“A dramatic and deeply satisfying climax . . . a high-stakes mystery in which the setting vibrates with as much life as the story itself.” —Publishers Weekly As Venice braces for a winter tempest, intrepid Italian sleuth Commissario Guido Brunetti finds out that an archaeologist and old friend has been savagely beaten at the palazzo home of opera singer Flavia Petrelli. Then, as the floodwaters rise, the corpse of a museum director is discovered—and Brunetti must wade through the chaotic city to solve his deadliest case yet. “An evocative peep into the dark underworld of the beauteous city.” —Time Out London “A superb police detective.” —Library Journal Also published under the title Death in High Water

Recipient, 2008 Guggenheim Fellowship With her strong voice and precise language, Meena Alexander has crafted this visceral, worldly collection of poems. The experience she brings to the reader is sensual in many senses of the word, as she invokes bright colors, sounds, smells, and feelings. Her use of vivid imagery from the natural world—birds, lilies, horses—up against that from the world of humans—oppression, slavery, and violence—ties her work to the earth even as she works a few mystical poetic transformations. In Alexander’s world, the songs of a bird can become the voice of a girl in a café and the red juice of mulberries can be as shocking as blood. When she focuses her attention on the cloth of a girl’s sari, the material of a woman’s life, or the blood in her veins, she speaks to the particular experience of women in the world. The women are vividly present—sometimes they are hidden or veiled, juxtaposed with open gardens in full bloom. It is difficult not to come away from Quickly Changing River without a new sense of the power and frailty of being alive. Aletheia (Girl in River Water) First I saw your face, The your whole body lying still Hands jutting, eyelids shut Twin nostrils flare, sheer Efflorescebce when memory cannot speak- a horde of body parts glistening.

The Rough Guide to Venice & the Veneto is the essential travel guide with clear maps and coverage of the regions unforgettable attractions. From the spiralling Scala de Bevalo to Europe's biggest collection of contemporary art in the Dogana di Mare, The Rough Guide to Venice & the Veneto unearths the best sites, hotels, restaurants, cafés and nightlife across every price range. You'll find the lowdown on the now-trendy Rialto area and the latest news on the flood barrier and Venice’s other conservation projects as well as the little-known nooks and crannies you should be exploring. The Rough Guide to Venice & the Veneto includes sections on the city's beautiful water-lapped palaces and lively festivals with specialist coverage of Venetian painting, sculpture and architecture and detailed information on the best markets and shopping-spots. Explore all corners of the region with authoritative background on everything from San Marco to the palazzi of the Canal Grande, relying on the clearest maps of any guide. Make the Most of Your Time with The Rough Guide to Venice & the Veneto.

Discusses such natural disasters as earthquakes, volcanoes, floods, and hurricanes, and how one can prepare and respond to these disasters.

Aquatopia documents Harmattan Theater’s ecological interventions and traces its engagements with water-bound landscapes, colonial histories, climate change, and public space across New York City, Venice, Amsterdam, Lisbon, and Cochin. The volume uses Harmattan’s site-specific performances as a point of departure to consider climate change and rising sea levels as geographical, ecological, and urban phenomena. Instead of a collection of flat, static surfaces, the Aquatopia atlas is animated by a disorienting, anti-mapping strategy, producing a deterritorialized, nomadic, fluid atlas unfolding in real time as an archive of climate change in multidimensional, active space. The book is designed for pedagogical access, with interludes that consolidate the learning outcomes of the experimental theory animating each site-specific performance. Accompanied by close descriptions of five performances and supplemented by digital documentation available online, this volume intervenes in discussions on climate change, urbanism, and postcolonization/decolonialization, and contributes to interdisciplinary studies of ecology and environmental politics, postcolonial/decolonial theories and practices, performance studies and aesthetics, in particular public art, and performance as research.