"While the Woman's Rights convention was taking place at Seneca Falls in 1848, First Lady Sarah Childress Polk was wielding influence unprecedented for a woman in Washington, D.C. Yet while history remembers the women of the convention, it has all but forgotten Sarah Polk. Now, Amy S. Greenberg's riveting biography brings Sarah's story into vivid focus. We meet Sarah as the daughter of a frontiersman who raised her to discuss politics and business with men. We see the savvy and charm she brandished to help her brilliant but unlikeable husband, James K. Polk, ascend to the White House. We watch as she exercises truly extraordinary power as First Lady: quietly manipulating elected officials, shaping foreign policy, and directing a campaign in support of America's expansionist war against Mexico. And we meet many of the enslaved men and women whose difficult labor made Sarah's political success possible. Lady First also shines a light on Sarah's many contradictions. While her marriage to James was one of equals, she firmly opposed the feminist movement's demands for what she perceived to be far-reaching equality. She banned dancing and hard liquor from the White House, but did more entertaining than any of her predecessors. During the Civil War, she worked on behalf of the Confederacy even though she claimed to be neutral. And in the late nineteenth century, she became a celebrity among female Christian temperance reformers, while she struggled to redeem her husband's tarnished political legacy. Sarah Polk's life spanned nearly the entirety of the nineteenth century, and her legacy, which profoundly transformed the South, continues to endure. Comprehensive, nuanced, and brimming with invaluable insight, Lady First is a revelation of our eleventh First Lady's complex but essential part in American feminism."--Dust jacket.

The national bestselling author of "The Preacher's Son " and "So You Call Yourself A Man" returns with a scandalously spirited new novel about a woman who will always be her husband's First Lady--even after she's gone. . . Charlene Wilson, First Lady of First Jamaica Ministries, has lived a good life with her beloved Bishop T.K. Wilson and their two wonderful children. But now that the Lord has seen fit to call her home, someone needs to take care of her man. That's why Charlene has planned to hang around in spirit--to make sure T.K. ends up with the right woman. First in line is Marlene, the mother of T.K.'s illegitimate daughter. Then there's Monique Johnson, the unapologetic First Lady of Plastic Surgery and Implants. Next is Savannah Dickens, the church's attractive new choir soloist. And last but not least is Charlene's good friend, Sister Lisa Mae Johnson, widow of Pastor Lee Jones. With the help of her friend Alison, Charlene prepares a series of letters addressed to the lucky ladies. Alison has vowed to keep an eye on T.K.'s social life and deliver them as needed. No one else knows about the letters, but rest assured, they will shake up a whole lot of people. Charlene may soon be gone, but her presence will be felt. . .

A reluctant bodyguard, Jay now faces a lofty challenge, protect Kahina—his no-longer-an-ex-girlfriend—during her transformation into a full-fledged vampire. Sounds simple enough, except the odds are stacked against him; angry wolves, partial vampires, human extremists all seek to destroy her before she completes the change. Other books in this series: Trials of the Chief (Royal Scales Book 3) Prince in the Tower (Royal Scales Book 4) urban fantasy, male mc, mystery

A compilation of addresses and tributes as given in the United States House of Representatives and Senate plus such additional materials, including the texts of eulogies, messages, prayers, and scriptural selections delivered at the funeral services held for the Late First Lady, Lady Bird Johson.

Senate Document 110-8. Provides a collection of statements made in tribute to Lady Bird Johnson, together with other materials relating to her death.

Judith Sargent Murray (1751-1820), poet, essayist, playwright, and one of the most thoroughgoing advocates of women's rights in early America, was as well known in her own day as Abigail Adams or Martha Washington. Her name, though, has virtually disappeared from the public consciousness. Thanks to the recent discovery of Murray's papers—including some 2,500 personal letters—historian Sheila L. Skemp has documented the compelling story of this talented and most unusual eighteenth-century woman. Born in Gloucester, Massachussetts, Murray moved to Boston in 1793 with her second husband, Universalist minister John Murray. There she became part of the city's literary scene. Two of her plays were performed at Federal Street Theater, making her the first American woman to have a play produced in Boston. There as well she wrote and published her magnum opus, The Gleaner, a three-volume "miscellany" that included poems, essays, and the novel-like story "Margaretta." After 1800, Murray's output diminished and her hopes for literary renown faded. Suffering from the backlash against women's rights that had begun to permeate American society, struggling with economic difficulties, and concerned about providing the best possible education for her daughter, she devoted little time to writing. But while her efforts diminished, they never ceased. Murray was determined to transcend the boundaries that limited women of her era and worked tirelessly to have women granted the same right to the "pursuit of happiness" immortalized in the Declaration of Independence. She questioned the meaning of gender itself, emphasizing the human qualities men and women shared, arguing that the apparent distinctions were the consequence of nurture, not nature. Although she was disappointed in the results of her efforts, Murray nevertheless left a rich intellectual and literary legacy, in which she challenged the new nation to fulfill its promise of equality to all citizens.