Nitzan Lebovic claims that political melancholy is the defining trait of a generation of Israelis born between the 1960s and 1990s. This cohort came of age during wars, occupation and intifada, cultural conflict, and the failure of the Oslo Accords. The atmosphere of militarism and conservative state politics left little room for democratic opposition or dissent. Lebovic and others depict the failure to respond not only as a result of institutional pressure but as the effect of a long-lasting "left-wing melancholy." In order to understand its grip on Israeli society, Lebovic turns to the novels and short stories of Israel Zarchi. For him, Zarchi aptly describes the gap between the utopian hope present in Zionism since its early days and the melancholic reality of the present. Through personal engagement with Zarchi, Lebovic develops a philosophy of melancholy and shows how it pervades Israeli society.

This study focuses on the emergence of a modern Jewish national literature and culture within the parameters of Zionism in Vienna and Berlin at the turn of the last century. Prominent figures associated with early modern Zionism, including Theodor Herzl, Max Nordau, and Martin Buber, were also writers and literary or cultural icons within the Central European, Germanic-Austrian cultural environment of the fin-de-siècle. More important, Cultural Zionism promoted young Jewish literary and artistic talent as part of its ideology of a modern Jewish Renaissance. A corpus of German-language Jewish-national poetry and literature, as well as mechanisms for its dissemination and reception, developed rapidly. Most of this literary and cultural production has been forgotten or suppressed. Productive, if often unlikely, partnerships between Jewish national poets and artists and Central European cultural figures and movements were forged in this context. Facets of Central European cultural life, which were somewhat oppositional to traditional Jewish culture were received, absorbed, or transformed within Cultural Zionism. For example, the relationship of German racialist thought and German-nationalist fraternity life to early Jewish-national expression is a largely unknown chapter of early Jewish-national cultural history. The same can be said for the impact of feminist, counter-culture, and bohemian circles in Berlin on Cultural Zionist personalities and their work.

Judith Butler follows Edward Said’s late suggestion that through a consideration of Palestinian dispossession in relation to Jewish diasporic traditions a new ethos can be forged for a one-state solution. Butler engages Jewish philosophical positions to articulate a critique of political Zionism and its practices of illegitimate state violence, nationalism, and state-sponsored racism. At the same time, she moves beyond communitarian frameworks, including Jewish ones, that fail to arrive at a radical democratic notion of political cohabitation. Butler engages thinkers such as Edward Said, Emmanuel Levinas, Hannah Arendt, Primo Levi, Martin Buber, Walter Benjamin, and Mahmoud Darwish as she articulates a new political ethic. In her view, it is as important to dispute Israel’s claim to represent the Jewish people as it is to show that a narrowly Jewish framework cannot suffice as a basis for an ultimate critique of Zionism. She promotes an ethical position in which the obligations of cohabitation do not derive from cultural sameness but from the unchosen character of social plurality. Recovering the arguments of Jewish thinkers who offered criticisms of Zionism or whose work could be used for such a purpose, Butler disputes the specific charge of anti-Semitic self-hatred often leveled against Jewish critiques of Israel. Her political ethic relies on a vision of cohabitation that thinks anew about binationalism and exposes the limits of a communitarian framework to overcome the colonial legacy of Zionism. Her own engagements with Edward Said and Mahmoud Darwish form an important point of departure and conclusion for her engagement with some key forms of thought derived in part from Jewish resources, but always in relation to the non-Jew. Butler considers the rights of the dispossessed, the necessity of plural cohabitation, and the dangers of arbitrary state violence, showing how they can be extended to a critique of Zionism, even when that is not their explicit aim. She revisits and affirms Edward Said’s late proposals for a one-state solution within the ethos of binationalism. Butler’s startling suggestion: Jewish ethics not only demand a critique of Zionism, but must transcend its exclusive Jewishness in order to realize the ethical and political ideals of living together in radical democracy.

