As the prominence of the recent #WakingTheFeminists movement illustrates, the Irish theatre world is highly conscious of the ways in which theatre can foster social emancipation. This volume of essays uncovers a wide range of marginalised histories by reflecting on the emancipatory role that the Dublin Gate Theatre (est. 1928) has played in Irish culture and society, both historically and in more recent times. The Gate's founders, Hilton Edwards and Mich�al mac Liamm�ir, promoted the work of many female playwrights and created an explicitly cosmopolitan stage on which repressive ideas about gender, sexuality, class and language were questioned. During Selina Cartmell's current tenure as director, cultural diversity and social emancipation have also featured prominently on the Gate's agenda, with various productions exploring issues of ethnicity in contemporary Ireland. The Gate thus offers a unique model for studying the ways in which cosmopolitan theatres, as cultural institutions, give expression to and engage with the complexities of identity and diversity in changing, globalised societies. CONTRIBUTORS: David Clare, Margu�rite Corporaal, Mark Fitzgerald, Barry Houlihan, Radvan Markus, Deirdre McFeely, Justine Nakase, Siobhan O'Gorman, Mary Trotter, Grace Vroomen, Ian R. Walsh, Feargal Whelan

"The time has come now," Abraham Lincoln told his cabinet as he presented the preliminary draft of a "Proclamation of Emancipation." Lincoln's effort to end slavery has been controversial from its inception-when it was denounced by some as an unconstitutional usurpation and by others as an inadequate half-measure-up to the present, as historians have discounted its import and impact. At the sesquicentennial of the Emancipation Proclamation, Louis Masur seeks to restore the document's reputation by exploring its evolution. Lincoln's Hundred Days is the first book to tell the full story of the critical period between September 22, 1862, when Lincoln issued his preliminary Proclamation, and January 1, 1863, when he signed the final, significantly altered, decree. In those tumultuous hundred days, as battlefield deaths mounted, debate raged. Masur commands vast primary sources to portray the daily struggles and enormous consequences of the president's efforts as Lincoln led a nation through war and toward emancipation. With his deadline looming, Lincoln hesitated and calculated, frustrating friends and foes alike, as he reckoned with the anxieties and expectations of millions. We hear these concerns, from poets, cabinet members and foreign officials, from enlisted men on the front and free blacks as well as slaves. Masur presents a fresh portrait of Lincoln as a complex figure who worried about, listened to, debated, prayed for, and even joked with his country, and then followed his conviction in directing America toward a terrifying and thrilling unknown.

One of the nation's foremost Lincoln scholars offers an authoritative consideration of the document that represents the most far-reaching accomplishment of our greatest president. No single official paper in American history changed the lives of as many Americans as Lincoln's Emancipation Proclamation. But no American document has been held up to greater suspicion. Its bland and lawyerlike language is unfavorably compared to the soaring eloquence of the Gettysburg Address and the Second Inaugural; its effectiveness in freeing the slaves has been dismissed as a legal illusion. And for some African-Americans the Proclamation raises doubts about Lincoln himself. Lincoln's Emancipation Proclamation dispels the myths and mistakes surrounding the Emancipation Proclamation and skillfully reconstructs how America's greatest president wrote the greatest American proclamation of freedom.

Within months of Lincoln’s 1860 election, the Confederate states seceded and the Civil War began. In his inaugural address Lincoln vowed not to interfere with slavery and even endorsed a constitutional amendment to protect it. Yet two years later Lincoln signed the Emancipation Proclamation, freeing slaves in the rebellious states, transforming the goals of the war, and setting the stage for national emancipation. In this volume Michael Vorenberg reveals the complexity of the process by which African-Americans gained freedom and explores the struggle over its meaning. The introduction summarizes the history and national debate over slavery from the country’s founding through the Civil War and beyond, and more than 40 documents and images give voice to the range of actors who participated in this vital drama — Lincoln and Douglass, slaves and slaveholders, black and white men and women working for abolition, and northern and southern editorialists. In addition, essays by contemporary historians Ira Berlin and James McPherson argue the question of who freed the slaves. Document headnotes, a chronology, questions for consideration, and a selected bibliography encourage student learning.

The Problem of Emancipation explores a long-neglected aspect of American slavery and the history of the Atlantic World, bridging a gap in our understanding of the American Civil War. It places the origins of the war in a transatlantic context, exploring the impact of Britain's abolition of slavery on the coming of the war, and revealing the strong influence of Britain's old Atlantic empire on the politics of the United States. This ground-breaking study examines how southern and northern American newspapers covered three slave rebellions that preceded British abolition and how American public opinion shifted radically as a result.

An Open Access edition of this book will be available on the Liverpool University Press website and the OAPEN library on publication. As the prominence of the recent #WakingTheFeminists movement illustrates, the Irish theatre world is highly conscious of the ways in which theatre can foster social emancipation. This volume of essays uncovers a wide range of marginalised histories by reflecting on the emancipatory role that the Dublin Gate Theatre (est. 1928) has played in Irish culture and society, both historically and in more recent times. The Gate's founders, Hilton Edwards and Michéal mac Liammóir, promoted the work of many female playwrights and created an explicitly cosmopolitan stage on which repressive ideas about gender, sexuality, class and language were questioned. During Selina Cartmell's current tenure as director, cultural diversity and social emancipation have also featured prominently on the Gate's agenda, with various productions exploring issues of ethnicity in contemporary Ireland. The Gate thus offers a unique model for studying the ways in which cosmopolitan theatres, as cultural institutions, give expression to and engage with the complexities of identity and diversity in changing, globalised societies. CONTRIBUTORS: David Clare, Marguérite Corporaal, Mark Fitzgerald, Barry Houlihan, Radvan Markus, Deirdre McFeely, Justine Nakase, Siobhan O'Gorman, Mary Trotter, Grace Vroomen, Ian R. Walsh, Feargal Whelan

Troubles. Tribulation. Tough times. Sooner or later, life throws you a curveball-sometimes a whole bunch of them. In Emotional Emancipation, Dee Carroll shares 7 secrets to help you rebound from your troubles and create a world of unlimited possibility. Your best days are ahead!