Abomination: Devil Worship and Deception in the West Memphis Three Murders provides a detailed, time-lined analysis of the murder that shocked the nation: the heinous killing of three eight year old boys in West Memphis, Arkansas on May 5th, 1993. A wall of deception has led the American public to erroneously believe that the three men were falsely accused and convicted for the crime. Unfortunately, this is not true. William Ramsey, author of Prophet of Evil: Aleister Crowley, 9/11 and the New World Order, provides shocking insights into the lives of the convicted murderers and their involvement with witchcraft. Relying on actual court and police records, William Ramsey shows that the evidence abundantly points to the guilt of the West Memphis Three.

Do the numbers suffusing the day of September 11th have occult significance? Why are the numbers 11, 77, 93, and 175 extremely significant in understanding the event? How did Aleister Crowley influence the events of 9/11, considering the fact that he died in 1947? How did Aleister Crowley inspire the doctrines of the New World Order? The answers to these questions is contained in the riveting book Prophet of Evil: Aleister Crowley, 9/11 and the New World Order.

They did it. The West Memphis 3 are guilty. They are guilty despite what the documentaries, books and news stories have said over and over. Guilty beyond a reasonable doubt. Damien Echols, Jason Baldwin and Jessie Misskelley Jr. killed three 8-year-olds, Christopher Byers, Michael Moore and Stevie Branch, on May 5, 1993, in a wooded area in West Memphis, Ark. The murders were thrill kills, according to Echols himself. But they were much more than that. Police were struck by the ritualistic aspects. Local dabblers in the occult immediately came under suspicion. Under questioning, Echols, already acknowledged as a witch, flaunted his knowledge of the occult, his theories of how the killings could have "magickal" implications and his insights into how the killer would think and feel. He demonstrated special knowledge about the case beyond the little publicly known. He gave out signals that he was a prime suspect; a series of witnesses further implicated him. A confession broke open the case. The widely accepted WM3 storyline is that inept police and prosecutors, with a howling mob of religious fanatics to placate, somewhat arbitrarily picked out three innocent boys to blame for horrific murders because Damien and his best pal Jason wore black T-shirts, listened to heavy metal music and had funny haircuts and because the third boy, Little Jessie, was practically retarded and thus easily manipulated. Almost every element in that storyline has little relation to reality. The weirdness that drew the attention of authorities stemmed from bad choices by the suspects rather than clothing, haircuts or rocking out to Megadeth. The West Memphis police did their duty in a diligent if imperfect manner. The investigation was professional and painstaking. Detectives took many statements, followed strange and unpromising leads and administered the polygraph dozens of times. All three of the teens from the trailer parks were convicted. The convictions held up on appeal. Eventually, thanks to Hollywood celebrities and misleading documentaries that left out crucial evidence, the killers who became the West Memphis 3 walked free. No exonerating evidence, despite many years of investigation and a defense fund in the millions of dollars, has been produced. None of the three has a credible alibi. The mainstream media bought into the premise that "those boys were innocent." By putting the focus on mullet-headed rednecks, drawling overweight cops and righteously angry Christians, the media played upon the most egregious stereotypes of Southern whites, while positioning a murdering sociopath as a hip kid who was just too cool for the uptight hometown idiots. The West Memphis 3 myth was made to order for the familiar narrative of the perceptive young outsider that every hipster and aspiring artist imagines himself to have been. Among the sensitive souls who found a doppelganger of their teen selves in Echols were professional outsiders - such as Johnny Depp and Henry Rollins. In Aleister Crowley's "magickal" system, which Echols embraced in his preteen years, orgasm and ecstasy are equated with death and sacrifice and the sexual fluids are often represented as blood or water. Echols felt he was in transition to a state of being a god, something other than human; he believed that drinking blood invested him with spiritual energy. Echols and "blood brother" Jason formed a pathological dyad, cultivating elaborate violent fantasies. Via the ritual torture, killing and eating of dogs, cats and other animals, they educated themselves in the curriculum of occult murder. The lurking allure of a "thrill kill" finally became irresistible when the killing time coincided with sunset, the rise of a full moon and the pagan holiday of Beltane.

In the book Children of the Beast, author William Ramsey traces the influence of the Great Beast, Aleister Crowley, upon the culture and history of the Twentieth Century and the New Millennium. Based upon a vast examination of diverse sources, Ramsey exposes how varied individuals such as Adolf Hitler, Ian Fleming, Arthur C. Clarke, H. R. Giger, Timothy Leary and David Bowie are connected to and influenced by Aleister Crowley, the Prophet of the New Age. Packed with original research and containing unique insights into the lives of famous personalities, Children of the Beast grasps the immense impact of Aleister Crowley upon modern history.

The infamous occult practitioner, Edward Alexander "Aleister" Crowley has cast a long shadow over the history and culture of the 20th century. The information included in Aleister Crowley: A Visual Study illustrates this fact. As the foremost accumulator of occult knowledge in the late 19th and early 20th Century, Crowley based his writings upon prior magicians, writers, and philosophers, incorporating their ideas, and his own, into a new religion for a New Age. This book details Crowley’s progression from a self–described childhood in hell, to notorious magician, to drug-addled middle age as the Great Beast, and on to his final years living in an upscale boarding house in southern England. As this visual study confirms, a copious amount of photographic and newspaper evidence still remains concerning the Beast 666-Aleister Crowley.

In the last few years, 9/11, a tsunami, Hurricane Katrina, and many other tragedies have shown us that the vision of God in today's churches in relation to evil and suffering is often frivolous. Against the overwhelming weight and seriousness of the Bible, many Christians are choosing to become more shallow, more entertainment-oriented, and therefore irrelevant in the face of massive suffering. In Suffering and the Sovereignty of God, contributors John Piper, Joni Eareckson Tada, Steve Saint, Carl Ellis, David Powlison, Dustin Shramek, and Mark Talbot explore the many categories of God's sovereignty as evidenced in his Word. They urge readers to look to Christ, even in suffering, to find the greatest confidence, deepest comfort, and sweetest fellowship they have ever known.