This final volume in the Feminist Companion to the Bible Second series is a sparkling collection. These essays revisit the figure of the Goddess, redefine female prophet-(esse)s, consider Yahweh as a violent husband, explore various aspects or eroticism in prophetic literature and discuss how to say no to a prophet. In the section on Daniel the Obtuse Foreign Ruler is viewed from the perspective of both feminism and humor, while Belshazzar's mother is proposed as another wise queen. Contributors include Judith Hadley, Esther Fuchs, Renate Jost, Rainer Kessler, Gerlinde Baumann, Mary Shields, Erin Runions, Tamar Kamlonkowski, Ulrike Sals, Julia M. O'Brien, Mayer Gruber, H. von Deventer, and Emily Sampson.

This final volume in the Feminist Companion to the Bible Second series is a sparkling collection. These essays revisit the figure of the Goddess, redefine female prophet-(esse)s, consider Yahweh as a violent husband, explore various aspects or eroticism in prophetic literature and discuss how to say no to a prophet. In the section on Daniel the Obtuse Foreign Ruler is viewed from the perspective of both feminism and humor, while Belshazzar's mother is proposed as another wise queen. Contributors include Judith Hadley, Esther Fuchs, Renate Jost, Rainer Kessler, Gerlinde Baumann, Mary Shields, Erin Runions, Tamar Kamlonkowski, Ulrike Sals, Julia M. O'Brien, Mayer Gruber, H. von Deventer, and Emily Sampson.

The authoritative status of 'Prophecy' in the Bible poses a challenge to the feminist readers. This challenge is sharpened by the widespread symbolism in prophetic discourse of woman, wife, mother, harlot and the use of what the volume call 'pornoprophetics'. In this collection it is the book of Hosea that attracts special attention, but there are also articles on sexual violence and an introductory essay on prophecy itself as a literary phenomenon. This Feminist Companion offers a sharp confrontation between the voice of the prophetic male and the resistance of the feminist reader.

This final volume in the Feminist Companion to the Bible Second series is a sparkling collection. These essays revisit the figure of the Goddess, redefine female prophet-(esse)s, consider Yahweh as a violent husband, explore various aspects or eroticism in prophetic literature and discuss how to say no to a prophet. In the section on Daniel the Obtuse Foreign Ruler is viewed from the perspective of both feminism and humor, while Belshazzar's mother is proposed as another wise queen. Contributors include Judith Hadley, Esther Fuchs, Renate Jost, Rainer Kessler, Gerlinde Baumann, Mary Shields, Erin Runions, Tamar Kamlonkowski, Ulrike Sals, Julia M. O'Brien, Mayer Gruber, H. von Deventer, and Emily Sampson.

This volume in the prestigious Feminist Companions series edited by Athalya Brenner covers this fascinating figures of Esther, Judith, and Susanna.

This volume is part of a series which provides a fundamental resource for feminist biblical scholarship, containing a comprehensive selection of essays, both reprinted and specially written for the series, by leading feminist scholars. The contributors to this volume are Lyn Bechtel, Mark Bredin, Athalya Brenner, Edna Brocke, Carole Fontaine, Lillian Klein, Amy-Jill Levine, Judith Lieu, Heather McKay, Adele Reinhartz, Jane Schaberg, Marla Selvidge, Leonore Siegele-Wenschkewitz, Beverly Stratton, Arie Troost, Pieter van der Horst, and Bea Wyler. >

This collection of studies, reflecting developments in feminist exegesis over the last few years in Europe and the United States, includes treatments of key female figures ('Tamar and the "Coat of Many Colours"' by Adrien Janis Bledstein; 'Michal, the Barren Wife' by Lillian R. Klein; 'On Centering a Fringe Figure: The Wife of Jeroboam in 1 Kings 14:1-18' by Uta Schmidt; 'The Widow of Zarephath and the Great Woman of Shunem: A Comparative Analysis of Two Stories' by Jopie Siebert-Hommes), and a new examination of a biblical threesome, 'Saul, David and Jonathan: The Story of a Triangle? A Contribution to the Issue of Homosexuality in the First Testament' by Silvia Schroer and Thomas Staubli.