Deep within an inner cave (guhahitam) of our existence remains our potential Divinity. It is the place where our reflected sentient being (the First Bird) is trying to probe into to recover the hidden sun. The allegory is evident in the parable of the Cave once preached by the Upanishads and later by the Greek philosopher Plato. The probe is to push forward the First Bird to surge higher in the resplendent celestial blue under the full radiance of the Solar world, which is the Second, resulting in an explosion of an infinite all-pervading Divinity. Till the union and the rapture is attained, there are the two Birds – one, the psychic being, which is within us and the other one, which is the direct portion of the Divine. The direct portion is constantly trying to guide and work within us, so that evolution goes on and on. In the words of Sri Aurobindo, it is the Çhaitya Purusha, the direct portion of the Divine in the human, which is working incessantly till the rapture is activated. Ancient roots are evident in the ancient Swetaswatara Upanishad hailed by the primordial Sage Kapila and coded originally in a later text called the Bhagabat Purana, The Çhaitya Purusha is also the being that is behind the Chitta, Sri Aurobindo says. Millenniums later, the inspired Architects in the most ancient of all Buddhist ages had carved out the sacred idea in form of rock-cut expressions called the Chaitya hall. As the Mahayana Sutra of the foremost Shurangama at the Crown of the Great Buddha says: …the way of practicing the Samadhi is not singular and its actual method of cultivation depends upon the functioning of mind and mental concomitants (Citta-Chaitya pravritti) of each being and their interconnectedness (Mahat)… It is in the recovery or a re-tracing of the two as a DIVINITY that is originally ONE, an individual's journey called evolution and a collective journey called civilization itself are sustained. It is also from the deeper embedded patterns of this journey the gems of the system's foundation can be quarried.

This book examines key aspects of the history, philosophy, and culture of science in India, especially as they may be comprehended in the larger idea of an Indian civilization. The authors, drawn from a range of disciplines, discuss a wide array of issues — scientism and religious dogma, dialectics of faith and knowledge, science under colonial conditions, science and study of grammar, western science and classical systems of logic, metaphysics and methodology, and science and spirituality in the Mahabharata. This collection of essays aims to evolve a framework in which science, culture, and society in India may be studied fruitfully across disciplines and historical periods. With its diverse themes and original approaches, the book will be of interest to scholars and researchers in the fields of the history and philosophy of science, science and religion, cultural studies and colonial studies, philosophy and history, as well as India studies and South Asian studies.

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This volume examines the multifarious dimensions that constitute the workings of the Hindu temple as an architectural and urban built form. Eleven chapters reflect on Hindu temples from multiple standpoints - tracing their elusive evolution from wayside shrines as well as canonization into classical objects; questioning the role of treatises containing their building rules; analyzing their prescribed proportions and orders; examining their presence in, and as, larger sacred habitats and ritua...

Excerpt from Indian Architecture: Its Psychology, Structure, and History, From the First Muhammadan Invasion to the Present Day The ethics of the present departmental system will not be raised to a higher plane by removing the official architect's office from Simla to London the fineness of the architectural effect of the new Delhi, academically considered, will not justify methods which are ruinous to Indian handicraft. We shall be more British by giving Indian craftsmen their due. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This text explores how systems of design and ideas about aesthetics have governed both the construction of buildings in India and their subsequent interpretation.