WOMAN AT WAR is the diary of a woman's growing self-awareness. Beginning as a passively absent narrator, Vannina encounters a fascinating array of characters during the holiday she takes on an island in the Bay of Naples with her husband, Giacinto. When he returns to work in a garage in Rome, Vannina travels to Naples with Suna, a friend she has made on vacation. This startling character opens Vannina to the possibility of finding love through other women and helps her reject the role of serving coffee to the men who would change the world through violence. Back in Rome, Vannina rejects her former life and moves toward complete, if difficult, independence. Maraini's writing is superb. Its warm and sensual style gives life to details: the food of the Mediterranean, the smell of its herbs, the acts of making coffee and making love, the step-by-step journey of an individual to self-awareness, self-reliance and independence. Everything is vivid and vibrant. Maraini's women grow in strength beyond the clamor of political slogans. The values of understanding, intuition and compassion effect real change that transcends the wearisome struggle between the chauvinisms of the political Right and the political correctness of the Left. A milestone in Italian literature.

"In this collection of interviews and photographs, the many facets of Dietrich's personality and of her life during World War II are recounted by those whose lives she touched"--Front flap of jacket.

The first literary biography of the twentieth-century novelist Olivia Manning, this volume is a timely, expert, and well-researched biography that offers a vivid portrait of wartime survival and of London literary life from the 1950s through the 1970s.

The USA Today Best Seller. An enthralling new tale of courage, betrayal and survival in the hardest of circumstances that readers of The Tattooist of Auschwitz, The Secret Orphan and My Name is Eva will love.

Wise and Baron relate the compelling war experiences of thirty American female soldiers in the war zones of Iraq and Afghanistan, highlighting their extraordinary display of dedication to their mission and to the soldiers and sailors with whom they served. While the book's focus is on today's women in combat, it also reaches back to Korea, Vietnam and World War II to offer stories of inspiring women who served at the "cusp of the spear" as they fought and died for their country.

Across the borderlands of the early American northeast, New England, New France, and Native nations deployed women with surprising frequency to the front lines of wars that determined control of North America. Far from serving as passive helpmates in a private, domestic sphere, women assumed wartime roles as essential public actors, wielding muskets, hatchets, and makeshift weapons while fighting for their families, communities, and nations. Revealing the fundamental importance of martial womanhood in this era, Gina M. Martino places borderlands women in a broad context of empire, cultural exchange, violence, and nation building, demonstrating how women's war making was embedded in national and imperial strategies of expansion and resistance. As Martino shows, women's participation in warfare was not considered transgressive; rather it was integral to traditional gender ideologies of the period, supporting rather than subverting established systems of gender difference. In returning these forgotten women to the history of the northeastern borderlands, this study challenges scholars to reconsider the flexibility of gender roles and reveals how women's participation in transatlantic systems of warfare shaped institutions, polities, and ideologies in the early modern period and the centuries that followed.

Jean Elshtain examines how the myths of Man as "Just Warrior" and Woman as "Beautiful Soul" serve to recreate and secure women's social position as noncombatants and men's identity as warriors. Elshtain demonstrates how these myths are undermined by the reality of female bellicosity and sacrificial male love, as well as the moral imperatives of just wars.