A Finalist for the 2019 Los Angeles Times Book Prize in Biography “A complete pleasure to read.” —Lisa Page, Washington Post Novelist Zora Neale Hurston and poet Langston Hughes, two of America’s greatest writers, first met in New York City in 1925. Drawn to each other, they helped launch a radical journal, Fire!! Later, meeting by accident in Alabama, they became close as they traveled together—Hurston interviewing African Americans for folk stories, Hughes getting his first taste of the deep South. By illuminating their lives, work, competitiveness, and ambitions, Yuval Taylor savvily details how their friendship and literary collaborations dead-ended in acrimonious accusations.

This story begins in Eatonville, Florida, on a Saturday afternoon with Jim and Dave fighting for Daisy's affection. An argument breaks out between two men, and Jim picks up a hock bone from a mule and knocks Dave out. Because of that Jim gets arrested and is held for trial in Joe Clarke's barn. When the trial begins the townspeople are divided along religious lines: Jim's Methodist supporters sit on one side of the church, Dave's Baptist supporters on the other. The issue to be decided at the trial is whether or not Jim has committed a crime.

From “one of the greatest writers of our time” (Toni Morrison)—the author of Barracoon and Their Eyes Were Watching God—a collection of remarkable stories, including eight “lost” Harlem Renaissance tales now available to a wide audience for the first time. New York Times’ Books to Watch for Buzzfeed’s Most Anticipated Books Newsweek’s Most Anticipated Books Forbes.com’s Most Anticipated Books E!’s Top Books to Read Glamour’s Best Books Essence’s Best Books by Black Authors In 1925, Barnard student Zora Neale Hurston—the sole black student at the college—was living in New York, “desperately striving for a toe-hold on the world.” During this period, she began writing short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognized as one of the most influential and revered American artists of the modern period. Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African American folk culture. Brought together for the first time in one volume, they include eight of Hurston’s “lost” Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales reflective of the cultural currents of Hurston’s world. All are timeless classics that enrich our understanding and appreciation of this exceptional writer’s voice and her contributions to America’s literary traditions.

A New York Times Book Review Editors' Choice | Winner of the New Deal Book Award An immersive account of the New Deal project that created state-by-state guidebooks to America, in the midst of the Great Depression—and employed some of the biggest names in American letters The plan was as idealistic as it was audacious—and utterly unprecedented. Take thousands of hard-up writers and put them to work charting a country on the brink of social and economic collapse, with the aim of producing a series of guidebooks to the then forty-eight states—along with hundreds of other publications dedicated to cities, regions, and towns—while also gathering reams of folklore, narratives of formerly enslaved people, and even recipes, all of varying quality, each revealing distinct sensibilities. All this was the singular purview of the Federal Writers’ Project, a division of the Works Progress Administration founded in 1935 to employ jobless writers, from once-bestselling novelists and acclaimed poets to the more dubiously qualified. The FWP took up the lofty goal of rediscovering America in words and soon found itself embroiled in the day’s most heated arguments regarding radical politics, racial inclusion, and the purpose of writing—forcing it to reckon with the promises and failures of both the New Deal and the American experiment itself. Scott Borchert’s Republic of Detours tells the story of this raucous and remarkable undertaking by delving into the experiences of key figures and tracing the FWP from its optimistic early days to its dismemberment by the House Committee on Un-American Activities. We observe notable writers at their day jobs, including Nelson Algren, broke and smarting from the failure of his first novel; Zora Neale Hurston, the most widely published Black woman in the country; and Richard Wright, who arrived in the FWP’s chaotic New York City office on an upward career trajectory courtesy of the WPA. Meanwhile, Ralph Ellison, Studs Terkel, John Cheever, and other future literary stars found encouragement and security on the FWP payroll. By way of these and other stories, Borchert illuminates an essentially noble enterprise that sought to create a broad and inclusive self-portrait of America at a time when the nation’s very identity and future were thrown into question. As the United States enters a new era of economic distress, political strife, and culture-industry turmoil, this book’s lessons are urgent and strong.

