of photographic apparatus and stock. Because creators of moving panoramas and optical amusements such as dioramas and magic lantern performances often fashioned their works after photographs, the people behind those exhibitions are also discussed.