In recent years, imperial history has experienced a newfound vigour, dynamism and diversity. There has been an explosion of new work in the field, which has been driven into even greater prominence by contemporary world events. However, this resurgence has brought with it disputes between those who are labelled as exponents of a ‘new imperial history’ and those who can, by default, be termed old imperial historians. This collection not only gathers together some of the most important, influential and controversial work which has come to be labelled ‘new imperial history’, but also presents key examples of innovative recent writing across the broader fields of imperial and colonial studies. This book is the perfect companion for any student interested in empires and global history.

Publisher Description

The history of the British Empire, a subject that had slipped into obscurity when the empire came to an end, has since made a stunning comeback, generating a series of heated debates about the causes, character, and consequences of empire. In this volume Dane Kennedy offers a wide-ranging assessment of the main schools of thought that have transformed the way we view the British Empire and the world it helped to create. Navigating a clear course through these intellectual waters requires an awareness of their shifting currents and a commitment to tracking their changing character over time. Dane Kennedy has contributed to the imperial history wars for more than thirty years, and in this volume he brings his most important writings, along with brand new material, together for the first time to provide a sweeping overview of the subject and the debates that have shaped it. The Imperial History Wars is essential reading for any student or scholar of the British Empire.

Winner of the Morris D. Forkasch prize for the best book in British history 2002 Civilising Subjects argues that the empire was at the heart of nineteenth-century Englishness. English men and women in the mid-nineteenth century imagined themselves at the centre of a great empire: their mental and emotional maps encompassed 'Aborigines' in Australia, 'negroes' in Jamaica, 'coolies' in the Indies. This sense of the other provided boundaries and markers of difference: ways of knowing who was 'civilised' and who was 'savage'. This fascinating book tells intertwined stories of a particular group of Englishmen and women who constructed themselves as colonisers. Hall then uses these studies as a means of exploring wider colonial and cultural issues. One story focuses on the Baptist missionaries in Jamaica and their efforts to build a new society in the wake of emancipation. Their hope was to make Afro-Jamaican men and women into people like themselves. Disillusionment followed as it emerged that the making of 'new selves' was not as simple as they had thought, and that black men and women had minds and cultural resources of their own. The second story tells the tale of 'the midland metropolis', Birmingham, and the ways in which its culture was infused with empire. Abolitionist enthusiasm dominated the town in the 1830s but by the 1860s the identity of 'friend of the negro' had been superseded by a harsher racial vocabulary. Birmingham's 'manly citizens' imagined the non-white subjects of empire as different kinds of men from themselves. These two detailed studies, of Birmingham and Jamaica, are set within their wider context: the making of metropole and colony and of coloniser and colonised. The result is an absorbing study of the 'racing' of Englishness, which will be invaluable for students and scholars of British imperial and cultural history.

Taking a broad, comparative approach to imperial experiences, this volume provides an authoritative survey of the latest research into the histories of modern empires. The focus is on the era of modern imperial history dating approximately from the early sixteenth century to the present. Such a periodization enables the volume to include the European experience of imperial expansion and settlement, important historical experiences outside the west such as those of Russia, Japan and China, the collapse of European empires attendant on decolonization in the post World War II period, and the contemporary example of North America. The companion is divided into three sections, 'Times', 'Spaces' and 'Themes' which allows chronological, geographical and thematical approaches to be successfully combined. In so doing this volume provides a unique research tool that will be invaluable to all students and scholars interested in the history of empires, imperialism and colonialism in the post-classical world.

'Where are you from?' was the question hounding Hazel Carby as a girl in post-World War II London. One of the so-called brown babies of the Windrush generation, born to a Jamaican father and Welsh mother, Carby's place in her home, her neighbourhood, and her country of birth was always in doubt. Emerging from this setting, Carby untangles the threads connecting members of her family to each other in a web woven by the British Empire across the Atlantic. We meet Carby's working-class grandmother Beatrice, a seamstress challenged by poverty and disease. In England, she was thrilled by the cosmopolitan fantasies of empire, by cities built with slave-trade profits, and by street peddlers selling fashionable Jamaican delicacies. In Jamaica, we follow the lives of both the 'white Carbys' and the 'black Carbys', as Mary Ivey, a free woman of colour, whose children are fathered by Lilly Carby, a British soldier who arrived in Jamaica in 1789 to be absorbed into the plantation aristocracy. And we discover the hidden stories of Bridget and Nancy, two women owned by Lilly who survived the Middle Passage from Africa to the Caribbean. Moving between the Jamaican plantations, the hills of Devon, the port cities of Bristol, Cardiff, and Kingston, and the working-class estates of South London, Carby's family story is at once an intimate personal history and a sweeping summation of the violent entanglement of two islands. In charting British empire's interweaving of capital and bodies, public language and private feeling, Carby will find herself reckoning with what she can tell, what she can remember, and what she can bear to know.

New Qing Imperial History uses the Manchu summer capital of Chengde and associated architecture, art and ritual activity as the focus for an exploration of the importance of Inner Asia and Tibet to the Qing Empire (1636-1911). Well-known contributors argue that the Qing was not simply another Chinese dynasty, but was deeply engaged in Inner Asia not only militarily, but culturally, politically and ideologically. Emphasizing the diverse range of peoples in the Qing empire, this book analyzes the importance to Chinese history of Manchu relations with Tibetan prelates, Mongolian chieftains, and the Turkic elites of Xinjiang. In offering a new appreciation of a culturally and politically complex period, the authors discuss the nature and representation of emperorship, especially under Qianlong (r. 1736-1795), and examine the role of ritual in relations with Inner Asia, including the vaunted (but overrated) tribute system. By using a specific artifact or text as a starting point for analysis in each chapter, the contributors not only include material previously unavailable in English but allow the reader an intimate knowledge of life at Chengde and its significance to the Qing period as a whole.