Since 1934 the Tennessee Folklore Society Bulletin has been a respected source on the wonderfully diverse history and traditions of the Volunteer State, but until now that publication's wide-ranging articles have been largely restricted to the society's membership. With the appearance of A Tennessee Folklore Sampler, editors Ted Olson and Anthony P. Cavender provide a broad audience with a rich selection of the work published over the course of this acclaimed journal's seventy-five-year history. Packed with colorful descriptions and analysis of the state's folkways, A Tennessee Folklore Sampler covers all three of the grand divisions of Tennessee--East, Middle, and West-- and includes articles by some prominent students of folklore, among them Charles Wolfe, Charles Faulkner Bryan, Thomas Burton, Donald Davidson, Herbert Halpert, Mildred Haun, Michael Lofaro, Michael Montgomery, and Tom Rankin. Following an introductory section that places the book into historical, cultural, and socioeconomic contexts, A Tennessee Folklore Sampler is divided into ten parts covering material culture, medicine, beliefs and practices, customs, play and recreation lore, speech, legends, ballad and song, instrumental traditions and music collecting, and folk communities. Each part begins with an introduction that places the selections in context and concludes with suggestions for further reading. The appendix features an essay that explores the history of the Tennessee Folklore Society and the evolution of folklore studies of the state. The anthology will be a welcome resource for folklorists and scholars in many fields as well as a special treasure for general readers. With more than sixty illustrations complementing the text, A Tennessee Folklore Sampler presents a vivid overview of Tennessee folk culture that illuminates the very soul of the state. Ted Olson is the author of Blue Ridge Folklife and Breathing in Darkness: Poems, and the coeditor of The Bristol Sessions: Writings about the Big Bang of Country Music. He teaches at East Tennessee State University. Anthony P. Cavender is professor of anthropology in the Department of Sociology and Anthropology at East Tennessee State University. He is the author of Folk Medicine in Southern Appalachia and has published articles in Social Science and Medicine, Journal of Folklore Research, Journal of Ethnopharmacology, Human Organization, Appalachian Journal, and American Speech, among others.

Separate fact from fiction in this history of African healers, spiritualists, and conjurers in the mid-southern United States. Men and women who carried the mantle of African healing and spirituality in the Mid-South were frequently accused and attacked for their misunderstood culture. The same healers and spiritual workers feared by outsiders were embraced and revered by families who survived because of their presence. From Tennessee to Mississippi, ancient formulas and potions were integral parts of the African American community. Follow author Tony Kail as he takes us down the back roads of rural counties, where healers formulated miracles in mojo bags, and into the cities, where conjurers spoke to the spirits of the dead. “If true mystery and fascinating cultures move you, you'll be thunderstruck by this book . . . . Vast numbers of Africans were brought to this region in chains from their native lands, moved cross country from the Atlantic coast, and inland from Jamaica, Haiti, and the Caribbean. They brought with them their religious and faith healing practices. Tony Kail, cultural anthropologist and ethnographer, writer and lecturer, brings his nearly three decades of study of ancient faith healing (hoodoo) and herbal beliefs to bear in this remarkable work.” —Decatur Daily

Folk art is as varied as it is indicative of person and place, informed by innovation and grounded in cultural context. The variety and versatility of 300 American folk artists is captured in this collection of informative and thoroughly engaging essays. American Folk Art: A Regional Reference offers a collection of fascinating essays on the life and work of 300 individual artists. Some of the men and women profiled in these two volumes are well known, while others are important practitioners who have yet to receive the notice they merit. Because many of the artists in both categories have a clear identity with their land and culture, the work is organized by geographical region and includes an essay on each region to help make connections visible. There is also an introductory essay on U.S. folk art as a whole. Those writing about folk art to date tend to view each artist as either traditional or innovative. One of the major contributions of this work is that it demonstrates that folk artists more often exhibit both traits; they are grounded in their cultural context and creative in the way they make work their own. Such insights expand the study of folk art even as they readjust readers' understanding of who folk artists are.

The eastern side of the Smokies abounds with spooky tales, like the story of a Shadow Woman who appeared to a farmer each morning and evening to beg for a cup of milk. Skinned Tom is another East Tennessee haunt, though his is a sinister tale that warns the unfaithful to steer clear of local lover’s lanes for their illicit trysting. From the farmer who finds a Cavern of Skulls to a moonshiner who makes a deal with a water demon; and the Half Shaved ghost seeking vengeance to the first (and only) meeting of the Asheville Ghost Club, the Great Smoky Mountains and its foothills abound with spooky tales. My favorites are in this collection.

20+ Diverse Traditions from New England to the West Coast Drawing on the expertise of twenty-four renowned practitioners, this book features contemporary folk traditions from all over North America. Diverse as the landscapes they thrive on, these authentic practices will expand your worldview and inspire you to enrich your own spirituality. Explore the history, tools, and spiritual beliefs of many different paths of folk magic from Mexico, the United States, and Canada. You'll tour the continent's rich and varied cultures region by region, taking an insider's look at more than twenty traditions, including: Appalachian Mountain Magic • Brujeria Curanderismo • Detroit Hoodoo Florida Swamp Magic • Irish American Folk Magic Italian American Magic • Melungeon Folk Magic New England Cunning Craft • New Orleans Voodoo Ozark Folk Magic • Pennsylvania Powwow & Braucherei Slavic American Folk Magic • Southern Conjure Stephanie Rose Bird • H. Byron Ballard • Starr Casas • Ixtoii Paloma Cervantes • Kenya T. Coviak • J. Allen Cross • Alexander Cummins • Morgan Daimler • Mario Esteban Del Ángel Guevara • Lilith Dorsey • Morrigane Feu • Via Hedera • Cory Thomas Hutcheson • Melissa A. Ivanco-Murray • E. F. E. Lacharity • Dee Norman • Aaron Oberon • Robert Phoenix • Jake Richards • Sandra Santiago • Robert L. Schreiwer • Eliseo “Cheo” Torres • Benebell Wen • Brandon Weston

Wiggling a pencil so that it looks like it is made of rubber, "stealing" your niece's nose, and listening for the sounds of the ocean in a conch shell– these are examples of folk illusions, youthful play forms that trade on perceptual oddities. In this groundbreaking study, K. Brandon Barker and Claiborne Rice argue that these easily overlooked instances of children's folklore offer an important avenue for studying perception and cognition in the contexts of social and embodied development. Folk illusions are traditionalized verbal and/or physical actions that are performed with the intention of creating a phantasm for one or more participants. Using a cross-disciplinary approach that combines the ethnographic methods of folklore with the empirical data of neuroscience, cognitive science, and psychology, Barker and Rice catalogue over eighty discrete folk illusions while exploring the complexities of embodied perception. Taken together as a genre of folklore, folk illusions show that people, starting from a young age, possess an awareness of the illusory tendencies of perceptual processes as well as an awareness that the distinctions between illusion and reality are always communally formed.