Named a 2018 Foreword INDIES Book of the Year Awards Finalist Now in development for television with Endeavor Content "Huang's impressive debut will delight fans of golden age detective fiction." —Publishers Weekly (starred review) "Dorothy Sayers is alive and well and writing under the name of Christopher Huang." —Rhys Bowen, New York Times-bestselling author of The Tuscan Child "A must read for fans of Anthony Horowitz, Charles Todd, and Anne Perry." —Daryl Maxwell, Los Angeles Public Library "Will please fans of both Agatha Christie and Gillian Flynn." —Sarah Nivala, Book Soup The year is 1924. The cobblestoned streets of St. James ring with jazz as Britain races forward into an age of peace and prosperity. London's back alleys, however, are filled with broken soldiers and still enshadowed by the lingering horrors of the Great War. Only a few years removed from the trenches of Flanders himself, Lieutenant Eric Peterkin has just been granted membership in the most prestigious soldiers-only club in London: The Britannia. But when a gentleman's wager ends with a member stabbed to death, the victim's last words echo in the Lieutenant’s head: that he would "soon right a great wrong from the past." Eric is certain that one of his fellow members is the murderer: but who? Captain Mortimer Wolfe, the soldier’s soldier thrice escaped from German custody? Second Lieutenant Oliver Saxon, the brilliant codebreaker? Or Captain Edward Aldershott, the steely club president whose Savile Row suits hide a frightening collision of mustard gas scars? Eric's investigation will draw him far from the marbled halls of the Britannia, to the shadowy remains of a dilapidated war hospital and the heroin dens of Limehouse. And as the facade of gentlemenhood cracks, Eric faces a Matryoshka doll of murder, vice, and secrets pointing not only to the officers of his own club but the very investigator assigned by Scotland Yard.

Featuring a half-Chinese detective protagonist, A GENTLEMAN'S MURDER is a must for those who love mysteries and reads like a Christie-esque whodunit with a modern eye toward the historical treatment of Chinese veterans and post-war racism.

The true story of the most notorious crime in American nautical history -- a uniquely grotesque triple murder -- and the long journey to truth. The Herbert Fuller, a three-masted sailing ship loaded with New England lumber, left Boston bound for Buenos Aires on July 8, 1896 with twelve people on board: captain and owner Charles Nash, his wife and childhood sweetheart Laura, two mates, the "mulatto" steward, six crewmen, and one passenger. Just before 2 A.M. on the sixth day at sea, the captain, his wife, and the second mate were slaughtered in their individual bunkrooms with the ship's axe, seven or eight blows apiece. Laura Nash was found with her thin nightgown pushed above her hips, her head and upper body smashed and deformed. Incredibly, no one saw or heard the killings . . . except the killer. After a harrowing voyage back to port for the survivors, the killer among them, it didn't take long for Boston's legal system to convict the first mate, a naturalized American of mixed blood from St. Kitts. But another man on board, a twenty-year-old Harvard passenger from a proper family, had his own dark secrets. Who was the real killer, and what became of these two men? Not a Gentleman's Work is the story of the fates of two vastly different men whose lives intersected briefly on one horrific voyage at sea -- a story that reverberates with universal themes: inescapable terror, coerced confession, capital punishment, justice obscured by privilege, perseverance, redemption, and death by tortured soul.

The most frequently asked question about writing musicals is, "Which comes first, the music or the lyrics?" As anyone on Broadway will tell you, the answer is, "The book." Tony-winning book writer Robert L. Freedman takes you through the process of writing a new musical, including story structure, song placement, dialogue, character development, and more that led to the creation of A Gentleman's Guide to Love and Murder, the 2014 Best Musical Tony winner. With candor and insight, Freedman describes the challenging and rewarding growing pains of what the critics called "Hilarious!" and "Ingenious!" and said "Ranks among the most inspired and entertaining new musical comedies I've seen in years."

Originally published: Great Britain: William Heinemann, 2009.

Against her better judgement, Charlotte King bows to family duty and marries a man who is not as he seems. Now trapped in a marriage of the worst kind, her life is an endless cycle of pain and fear. That is until Lord Helsing shows her another way to live... Lord Mason Helsing walked away from the one woman he’d always cared for, but upon returning to London, he finds Charlotte is in a loveless and cruel marriage. Should he throw away the principles by which he lives and follow a different path than he ought? But divorce for Charlotte means ruination. And Mason is relied upon to marry well and continue his family. Can they overcome the strictures of society and live the life they’ve always wanted? Or will they bow to pressure and do as society deems appropriate?

Sir Lawrence Linwood is dead. More accurately, he was murdered—savagely beaten to death in his own study with a mediaeval mace. The murder calls home his three adopted children: Alan, an archeologist; Roger, an engineer; and Caroline, a journalist. But his heirs soon find that his last testament contains a strange proviso—that his estate shall go to the heir who solves his murder. To secure their future, each Linwood heir must now dig into the past. As their suspicion mounts—of each other and of peculiar strangers in the churchless town of Linwood Hollow—they come to suspect that the perpetrator lurks in the mysterious origins of their own birth.