On November 10, 1975, SS Edmund Fitzgerald, a giant freighter, sank with its entire crew of 29 aboard, in one of the most violent storms ever witnessed on Lake Superior. In 29 Missing, Kantar tells the "Fitz's" story from the christening in 1958 as the largest ship on the Great Lakes to the expedition in 1995 to recover the ship's bell in what proved to be a moving memorial to the lost crew. Using information from government investigative reports, the book provides a dramatic hour-by-hour account of what transpired during that terrible voyage, including dialogue from actual radio transmissions between the Fitzgerald and the Arthur Anderson, the freighter that followed behind the Fitz. In his passionate retelling of the story, designed primarily for young adults, Kantar provides the facts leading up to the disappearance, detailing the subsequent expeditions to the wreck site as well as the leading theories about the sinking that have been debated by maritime experts.

Recounts the sinking of the huge freighter the S.S. Edmund Fitzgerald in the icy waters of Lake Superior in 1975 and describes subsequent expeditions to the wreck site to uncover clues to her mysterious disappearance.

In the spirit of Haruki Murakami and Amelia Gray, Catherine Lacey's Nobody Is Ever Missing is full of mordant humor and uncanny insights, as Elyria waffles between obsession and numbness in the face of love, loss, danger, and self-knowledge. Without telling her family, Elyria takes a one-way flight to New Zealand, abruptly leaving her stable but unfulfilling life in Manhattan. As her husband scrambles to figure out what happened to her, Elyria hurtles into the unknown, testing fate by hitchhiking, tacitly being swept into the lives of strangers, and sleeping in fields, forests, and public parks. Her risky and often surreal encounters with the people and wildlife of New Zealand propel Elyria deeper into her deteriorating mind. Haunted by her sister's death and consumed by an inner violence, her growing rage remains so expertly concealed that those who meet her sense nothing unwell. This discord between her inner and outer reality leads her to another obsession: If her truest self is invisible and unknowable to others, is she even alive? The risks Elyria takes on her journey are paralleled by the risks Catherine Lacey takes on the page. In urgent, spiraling prose she whittles away at the rage within Elyria and exposes the very real, very knowable anxiety of the human condition. And yet somehow Lacey manages to poke fun at her unrelenting self-consciousness, her high-stakes search for the dark heart of the self.