An award-winning journalist’s powerful portrait of his native Baghdad, the people of Iraq, and twenty years of war. “An essential insider account of the unravelling of Iraq…Driven by his intimate knowledge and deep personal stakes, Abdul-Ahad…offers an overdue reckoning with a broken history.”—Declan Walsh, author of The Nine Lives of Pakistan: Dispatches from a Precarious State “A vital archive of a time and place in history…Impossible to put down.”—Omar El Akkad, author of What Strange Paradise The history of reportage has often depended on outsiders—Ryszard Kapuściński witnessing the fall of the shah in Iran, Frances FitzGerald observing the aftermath of the American war in Vietnam. What would happen if a native son was so estranged from his city by war that he could, in essence, view it as an outsider? What kind of portrait of a war-wracked place and people might he present? A Stranger in Your Own City is award-winning writer Ghaith Abdul-Ahad’s vivid, shattering response. This is not a book about Iraq’s history or an inventory of the many Middle Eastern wars that have consumed the nation over the past several decades. This is the tale of a people who once lived under the rule of a megalomaniacal leader who shaped the state in his own image; a people who watched a foreign army invade, topple that leader, demolish the state, and then invent a new country; who experienced the horror of having their home fragmented into a hundred different cities. When the “Shock and Awe” campaign began in March 2003, Abdul-Ahad was an architect. Within months he would become a translator, then a fixer, then a reporter for The Guardian and elsewhere, chronicling the unbuilding of his centuries-old cosmopolitan city. Beginning at that moment and spanning twenty years, Abdul-Ahad’s book decenters the West and in its place focuses on everyday people, soldiers, mercenaries, citizens blown sideways through life by the war, and the proliferation of sectarian battles that continue to this day. Here is their Iraq, seen from the inside: the human cost of violence, the shifting allegiances, the generational change. A Stranger in Your Own City is a rare work of beauty and tragedy whose power and relevance lie in its attempt to return the land to the people to whom it belongs.

The National Book Award Finalist and New York Times bestseller that became a guide and balm for a country struggling to understand the election of Donald Trump "A generous but disconcerting look at the Tea Party. . . . This is a smart, respectful and compelling book." —Jason DeParle, The New York Times Book Review When Donald Trump won the 2016 presidential election, a bewildered nation turned to Strangers in Their Own Land to understand what Trump voters were thinking when they cast their ballots. Arlie Hochschild, one of the most influential sociologists of her generation, had spent the preceding five years immersed in the community around Lake Charles, Louisiana, a Tea Party stronghold. As Jedediah Purdy put it in the New Republic, "Hochschild is fascinated by how people make sense of their lives. . . . [Her] attentive, detailed portraits . . . reveal a gulf between Hochchild's 'strangers in their own land' and a new elite." Already a favorite common read book in communities and on campuses across the country and called "humble and important" by David Brooks and "masterly" by Atul Gawande, Hochschild's book has been lauded by Noam Chomsky, New Orleans mayor Mitch Landrieu, and countless others. The paperback edition features a new afterword by the author reflecting on the election of Donald Trump and the other events that have unfolded both in Louisiana and around the country since the hardcover edition was published, and also includes a readers' group guide at the back of the book.

How did ordinary Iraqis survive the occupation of their communities by the Islamic State? How did they decide whether to stay or flee, to cooperate or resist? Based on an original survey from Baghdad alongside key interviews in the field, this book offers an insightful account of how Iraqis in different areas of the country responded to the rise and fall of the Islamic State. Austin J. Knuppe argues that people adopt survival repertoires—a variety of social practices, tools, organized routines, symbols, and rhetorical strategies—to navigate wartime violence and detect threats. He traces how repertoires varied among different communities over the course of the conflict. In areas insulated from insurgent control, such as cosmopolitan Baghdad, local residents had the flexibility to support coalition forces while also voicing opposition to government policies. For Iraqis in rural communities confronting insurgent control, collaboration and resistance entailed significant risks. In Sunni-majority communities in the western desert, passive acquiescence and active cooperation temporarily insulated Iraqis from insurgent victimization. For ethnic and religious minorities in the north, however, flight or resistance proved the only viable options. In many communities, local residents mobilized neighborhood self-defense groups and militias loosely aligned with coalition forces once the tides turned against the Islamic State. Beyond contributing to academic and policy debates about civilian protection during wartime, Surviving the Islamic State foregrounds everyday people’s experiences while modeling an ethical approach for conducting field research in conflict-affected communities.

Over four decades, Stephen Poliakoff has proved himself to be a distinctive dramatist in the mediums of theatre, film and television. Moving from playwright to television and film director, he has been hailed as 'TV's foremost writer' (Independent) and as 'one of our most poetic and best TV dramatists' (Daily Telegraph). In the USA, his TV 'films' have received industry acclaim, The Lost Prince winning three Emmy Awards and Gideon's Daughter two Golden Globes. This book is the first to offer a comprehensive overview of Poliakoff's work for stage and screen and a framework for its critical evaluation. It will prove invaluable to students of theatre, film, and television studies. Robin Nelson locates Poliakoff's distinctive vision and fierce independence as a writer and director in both personal and public histories and against industry contexts. He charts Poliakoff's 'meteoric rise' as a playwright, and his 'second starburst' in television drama since Shooting the Past (1999) which re-affirmed his reputation as a dramatist of distinction. While the chronology of Poliakoff's impressive output is clearly laid out, works are discussed in thematic clusters ranging across mediums to afford a fresh perspective. The book covers 'issue dramas', 'quirky strong women' and 'histories/memories' as well as Poliakoff's early developing dramaturgy, and it examines in detail the later feature films and television dramas which have secured his reputation as our most distinctive television dramatist.

Joseph P. Fitzpatrick, S.J. -- priest, internationally-acclaimed scholar, activist--was intensely involved in the ongoing studies of the Puerto Rican people, their culture, and their problems as migrants in the U.S. mainland.The Stranger Is Our Own contains Fitzpatrick's personal memoir, as well as a collection of articles, papers, lectures and talks that chronicle his "bittersweet journey" with Puerto Rican migrants. A consultant to religious, political, education and social leaders on the issues of migration, assimilation, inter-group relations and social justice, Father Fitzpatrick helped shape governmental and Church policies at both the local and national level. He continued his active involvement until his death in 1995 at the age of 82.