The friendship of Jean Toomer and Waldo Frank was one of the most emotionally intense, racially complicated, and aesthetically significant relationships in the history of American literary modernism. Waldo Frank was an established white writer who advised and assisted the younger African American Jean Toomer as he pursued a literary career. They met in 1920, began corresponding regularly in 1922, and were estranged by the end of 1923, the same year that Toomer published his ambitiously modernist debut novel, Cane. While individual letters between Frank and Toomer have been published separately on occasion, they have always been presented out of context. This volume presents for the first time their entire correspondence in chronological order, comprising 121 letters ranging from 200 to 800 words each. Kathleen Pfeiffer annotates and introduces the letters, framing the correspondence and explaining the literary and historical allusions in the letters themselves. Reading like an epistolary novel, Brother Mine captures the sheer emotional force of the story that unfolds in these letters: two men discover an extraordinary friendship, and their intellectual and emotional intimacy takes shape before our eyes. This unprecedented collection preserves the raw honesty of their exchanges, together with the developing drama of their ambition, their disappointments, their assessment of their world, and ultimately, the betrayal that ended the friendship.

Even people who don't know football know who 'Gazza' is. The man born as Paul John Gascoigne to a working-class family in the North-East has found headlines on the front pages almost as often as the back pages throughout his life, thanks in great part to his more than colourful lifestyle. But it is for his time as a footballer of the very highest order that Gazza's name will forever live in sporting history. During a career that spanned more than ten different clubs, among them Newcastle United, Tottenham, Lazio and Rangers, and which included countless unforgettable England performances, Gazza established himself as one of the sport's all-time greats: a master of skill, flair and invention like none that his country had produced before nor perhaps ever will again. Told in Gazza's own unique voice and fully illustrated with hundreds of photos from the moments that he feels defined his career,Glorious: My World, Football and Meis a celebration, offering an unrivalled insight into the mind of this greatest of footballers.

An "illuminating" and "richly descriptive" (New York Times Book Review) portrait of contemporary Israel, revealing the diversity of this extraordinary yet volatile nation by weaving together personal histories of ordinary citizens from all walks of life. “In Twelve Tribes, Ethan Michaeli proves he is a master portraitist – of lives, places, and cultures. His rendering of contemporary Israel crackles with energy, fueled by a historian’s vision and a journalist’s unrelenting curiosity.” — Evan Osnos, New York Times bestselling author of Age of Ambition and Wildland In 2015, Israeli President Reuven Rivlin warned that the country’s citizens were dividing into tribes: by class and ethnicity, by geography, and along lines of faith. In Twelve Tribes, award-winning author Ethan Michaeli portrays this increasingly fractured nation by intertwining interviews with Israelis of all tribes into a narrative of social and political change. Framed by Michaeli’s travels across the country over four years and his conversations with Israeli family, friends, and everyday citizens, Twelve Tribes illuminates the complex dynamics within the country, a collective drama with global consequences far beyond the ongoing conflict with the Palestinians. Readers will meet the aging revolutionaries who founded Israel’s kibbutz movement and the brilliant young people working for the country’s booming Big Tech companies. They will join thousands of ultra-Orthodox Haredim at a joyous memorial for a long-dead Romanian Rebbe in a suburb of Tel Aviv, and hear the life stories of Ethiopian Jews who were incarcerated and tortured in their homeland as “Prisoners of Zion” before they were able to escape to Israel. And they will be challenged, in turn, by portraits of Israeli Arabs navigating between the opportunities in a prosperous, democratic state and the discrimination they suffer as a vilified minority, as by interviews with both the Palestinians striving to build the institutions of a nascent state and the Israeli settlers seeking to establish a Jewish presence on the same land. Immersive and enlightening, Twelve Tribes is a vivid depiction of a modern state contending with ancient tensions and dangerous global forces at this crucial historic moment. Through extensive research and access to all sectors of Israeli society, Michaeli reveals Israel to be a land of paradoxical intersections and unlikely cohabitation—a place where all of the world’s struggles meet, and a microcosm for the challenges faced by all nations today.