New England is the oldest and most influential region of America. Although it has changed much through the centuries, it remains a place that even the Colonials may still recognize. Through a collection of photos, illustrations, history, and stories, this book explores the architectural history of New England and how, although it has changed much through the centuries, it remains a place that even the Colonials might still recognize. The book begins with the influence of climate and geography on the architectural choices and follows with the basics of the well-known New England homes––the cape, the saltbox, the colonial––all of which were created to serve the very specific needs of this corner of America, the people, the land and the climate. We look at the earliest settlers, understanding the challenges they faced, and follow their descendants as they convert and adapt the traditional New England home into something still clearly New England but different, newer and, ultimately, even modern. We watch how the people and houses evolve and how they become what are still clearly identifiable as New England––and all over New England, from Connecticut’s Gold Coast to the rocky shores of Maine. Sprinkled throughout the story of this evolution are sidebars such as A New England State of Mind and I Live Here, etc… where we meet the quintessential New England personalities and characters, who speak through letters, epitaphs, remembrances, books, newspapers, and others, and hear and see in their own words and images what they make or made of this place and life in it. People who buy this book will enjoy a very visual sense of what it’s like to be a New Englander and what it’s like to live in New England––whose houses have been copied and adapted in every state, city and neighborhood of America.

From colonial farmhouses in the Rhode Island countryside to shingled beach cottages on Martha's Vineyard, this lush tour of some of New England's most inventive and quintessentially American interiors reveals the unique regional style that has come to define our country's idea of home. Color photos.

Q. What is the most-watched TV format in history, seen by about 100 million people weekly around the world? A. Wheel of Fortune, a game show. Without putdowns or pandering, the author looks at 260 such shows, concluding that culture has triumphed over technology. For despite our capacity to transmit the same content world-wide, McLuhan's global village has not come to pass. Technology has, however, encouraged already-existing "cultural continents" to coalesce. About one-third of the world's game shows have been licensed or adapted from another country, especially from the United States. Conversely, a single program can cross borders unchanged, such as Sabado Gigante, which appeals to Spanish speakers in 18 countries. The first truly global study of TV entertainment, this book includes interviews with producers, contestants, and licensers. With its tables, illustrations and appendices, the text provides details on content and audiences, as well as explanatory overviews.

A guide to the homes, open to the public, of New Englandís most famous authors, such as Dickinson, Twain, Frost, and Alcott.

Organized by season and anchored by authentic, classic New England houses, this book will show the real New England, capturing the experience of each place; its people, culture, and history. 200+ color photos.

From John Winthrop and Anne Bradstreet to Emerson, Hawthorne, Dickinson, and Thoreau to Robert Frost, Wallace Stevens, Robert Lowell, Anne Sexton, and John Updike, this anthology provides a collective self-portrait of the New England mind from the Puritans to the present. 9 halftones.

The early twentieth century brought renewed focus upon the image of the coast and witnessed the formation of art colonies in Old Lyme, Connecticut, and Ogunquit and Monhegan, Maine. These creative communities became an inspiration for artists and art students, among them Edward Hopper, Childe Hassam, Robert Henri, Rockwell Kent, and George Bellows. Visually stunning, Call of the Coast: Art Colonies of New England explores the importance of place for artists in these colonies, and the development of impressionist Connecticut and modernist Maine within the visual traditions of the coast of New England. Featuring approximately 80 works, Call of the Coast illustrates each major painting with extensive interpretative text and includes documentary photography to provide historical context for the artworks. Distributed for the Portland Museum of Art Exhibition Schedule: Portland Museum of Art, Maine (June 25 - October 12, 2009) Florence Griswold Museum, Old Lyme, CT (10/24/2009 - 1/31/2010)