Explores the options available to a monster from the time it is born, such as becoming the scary monster under someone's bed or playing on the school basketball team.

LIMITED PRINT RUN: EXCLUSIVE FIRST EDITION. The first printing includes an exclusive designed case! Available only while stock lasts. *A Book Riot Must-Read South Asian Book of 2022* *A BuzzFeed Highly Anticipated YA Book of Summer 2022* She grew up battling the monsters that live in the black seas, but it couldn't prepare her to face the cunning cruelty of the ruling elite. Perfect for fans of The Hunger Games and These Violent Delights, this South Asian-inspired fantasy is a gripping debut about the power of the elite, the price of glory, and one girl's chance to change it all. Sixteen-year-old Koral and her older brother Emrik risk their lives each day to capture the monstrous maristags that live in the black seas around their island. They have to, or else their family will starve. In an oceanic world swarming with vicious beasts, the Landers—the ruling elite, have indentured Koral's family to provide the maristags for the Glory Race, a deadly chariot tournament reserved for the upper class. The winning contender receives gold and glory. The others—if they're lucky—survive. When the last maristag of the year escapes and Koral has no new maristag to sell, her family's financial situation takes a turn for the worse and they can't afford medicine for her chronically ill little sister. Koral's only choice is to do what no one in the world has ever dared: cheat her way into the Glory Race. But every step of the way is unpredictable as Koral races against competitors—including her ex-boyfriend—who have trained for this their whole lives and who have no intention of letting a low-caste girl steal their glory. As a rebellion rises and rogues attack Koral to try and force her to drop out, she must choose—her life or her sister's—before the whole island burns. Perfect for fans of: Dystopian Fantasy Sea Monsters Exes-to-Rivals-to-? Golden Boy x Pariah Deadly Competition Rebellion Angsty Teenagers Fans of Chloe Gong Female Friendship Praise for Monsters Born and Made: "An exhilarating race of willpower and defiance, set on an utterly unique world filled with glorious monsters." —Xiran Jay Zhao, #1 New York Times bestselling author of Iron Widow "Monsters Born and Made takes well-beloved YA tropes and turns them on their heads, creating an action-packed rallying cry against oppression and a riveting tale of one girl's desperation to survive no matter the odds." —Roseanne A. Brown, New York Times bestselling author of A Song of Wraiths and Ruin

In early modern Europe, monstrous births were significant events that were seen alive by many people, and dissected, embalmed and collected after death. Emblematic Monsters is a social history of monstrous births as seen through popular print, scholarly books and the proceedings of learned societies. Representations of monsters are considered in the context of their roles as wonders and emblems, and studies of the anatomy of monsters are discussed along with contemporary theories of their origin. By approaching accounts of monstrous births not only as a literary form but also as descriptions of real-life cases, similarities between the pre-scientific recording of wonders and the scientific case report can be explored. Most impressively, A.W. Bates draws upon his own experience of diagnosis of birth defects to summarise more than two hundred original descriptions of monstrous births and compare them with modern diagnostic categories. Emblematic Monsters is an up-to-date approach to a classical yet under-explored subject: gruesome, compelling and monstrous.

There's a monster on the loose. All across the Ohio River Valley women are going missing. Jacob Hunter Goodman's childhood is filled with trauma. When he reaches adulthood, God calls on Jacob and he answers with a fervor unlike anyone before him. Jacob is compelled to make strange religious sculptures but each piece has a sinister secret. In Birth of a Monster, A.S. Coomer holds the mirror up to a sick culture of power and dominance worship and the kind of monsters it can create.

Radio reporter Herbert Morrison's words on witnessing the destruction of the Hindenburg (“Oh, the humanity!”) are etched in our collective memory. Yet while we use theHindenburg—like the Titanic—as shorthand for the technological hubris of a bygone era, we seem to have forgotten the lessons to be learned from the infamous 1937 zeppelin disaster. InMonsters: The Hindenburg Disaster and the Birth of Pathological Technology, Ed Regis claims that this is due to the fact that never before has there been a technological artifact so discredited as the zeppelin in the aftermath of the Hindenburg fire. In Monsters, Regis explores the question of how a technology now so completely invalidated (and so fundamentally unsafe) ever managed to reach such a high-risk level of development as it did. How does such a collective psychology of obsession emerge? Through the narrative of the invention and development of the zeppelin and its most infamous example, Regis will examine the perils of what he calls “pathological technologies,” technologies whose substantial risks are discounted or ignored under the influence of their emotional, almost mystical appeal. Zeppelins were unsteerable balloons of highly flammable gas, but the sheer magic of seeing a behemoth aircraft float lighter-than-air cast a spell over anyone who saw them. The Hindenburg, however, is not an isolated historical instance of pathological technologies—Regis brings this idea to the present by discussing more recent examples, including recombinant DNA technology, genetic engineering, nuclear energy, the Apollo 11 moon landings, and DARPA's “100-Year Starship” program. These technologies may appear enticing, but like the Hindenburg, they could prove to be just as perilous.Monsters is thus a powerful cautionary tale for future technologies and other grandiose schemes.

Disgraced journalist Eddie Brock bonds with Spidey's old alien suit to become Venom - a malevolent creature driven on by one overwhelming desire - to kill Spider-Man.

1. This is an exhibition guide published in partnership with the Lilly Library. Although an exhibit guide, it is well-written and entertaining, and will hold appeal to those interested in Frankenstein even if they don't attend the exhibit 2. At past openings to exhibits, attendance has been between 750-1000 people. 3. 2018 is the 200th Anniversary of the publication of the 1818 edition of Frankenstein, the first edition of the book.