Brings together the four stand-alone novels Agatha Christie wrote in the 1950s - They Came to Baghdad, Destination Unknown, Ordeal by Innocence, and The Pale Horse.

A comprehensive treatment of the Classical World in film and television, A Companion to Ancient Greece and Rome on Screen closely examines the films and TV shows centered on Greek and Roman cultures and explores the tension between pagan and Christian worlds. Written by a team of experts in their fields, this work considers productions that discuss social settings as reflections of their times and as indicative of the technical advances in production and the economics of film and television. Productions included are a mix of Hollywood and European spanning from the silent film era though modern day television series, and topics discussed include Hollywood politics in film, soundtrack and sound design, high art and low art, European art cinemas, and the ancient world as comedy. Written for students of film and television as well as those interested in studies of ancient Rome and Greece, A Companion to Ancient Greece and Rome on Screen provides comprehensive, current thinking on how the depiction of Ancient Greece and Rome on screen has developed over the past century. It reviews how films of the ancient world mirrored shifting attitudes towards Christianity, the impact of changing techniques in film production, and fascinating explorations of science fiction and technical fantasy in the ancient world on popular TV shows like Star Trek, Babylon 5, Battlestar Galactica, and Dr. Who.

More than 300 pages of the famous super-team’s inaugural exploits! Superman. Batman. Wonder Woman. The Flash. Green Lantern. Aquaman. The Martian Manhunter. Green Arrow. As individuals, their names are legend. Together, they are even greater than the sum of their parts. They are the Justice League of America, and they stand for truth, justice and the American way! Since they were first commissioned by renowned DC Comics editor Julius Schwartz in 1960, the Justice League has thrilled audiences across the globe in tales that span time and space. Collects THE BRAVE AND THE BOLD #28-30, JUSTICE LEAGUE OF AMERICA #1-8 and MYSTERY IN SPACE #75, and includes the classic tales “Doom of the Star Diamond,” “The Slave Ship of Space” and “Starro the Conqueror!”More than 300 pages of the famous super-team’s inaugural exploits! Superman. Batman. Wonder Woman. The Flash. Green Lantern. Aquaman. The Martian Manhunter. Green Arrow. As individuals, their names are legend. Together, they are even greater than the sum of their parts. They are the Justice League of America, and they stand for truth, justice and the American way! Since they were first commissioned by renowned DC Comics editor Julius Schwartz in 1960, the Justice League has thrilled audiences across the globe in tales that span time and space. Collects THE BRAVE AND THE BOLD #28-30, JUSTICE LEAGUE OF AMERICA #1-8 and MYSTERY IN SPACE #75, and includes the classic tales “Doom of the Star Diamond,” “The Slave Ship of Space” and “Starro the Conqueror!”

1950 : Variety on the newstand -- 1951 : Before the storm -- 1952 : Expansion -- 1953 : EC soars, Fawcett crashes -- 1954 : Comics in crisis -- 1955 : Censored! -- 1956 : Birth of the silver age -- 1957 : Turbulence and transition -- 1958 : National takes the lead -- 1959 : The silver age gains traction

This is the untold political history of television's formative era. The author, an historian, goes behind the scenes of early television programming, revealing that producers, sponsors, and scriptwriters had far more in mind than simply entertaining (and selling products). Long before the age of PBS, leaders from business, philanthropy, and social reform movements as well as public intellectuals were all obsessively concerned with TV's potential to mold the right kind of citizen. After World War II, inspired by the perceived threats of Soviet communism, class war, and racial violence, members of what was then known as "the Establishment" were drawn together by a shared conviction that television broadcasting could be a useful tool for governing. The men of Du Pont, the AFL-CIO, the Advertising Council, the Ford Foundation, the Fund for the Republic, and other organizations interested in shaping (according to American philosopher Mortimer Adler) "the ideas that should be in every citizen's mind," turned to TV as a tool for reaching those people they thought of as the masses. Based on years of archival work, this work sheds new light on the place of television in the postwar American political landscape. At a time when TV broadcasting is in a state of crisis, and when a new political movement for media reform has ascended the political stage, here is a new history of the ideas and assumptions that have profoundly shaped not only television, but our political culture itself.