Professional psychic Abby Cooper has invested in a fixer-upper, hoping to make a killing in the real estate market. But a killing of another kind puts her plans awry, as the ghost of a murdered woman and some troublesome poltergeists lead her into a mystery that stretches all the way back to World War II.

Professional psychic Abby Cooper has invested in a fixer-upper, hoping to make a killing in the real estate market. But a killing of another kind puts her plans awry, as the ghost of a murdered woman and some troublesome poltergeists lead her into a mystery that stretches all the way back to World War II.

“Vivid prose plunges the reader into the politically fraught, self-contained world of a military base” and a chilling true case of triple murder (Linda Landrigan, editor of Alfred Hitchcock Mystery Magazine). Carlton “Butch” Smith was a troubled teenager who’d been kicked out of school for aggressive behavior. His parents lived at Marine Corps Base Camp Lejeune, in Jacksonville, North Carolina, and when Butch was home with them, his life was fairly normal. But that all changed on August, 24, 1981, when Butch’s sister, aunt, and cousin were found slain in his parents’ house. It was a horrifying crime that shook the Marine base community, not to mention the Smith family—especially when Butch was named the prime suspect. In Tunnel Vision, reporter and true crime author N. P. Simpson delves into this young man’s harrowing past. She also provides a detailed chronicle of the grisly murders and the complex case that followed—a case of conflicting confessions, a mysterious second suspect who was never found, and difficult questions of jurisdiction between military, state, and federal courts.

Professional psychic Abby Cooper has invested in a fixer-upper, hoping to make a killing in the real estate market. But a killing of another kind puts her plans awry, as the ghost of a murdered woman and some troublesome poltergeists lead her into a mystery that stretches all the way back to World War II.

In this chilling mystery, murder is haunting a small southern town. Emily Walker is a psychic determined to solve the crimes. Her visions are exactly what the police need. But will the ghosts that haunt Emily be too much for her to take? Mrs. Dodd is the epitome of an older southern lady. She knows all the timeworn gossip and stories of her hometown. With her quick eye and love of mysteries, she is sure she can catch the murderer. The dark woods and old homes of Temple hold many secrets. In a place where the past and present interweave, will the killer be caught in time?

A seminal work and examination of the psychopathology of journalism. Using a strange and unprecedented lawsuit by a convicted murder againt the journalist who wrote a book about his crime, Malcolm delves into the always uneasy, sometimes tragic relationship that exists between journalist and subject. Featuring the real-life lawsuit of Jeffrey MacDonald, a convicted murderer, against Joe McGinniss, the author of Fatal Vision. In Malcolm's view, neither journalist nor subject can avoid the moral impasse that is built into the journalistic situation. When the text first appeared, as a two-part article in The New Yorker, its thesis seemed so radical and its irony so pitiless that journalists across the country reacted as if stung. Her book is a work of journalism as well as an essay on journalism: it at once exemplifies and dissects its subject. In her interviews with the leading and subsidiary characters in the MacDonald-McGinniss case -- the principals, their lawyers, the members of the jury, and the various persons who testified as expert witnesses at the trial -- Malcolm is always aware of herself as a player in a game that, as she points out, she cannot lose. The journalist-subject encounter has always troubled journalists, but never before has it been looked at so unflinchingly and so ruefully. Hovering over the narrative -- and always on the edge of the reader's consciousness -- is the MacDonald murder case itself, which imparts to the book an atmosphere of anxiety and uncanniness. The Journalist and the Murderer derives from and reflects many of the dominant intellectual concerns of our time, and it will have a particular appeal for those who cherish the odd, the off-center, and the unsolved.