A lively intellectual history that explores how prominent midcentury public intellectuals approached Zionism and then the State of Israel itself and its conflicts with the Arab world In this lively intellectual history of the political Left, cultural critic Susie Linfield investigates how eight prominent twentieth-century intellectuals struggled with the philosophy of Zionism, and then with Israel and its conflicts with the Arab world. Constructed as a series of interrelated portraits that combine the personal and the political, the book includes philosophers, historians, journalists, and activists such as Hannah Arendt, Arthur Koestler, I. F. Stone, and Noam Chomsky. In their engagement with Zionism, these influential thinkers also wrestled with the twentieth century’s most crucial political dilemmas: socialism, nationalism, democracy, colonialism, terrorism, and anti-Semitism. In other words, in probing Zionism, they confronted the very nature of modernity and the often catastrophic histories of our time. By examining these leftist intellectuals, Linfield also seeks to understand how the contemporary Left has become focused on anti-Zionism and how Israel itself has moved rightward.

From serving as the Middle East correspondent for The New Yorker to penning articles for the New York Times, Milton Viorst has dedicated his career to studying the Middle East. Now, in this new book, Viorst examines the evolution of Zionism, from its roots by serving as a cultural refuge for Europe's Jews, to the cover it provides today for Israel's exercise of control over millions of Arabs in occupied territories. Beginning with the shattering of the traditional Jewish society during the Enlightenment, Viorst covers the recent history of the Jews, from the spread of Jewish Emancipation during the French Revolution Era to the rise of the exclusionary anti-Semitism that overwhelmed Europe in the late nineteenth century. Viorst examines how Zionism was born and follows its development through the lives and ideas of its dominant leaders, who all held only one tenet in common: that Jews, for the first time in two millennia, must determine their own destiny to save themselves. But, in regards to creating a Jewish state with a military that dominates the region, Viorst argues that Israel has squandered the goodwill it enjoyed at its founding, and thus the country has put its own future on very uncertain footing. With the expertise and knowledge garnered from decades of studying this contentious region, Milton Viorst deftly exposes the risks that Israel faces today.

A Marxist history of Israeli literature, tracing the relations between economic, social, and aesthetic transformations. Signatures of Struggle offers a unique perspective on Israeli literature, bringing Marxist cultural critique to bear on a field from which it has hitherto been absent. Oded Nir moves beyond the dominant interpretive horizon of Israeli literary criticism: the relation of literature to national ideology. Rather than reproducing the usual narrative in which fiction resists the nation’s goals, Nir demonstrates how, in each historical moment, literary engagement with national ideology is a means to think through social tensions or contradictions internal to Israeli society—to solve in imagination problems that threaten the social order. Focusing on moments of transformation, Nir argues that the 1950s crisis of realism was the result of the failure, rather than the success, of the collective transformative project of the haluzim, the settler vanguard of Zionism. In the 1980s, the postmodern turn expressed a crisis of social imagination, whose origin was the incorporation of Palestinians into the Israeli economy after the 1967 war. Finally, he shows that the ways in which history is imaginatively reworked in contemporary Israeli fiction can only be understood through the context of 1950s and 1980s literature. Authors analyzed include Yigal Mossinsohn, Nathan Shaham, Hanoch Bartov, Yehudit Hendel, Orly Castel-Bloom, Yehudit Katzir, David Grossman, Yehoshua Kenaz, and Batya Gur. Oded Nir is Visiting Assistant Professor of Judaic Studies at Franklin & Marshall College.

This book deals with two remarkable events--the worldwide transformations of the Jews in the modern age and the revival of the ancient Hebrew language. It is a book about social and cultural history addressed not only to the professional historian, and a book about Jews addressed not only to Jewish readers. It tries to rethink a wide field of cultural phenomena and present the main ideas to the intelligent reader, or, better, present a "family picture" of related and contiguous ideas. Many names and details are mentioned, which may not all be familiar to the uninitiated; their function is to provide some concrete texture for this dramatic story, but the focus is on the story itself. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993. This book deals with two remarkable events--the worldwide transformations of the Jews in the modern age and the revival of the ancient Hebrew language. It is a book about social and cultural history addressed not only to the professional historian, and a