This book is an analytical investigation into the works of renowned story writers Ismat Chughtai and Alice Munro. Both of the writers are known for their feminist perspectives and portrayal of the complexities of women's lives. The book aims to examine the gender issues depicted in their works and offers a fresh perspective on these themes. By studying the synchronic (current) and diachronic (historical) debates about gender and its realities, the book seeks to provide a deeper understanding of the complex nature of gender, moving beyond simplistic or generic interpretations and aims to bring these discussions out of the realm of generic discourse. The agenda of the book is to make upcoming scholars aware to advocate for a more inclusive approach to addressing gender issues in academic work and thought processes. The book aims to highlight the importance of not solely focusing on women's issues, as this can lead to a biased or sexist perspective. Instead, it promotes acknowledging, communicating, empathizing with, and granting representation to issues faced by men and people of other genders as well, in order to create a more inclusive and balanced discourse on gender-related topics.

Research Paper (undergraduate) from the year 2015 in the subject American Studies - Literature, grade: 100, , language: English, abstract: This article deals with the Feminist Ideology presented in the literary work of the Canadian short story writer Alice Munro. It shows how Munro stood against her male dominated society by her literary work. The paper discusses “The Office” to represents the feminist argument above.

To the world Imran may appear to be a rich, handsome buffoon with his sports car, eccentric dress sense and bizarre sense of humour—but in reality he possesses a razor-sharp mind, and the agility, strength and quick wits of the perfect spy. His colleagues at the secret service make fun of him, but little do they know that he is their mastermind chief X2—a man who can defeat any enemy and solve all mysteries. Detective Imran is spy-novelist Ibn-e Safi’s greatest creation and the bestselling Imran series are Urdu cult classics, translated into English for the first time. The House of Fear: Dead bodies have been found in an abandoned house, each bearing three identical dagger marks, exactly five inches apart. Who is behind these eerie murders? Only Imran can solve this mystery. The House of Fear is the first book in the Imran series. Shootout at the Rocks: Colonel Zargham knows he is in grave danger when he receives a three-inch wooden monkey in the mail. This is no ordinary threat, but a warning from the two-hundred-years-old Li Yu Ka, one of the world’s deadliest gangs. The monkey will be followed by a wooden snake, and then a wooden rooster, after which the colonel will be swiftly murdered. Only one man stands between Li Yu Ka and his death: genius sleuth, Ali Imran.

A Life in Words, the first complete translation of Ismat Chughtais celebrated memoir Kaghazi hai Pairahan, provides a delightful account of several crucial years of her life. Alongside vivid descriptions of her childhood years are the conflicted experiences of growing up in a large Muslim family during the early decades of the twentieth century. Chughtai is searingly honest about her fight to get an education and the struggle to find her own voice as a writer. The result is a compellingly readable memoir by one of the most significant Urdu writers of all time.

This book is the first comparative analysis of a new generation of diasporic Anglophone South Asian women novelists including Kiran Desai, Tahmima Anam, Monica Ali, Kamila Shamsie and Jhumpa Lahiri from a feminist perspective. It charts the significant changes these writers have produced in postcolonial and contemporary women’s fiction since the late 1990s. Paying careful attention to the authors’ distinct subcontinental backgrounds of Pakistan, Bangladesh and Sri Lanka – as well as India - this study destabilises the central place given to fiction focused on India. It broadens the customary focus on diasporic writers’ metropolitan contexts, illuminates how these transnational, female-authored literary texts challenge national assumptions and considers the ways in which this new configuration of transnational, feminist writers produces a postcolonial feminist discourse, which differs from Anglo-American feminism.