In 9th-century China, a little girl sends a small jade pebble to travel with her father along the Silk Road, until it reaches the Republic of Venice, the end of the Silk Road, where a boy cherishes the pebble and sees the value of this gift from a girl at the other end of the road.

A young American engineer sent to China to inspect the unruly Yangtze River travels up through the river's gorges searching for dam sites. Pulled on a junk hauled by forty-odd trackers, he is carried, too, into the settled, ancient way of life of the people of the Yangtze -- until the interplay of his life with theirs comes to a dramatic climax.

"Every pebble has many stories to tell. Its particular atoms, its crystals, its minerals, its grains, its textures, its strata, its tiny fossils bear evidence to a history that stretches back billions of years."--Book flap.

One moment Joseph Schwartz is a happily retired tailor in Chicago, 1949. The next he's a helpless stranger on Earth during the heyday of the first Galactic Empire. Earth, as he soon learns, is a backwater, just a pebble in the sky, despised by all the other 200 million planets of the Empire because its people dare to claim it's the original home of man. And Earth is poor, with great areas of radioactivity ruining much of its soil--so poor that everyone is sentenced to death at the age of sixty. Joseph Schwartz is sixty-two. This is young Isaac Asimov's first novel, full of wonders and ideas, the book that launched the novels of the Galactic Empire, culminating in the Foundation series. This is Golden Age SF at its finest. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A young girl and her father, a medieval castle's falconer, spend the day taking their goshawk out for a training flight, introducing readers to the preparations and equipment used in the sport.

Not too far from now, in a world very like our own, the oppressors have changed places with the oppressed. After their defeat in the Yellow War, the white people of America are thrust into a brutally altered reality. They are hunted like wild beasts and drive like cattle, transported in reeking ships and sold to their conquerors as field hands and house slaves. Robbed of their old names and their old language, treated with a mixture of cruelty and condescension by their Chinese masters, whites take on new identities and new strategies of survival. Some, like Nose, plunge into dissipation. Others, like Top Man, become imitation Yellows. And some, like White Lotus, rebel. In this mesmerizing book John Hersey creates an alternate history that casts a harsh radiance on our own. It has some of the stateliness of Exodus, along with the power of oral narratives of slavery. It has heroes and victims—and villains who turn out to be victims of another color. At once a masterpiece of storytelling and a complex novel of ideas, White Lotuscompels us to reexamine our notions of race and racism, freedom and oppression.